{"id":10239,"date":"2024-10-28T23:20:27","date_gmt":"2024-10-28T22:20:27","guid":{"rendered":"https:\/\/www.orpheus-magazin.de\/?page_id=10239"},"modified":"2024-10-29T13:53:18","modified_gmt":"2024-10-29T12:53:18","slug":"rezensionen-06-2024","status":"publish","type":"page","link":"https:\/\/www.orpheus-magazin.de\/de\/rezensionen-06-2024\/","title":{"rendered":"Rezensionen 06\/2024"},"content":{"rendered":"<p class=\"has-text-align-center\">Eine Auswahl an Premierenkritiken, einige davon nur hier online.<br>Zus\u00e4tzlich finden Sie 32 weitere Rezensionen exklusiv in unserer <a href=\"https:\/\/www.orpheus-magazin.de\/de\/ausgabe-06-2024\/\">Printausgabe November\/Dezember 2024<\/a>.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<ul class=\"wp-block-latest-posts__list wp-block-latest-posts\"><li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2024\/10\/17\/muenster-koenigskinder\/\" aria-label=\"M\u00e4rchenpoesie ohne Katastrophenschutz\"><img fetchpriority=\"high\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Theater-Muenster_Koenigskinder-c-Thilo-Beu-300x169.jpeg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Keine b\u00f6se Hexe: Wioletta Hebrowska (Foto Thilo Beu)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Theater-Muenster_Koenigskinder-c-Thilo-Beu-300x169.jpeg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Theater-Muenster_Koenigskinder-c-Thilo-Beu-1024x576.jpeg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Theater-Muenster_Koenigskinder-c-Thilo-Beu-768x432.jpeg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Theater-Muenster_Koenigskinder-c-Thilo-Beu-500x281.jpeg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Theater-Muenster_Koenigskinder-c-Thilo-Beu-800x450.jpeg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Theater-Muenster_Koenigskinder-c-Thilo-Beu-1280x720.jpeg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Theater-Muenster_Koenigskinder-c-Thilo-Beu-870x490.jpeg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Theater-Muenster_Koenigskinder-c-Thilo-Beu-600x338.jpeg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Theater-Muenster_Koenigskinder-c-Thilo-Beu.jpeg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2024\/10\/17\/muenster-koenigskinder\/\">M\u00e4rchenpoesie ohne Katastrophenschutz<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">M\u00fcnster \/ Theater M\u00fcnster (Oktober 2024)<\/span><\/br> Humperdincks \u201eK\u00f6nigskinder\u201c als soziale Drei-Generationen-Story<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2024\/10\/12\/wien-passion\/\" aria-label=\"Musikalisches Juwel\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Neue-Oper-Wien_Passion-c-Armin-Bardel-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Lui (Wolfgang Resch) und Lei (Melis Demiray) (Foto Armin Bardel)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Neue-Oper-Wien_Passion-c-Armin-Bardel-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Neue-Oper-Wien_Passion-c-Armin-Bardel-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Neue-Oper-Wien_Passion-c-Armin-Bardel-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Neue-Oper-Wien_Passion-c-Armin-Bardel-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Neue-Oper-Wien_Passion-c-Armin-Bardel-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Neue-Oper-Wien_Passion-c-Armin-Bardel-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Neue-Oper-Wien_Passion-c-Armin-Bardel-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Neue-Oper-Wien_Passion-c-Armin-Bardel-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Neue-Oper-Wien_Passion-c-Armin-Bardel.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2024\/10\/12\/wien-passion\/\">Musikalisches Juwel<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Wien \/ Neue Oper Wien (Oktober 2024)<\/span><\/br> Pascal Dusapins \u201ePassion\u201c nimmt der Liebe ihre Leichtigkeit <\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2024\/10\/05\/lyon-wozzeck\/\" aria-label=\"Versuchskaninchen\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Opera-de-Lyon_Wozzeck-c-Jean-Louis-Fernandez-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Opera-de-Lyon_Wozzeck-c-Jean-Louis-Fernandez-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Opera-de-Lyon_Wozzeck-c-Jean-Louis-Fernandez-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Opera-de-Lyon_Wozzeck-c-Jean-Louis-Fernandez-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Opera-de-Lyon_Wozzeck-c-Jean-Louis-Fernandez-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Opera-de-Lyon_Wozzeck-c-Jean-Louis-Fernandez-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Opera-de-Lyon_Wozzeck-c-Jean-Louis-Fernandez-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Opera-de-Lyon_Wozzeck-c-Jean-Louis-Fernandez-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Opera-de-Lyon_Wozzeck-c-Jean-Louis-Fernandez-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Opera-de-Lyon_Wozzeck-c-Jean-Louis-Fernandez.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2024\/10\/05\/lyon-wozzeck\/\">Versuchskaninchen<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Lyon \/ Op\u00e9ra de Lyon (Oktober 2024)<\/span><\/br> Alban Bergs \u201eWozzeck\u201c als Proband von Medizin, Milit\u00e4r, Kirche und Politik<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2024\/10\/04\/karlsruhe-the-wreckers\/\" aria-label=\"Feuchtes Grab\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Badisches-Staatstheater-Karlsruhe_The-Wreckers-c-Felix-Gruenschloss-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Badisches-Staatstheater-Karlsruhe_The-Wreckers-c-Felix-Gruenschloss-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Badisches-Staatstheater-Karlsruhe_The-Wreckers-c-Felix-Gruenschloss-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Badisches-Staatstheater-Karlsruhe_The-Wreckers-c-Felix-Gruenschloss-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Badisches-Staatstheater-Karlsruhe_The-Wreckers-c-Felix-Gruenschloss-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Badisches-Staatstheater-Karlsruhe_The-Wreckers-c-Felix-Gruenschloss-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Badisches-Staatstheater-Karlsruhe_The-Wreckers-c-Felix-Gruenschloss-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Badisches-Staatstheater-Karlsruhe_The-Wreckers-c-Felix-Gruenschloss-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Badisches-Staatstheater-Karlsruhe_The-Wreckers-c-Felix-Gruenschloss-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Badisches-Staatstheater-Karlsruhe_The-Wreckers-c-Felix-Gruenschloss.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2024\/10\/04\/karlsruhe-the-wreckers\/\">Feuchtes Grab<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Karlsruhe \/ Badisches Staatstheater Karlsruhe (September 2024)<\/span><\/br> Leben und \u00dcberleben in Ethel Smyths \u201eThe Wreckers\u201c<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2024\/09\/30\/erfurt-tosca\/\" aria-label=\"Tosca on Stage\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Theater-Erfurt_Tosca-c-Lutz-Edelhoff-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Stumme Beobachter: im Hintergrund ein Teil des Publikums (Foto Lutz Edelhoff)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Theater-Erfurt_Tosca-c-Lutz-Edelhoff-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Theater-Erfurt_Tosca-c-Lutz-Edelhoff-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Theater-Erfurt_Tosca-c-Lutz-Edelhoff-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Theater-Erfurt_Tosca-c-Lutz-Edelhoff-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Theater-Erfurt_Tosca-c-Lutz-Edelhoff-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Theater-Erfurt_Tosca-c-Lutz-Edelhoff-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Theater-Erfurt_Tosca-c-Lutz-Edelhoff-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Theater-Erfurt_Tosca-c-Lutz-Edelhoff-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Theater-Erfurt_Tosca-c-Lutz-Edelhoff.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2024\/09\/30\/erfurt-tosca\/\">Tosca on Stage<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Erfurt \/ Theater Erfurt (September 2024)<\/span><\/br> Ein Perspektivenwechsel f\u00fcr Puccinis Oper<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2024\/09\/16\/bremerhaven-turandot\/\" aria-label=\"R\u00e4tselhaft\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Stadttheater-Bremerhaven_Turandot-c-Heiko-Sandelmann-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Agnes Selma Weiland als Turandot mit Federkopfputz (Foto Heiko Sandelmann)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Stadttheater-Bremerhaven_Turandot-c-Heiko-Sandelmann-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Stadttheater-Bremerhaven_Turandot-c-Heiko-Sandelmann-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Stadttheater-Bremerhaven_Turandot-c-Heiko-Sandelmann-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Stadttheater-Bremerhaven_Turandot-c-Heiko-Sandelmann-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Stadttheater-Bremerhaven_Turandot-c-Heiko-Sandelmann-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Stadttheater-Bremerhaven_Turandot-c-Heiko-Sandelmann-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Stadttheater-Bremerhaven_Turandot-c-Heiko-Sandelmann-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Stadttheater-Bremerhaven_Turandot-c-Heiko-Sandelmann-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Stadttheater-Bremerhaven_Turandot-c-Heiko-Sandelmann.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2024\/09\/16\/bremerhaven-turandot\/\">R\u00e4tselhaft<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Bremerhaven \/ Stadttheater Bremerhaven (September 2024)<\/span><\/br> Puccinis \u201eTurandot\u201c im Drogenrausch <\/div><\/li>\n<\/ul>\n\n\n<div style=\"height:80px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-vertically-aligned-center is-stacked-on-mobile has-background\" style=\"background-color:#f6f6f6;grid-template-columns:22% auto\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"850\" height=\"1000\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Heft_Bestellbox_2024-06_s.jpg\" alt=\"\" class=\"wp-image-10205 size-full\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Heft_Bestellbox_2024-06_s.jpg 850w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Heft_Bestellbox_2024-06_s-255x300.jpg 255w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Heft_Bestellbox_2024-06_s-768x904.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Heft_Bestellbox_2024-06_s-500x588.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Heft_Bestellbox_2024-06_s-800x941.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/10\/Heft_Bestellbox_2024-06_s-600x706.jpg 600w\" sizes=\"(max-width: 850px) 100vw, 850px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p style=\"font-size:24px\"><strong>Unsere Ausgabe November\/Dezember 2024 online bestellen<\/strong><\/p>\n\n\n\n<p>Bequem in Ihren Briefkasten oder als PDF zum Sofort-Download<\/p>\n\n\n\n<p><strong><a href=\"https:\/\/www.orpheus-magazin.de\/de\/product\/print-ausgabe-06-2024\/\" target=\"_blank\" rel=\"noreferrer noopener\">Print-Ausgabe bestellen<\/a><\/strong> | <strong><a href=\"https:\/\/www.orpheus-magazin.de\/de\/product\/pdf-ausgabe-06-2024\/\" target=\"_blank\" rel=\"noreferrer noopener\">PDF-Ausgabe bestellen<\/a><\/strong><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Eine Auswahl an Premierenkritiken, einige davon nur hier online.Zus\u00e4tzlich finden Sie 32 weitere Rezensionen exklusiv in unserer Printausgabe November\/Dezember 2024.<\/p>","protected":false},"author":14,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"tpgb_global_settings":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","_eb_attr":"","footnotes":""},"class_list":["post-10239","page","type-page","status-publish","hentry"],"tpgb_featured_images":null,"tpgb_post_meta_info":{"get_date":"28. Oktober 2024","get_modified_date":"29. Oktober 2024","author_name":"Silvia Murauer","author_url":"https:\/\/www.orpheus-magazin.de\/de\/author\/mailsilviamurauer-de\/","author_email":"mail@silviamurauer.de","author_website":"","author_description":"","author_facebook":"","author_twitter":"","author_instagram":"","author_role":["administrator"],"author_firstname":"Silvia","author_lastname":"Murauer","user_login":"mail@silviamurauer.de","author_avatar":"<img alt='' src='https:\/\/secure.gravatar.com\/avatar\/f621fd74b09e85b40b2840fd83e82293b9a74c7122761b5607082e36ece1f9d0?s=200&#038;d=mm&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/f621fd74b09e85b40b2840fd83e82293b9a74c7122761b5607082e36ece1f9d0?s=400&#038;d=mm&#038;r=g 2x' class='avatar avatar-200 photo' height='200' width='200' decoding='async'\/>","author_avatar_url":"https:\/\/secure.gravatar.com\/avatar\/f621fd74b09e85b40b2840fd83e82293b9a74c7122761b5607082e36ece1f9d0?s=96&d=mm&r=g","comment_count":0,"post_likes":0,"post_views":0},"tpgb_post_category":[],"_links":{"self":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/pages\/10239","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/comments?post=10239"}],"version-history":[{"count":0,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/pages\/10239\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/media?parent=10239"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}