{"id":10294,"date":"2024-12-19T16:49:28","date_gmt":"2024-12-19T15:49:28","guid":{"rendered":"https:\/\/www.orpheus-magazin.de\/?page_id=10294"},"modified":"2025-02-28T17:23:24","modified_gmt":"2025-02-28T16:23:24","slug":"ausgabe-01-2025","status":"publish","type":"page","link":"https:\/\/www.orpheus-magazin.de\/de\/ausgabe-01-2025\/","title":{"rendered":"Ausgabe 01\/2025"},"content":{"rendered":"

Ausgabe 01\/2025<\/h1>\n\n\n\n
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OMER MEIR WELLBER<\/strong>
Ich brauche Freiheit!<\/strong><\/p>\n\n\n\n

Leseprobe<\/strong><\/a><\/p>\n<\/div>\n\n\n\n

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Impressionen<\/p>\n<\/div>\n\n\n\n

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Bis zum heutigen Tag.<\/strong><\/p>\n\n\n\n

Offener Brief von Barrie Kosky zur Komischen Oper Berlin<\/p>\n\n\n\n

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Titel<\/p>\n<\/div>\n\n\n\n

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Was gerade passiert, ist brandgef\u00e4hrlich<\/strong><\/p>\n\n\n\n

Daniel Morgenroth, Intendant des Gerhart-Hauptmann-Theaters G\u00f6rlitz-Zittau, w\u00fcrde am liebsten seine Fassade verkaufen, h\u00e4lt die Kulturfinanzierung des Bundes f\u00fcr \u201ekatastrophal\u201c \u2013 und bezeichnet sich dennoch als Optimist<\/p>\n\n\n\n

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Seitenblick<\/p>\n<\/div>\n\n\n\n

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Sehnsucht nach Identit\u00e4t<\/strong><\/p>\n\n\n\n

Drei Jahre Krieg und die nationale Geschichte seit 1991 befl\u00fcgeln die Selbstdefinition des ukrainischen Musiktheaters<\/p>\n\n\n\n

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Im Fokus<\/p>\n<\/div>\n\n\n\n

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Leuchtende Liebe, lachender Tod!<\/strong><\/p>\n\n\n\n

Nirgends wird so sch\u00f6n gestorben wie in der Oper \u2013 wenn auch manchmal auf h\u00f6chst kuriose Weise. Eine augenzwinkernde Spurensuche<\/p>\n\n\n\n

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Vor Ort<\/p>\n<\/div>\n\n\n\n

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Kommune kann Theater!<\/strong><\/p>\n\n\n\n

Das Theater an der Rott \u2013 ein regionaler Musentempel seit \u00fcber 60 Jahren<\/p>\n\n\n\n

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Interview<\/p>\n<\/div>\n\n\n\n

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Der mit den Puppen tanzt<\/strong><\/p>\n\n\n\n

Oper = Puppentheater? F\u00fcr Nikolaus Habjan geht diese Rechnung auf \u2013 als Regisseur und B\u00fchnenk\u00fcnstler<\/p>\n\n\n\n

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Aufgefallen<\/p>\n<\/div>\n\n\n\n

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Mehr als \u201ewagnerianisches Gebell\u201c<\/strong><\/p>\n\n\n\n

Gustav Holsts Indien-Oper \u201eSita\u201c erlebt am Saarl\u00e4ndischen Staatstheater ihre sp\u00e4te Urauff\u00fchrung<\/p>\n\n\n\n

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Portrait<\/p>\n<\/div>\n\n\n\n

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Der General-Sopran<\/strong><\/p>\n\n\n\n

Sally du Randt wird die erste Bayerische Kammers\u00e4ngerin in Augsburg<\/p>\n\n\n\n

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Fundst\u00fccke<\/p>\n<\/div>\n\n\n\n

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\u201eDie Oper kocht\u201c<\/strong><\/p>\n\n\n\n

Spiegel-Bestseller-Autorin Michaela Baur testet die Kochk\u00fcnste der Opernstars<\/p>\n\n\n\n

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Operette<\/p>\n<\/div>\n\n\n\n

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Der letzte Komet<\/strong><\/p>\n\n\n\n

\u00dcber den vergessenen Wiener Operettenkomponisten Joseph Beer (1908-1987)<\/p>\n\n\n\n

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Portrait<\/p>\n<\/div>\n\n\n\n

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Heimaturlaub<\/strong><\/p>\n\n\n\n

Startenor Saimir Pirgu \u2013 Hommage an seine albanischen Wurzeln<\/p>\n\n\n\n

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Medien<\/p>\n<\/div>\n\n\n\n

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Geh\u00f6rt, gesehen, gelesen<\/strong><\/p>\n\n\n\n

Kulturtipps f\u00fcr das heimische Wohnzimmer<\/p>\n\n\n\n

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Rezensionen<\/p>\n<\/div>\n\n\n\n

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F\u00fcr Sie gesehen<\/a><\/strong><\/strong><\/p>\n\n\n\n

Neues und Spektakul\u00e4res von den (Opern-)B\u00fchnen in Deutschland und Europa<\/p>\n\n\n\n

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Unsere Ausgabe Januar\/Februar 2025 online bestellen<\/strong><\/p>\n\n\n\n

Bequem in Ihren Briefkasten oder als PDF zum Sofort-Download<\/p>\n\n\n\n

Print-Ausgabe bestellen<\/a><\/strong> | PDF-Ausgabe bestellen<\/a><\/strong><\/p>\n<\/div><\/div>\n\n\n\n

<\/div>","protected":false},"excerpt":{"rendered":"

Ausgabe 01\/2025 ___Impressionen Bis zum heutigen Tag. Offener Brief von Barrie Kosky zur Komischen Oper Berlin ___Titel Was gerade passiert, ist brandgef\u00e4hrlich Daniel Morgenroth, Intendant des Gerhart-Hauptmann-Theaters G\u00f6rlitz-Zittau, w\u00fcrde am liebsten seine Fassade verkaufen, h\u00e4lt die Kulturfinanzierung des Bundes f\u00fcr \u201ekatastrophal\u201c \u2013 und bezeichnet sich dennoch als Optimist ___Seitenblick Sehnsucht nach Identit\u00e4t Drei Jahre Krieg […]<\/p>\n","protected":false},"author":14,"featured_media":10293,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-cover.php","meta":{"tpgb_global_settings":"","_editorskit_title_hidden":true,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","_eb_attr":"","footnotes":""},"class_list":["post-10294","page","type-page","status-publish","has-post-thumbnail","hentry"],"tpgb_featured_images":{"full":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/12\/Heft-2er_2025-01.jpg",2151,1009,false],"tp-image-grid":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/12\/Heft-2er_2025-01.jpg",700,328,false],"thumbnail":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/12\/Heft-2er_2025-01-150x150.jpg",150,150,true],"medium":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/12\/Heft-2er_2025-01-300x141.jpg",300,141,true],"medium_large":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/12\/Heft-2er_2025-01-768x360.jpg",600,281,true],"large":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/12\/Heft-2er_2025-01-1024x480.jpg",600,281,true],"default":"https:\/\/www.orpheus-magazin.de\/wp-content\/plugins\/the-plus-addons-for-block-editor\/assets\/images\/tpgb-placeholder.jpg"},"tpgb_post_meta_info":{"get_date":"19. Dezember 2024","get_modified_date":"28. Februar 2025","author_name":"Silvia Murauer","author_url":"https:\/\/www.orpheus-magazin.de\/de\/author\/mailsilviamurauer-de\/","author_email":"mail@silviamurauer.de","author_website":"","author_description":"","author_facebook":"","author_twitter":"","author_instagram":"","author_role":["administrator"],"author_firstname":"Silvia","author_lastname":"Murauer","user_login":"mail@silviamurauer.de","author_avatar":"","author_avatar_url":"https:\/\/secure.gravatar.com\/avatar\/f621fd74b09e85b40b2840fd83e82293b9a74c7122761b5607082e36ece1f9d0?s=96&d=mm&r=g","comment_count":0,"post_likes":0,"post_views":0},"tpgb_post_category":[],"_links":{"self":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/pages\/10294","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/comments?post=10294"}],"version-history":[{"count":0,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/pages\/10294\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/media\/10293"}],"wp:attachment":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/media?parent=10294"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}