{"id":10632,"date":"2025-04-28T23:44:56","date_gmt":"2025-04-28T21:44:56","guid":{"rendered":"https:\/\/www.orpheus-magazin.de\/?page_id=10632"},"modified":"2025-04-29T16:04:18","modified_gmt":"2025-04-29T14:04:18","slug":"rezensionen-03-2025","status":"publish","type":"page","link":"https:\/\/www.orpheus-magazin.de\/de\/rezensionen-03-2025\/","title":{"rendered":"Rezensionen 03\/2025"},"content":{"rendered":"<p class=\"has-text-align-center\">Eine Auswahl an Premierenkritiken, einige davon nur hier online.<br>Zus\u00e4tzlich finden Sie 32 weitere Rezensionen exklusiv in unserer <a href=\"https:\/\/www.orpheus-magazin.de\/de\/ausgabe-03-2025\/\">Printausgabe Mai\/Juni 2025<\/a>.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<ul class=\"wp-block-latest-posts__list wp-block-latest-posts\"><li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2025\/04\/14\/dresden-die-weisse-rose\/\" aria-label=\"Widerstand mit Nachleuchten\"><img fetchpriority=\"high\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Staatsschauspiel-Dresden_Die-Weisse-Rose-c-Stephan-Floss-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"(Foto Stephan Floss)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Staatsschauspiel-Dresden_Die-Weisse-Rose-c-Stephan-Floss-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Staatsschauspiel-Dresden_Die-Weisse-Rose-c-Stephan-Floss-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Staatsschauspiel-Dresden_Die-Weisse-Rose-c-Stephan-Floss-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Staatsschauspiel-Dresden_Die-Weisse-Rose-c-Stephan-Floss-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Staatsschauspiel-Dresden_Die-Weisse-Rose-c-Stephan-Floss-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Staatsschauspiel-Dresden_Die-Weisse-Rose-c-Stephan-Floss-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Staatsschauspiel-Dresden_Die-Weisse-Rose-c-Stephan-Floss-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Staatsschauspiel-Dresden_Die-Weisse-Rose-c-Stephan-Floss-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Staatsschauspiel-Dresden_Die-Weisse-Rose-c-Stephan-Floss.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2025\/04\/14\/dresden-die-weisse-rose\/\">Widerstand mit Nachleuchten<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Dresden \/ Staatsschauspiel Dresden (April 2025)<\/span><\/br> Udo Zimmermanns \u201eWei\u00dfe Rose\u201c in der rohen Erstfassung <\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2025\/04\/07\/regensburg-madama-butterfly\/\" aria-label=\"Mit Leidenschaft und Liebe\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Theater-Regensburg_Madama-Butterfly-c-Marie-Liebig-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Vorsichtig-alternative Interpretation (Foto Theater Regensburg\/Marie Liebig)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Theater-Regensburg_Madama-Butterfly-c-Marie-Liebig-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Theater-Regensburg_Madama-Butterfly-c-Marie-Liebig-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Theater-Regensburg_Madama-Butterfly-c-Marie-Liebig-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Theater-Regensburg_Madama-Butterfly-c-Marie-Liebig-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Theater-Regensburg_Madama-Butterfly-c-Marie-Liebig-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Theater-Regensburg_Madama-Butterfly-c-Marie-Liebig-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Theater-Regensburg_Madama-Butterfly-c-Marie-Liebig-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Theater-Regensburg_Madama-Butterfly-c-Marie-Liebig-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Theater-Regensburg_Madama-Butterfly-c-Marie-Liebig.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2025\/04\/07\/regensburg-madama-butterfly\/\">Mit Leidenschaft und Liebe<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Regensburg \/ Theater Regensburg (April 2025)<\/span><\/br> Puccinis \u201eMadama Butterfly\u201c in \u00fcberraschend neuer Interpretation<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2025\/03\/30\/schwerin-dido-and-aeneas\/\" aria-label=\"Manchmal ist weniger mehr\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Mecklenburgisches-Staatstheater_Dido-und-Aeneas-c-Admill-Kuyler-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Umgeben von ihren Alter Egos: Ekaterina Chayka-Rubinstein als Dido (Foto Admill Kuyler)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Mecklenburgisches-Staatstheater_Dido-und-Aeneas-c-Admill-Kuyler-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Mecklenburgisches-Staatstheater_Dido-und-Aeneas-c-Admill-Kuyler-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Mecklenburgisches-Staatstheater_Dido-und-Aeneas-c-Admill-Kuyler-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Mecklenburgisches-Staatstheater_Dido-und-Aeneas-c-Admill-Kuyler-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Mecklenburgisches-Staatstheater_Dido-und-Aeneas-c-Admill-Kuyler-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Mecklenburgisches-Staatstheater_Dido-und-Aeneas-c-Admill-Kuyler-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Mecklenburgisches-Staatstheater_Dido-und-Aeneas-c-Admill-Kuyler-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Mecklenburgisches-Staatstheater_Dido-und-Aeneas-c-Admill-Kuyler-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Mecklenburgisches-Staatstheater_Dido-und-Aeneas-c-Admill-Kuyler.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2025\/03\/30\/schwerin-dido-and-aeneas\/\">Manchmal ist weniger mehr<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Schwerin \/ Mecklenburgisches Staatstheater (M\u00e4rz 2025)<\/span><\/br> Henry Purcells Weltabschiedswerk \u201eDido and Aeneas\u201c als Dauerfeuerwerk<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2025\/03\/24\/zuerich-das-grosse-feuer\/\" aria-label=\"Entwurzelt\"><img decoding=\"async\" width=\"300\" height=\"160\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/03\/Opernhaus-Zuerich_Das-grosse-Feuer-c-Herwig-Prammer-300x160.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Halt im Glauben? Eisejuaz (Leigh Melrose) und der Reverendo (Hugo Paulsson Stove) (Foto Herwig Prammer)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/03\/Opernhaus-Zuerich_Das-grosse-Feuer-c-Herwig-Prammer-300x160.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/03\/Opernhaus-Zuerich_Das-grosse-Feuer-c-Herwig-Prammer-1024x546.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/03\/Opernhaus-Zuerich_Das-grosse-Feuer-c-Herwig-Prammer-768x410.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/03\/Opernhaus-Zuerich_Das-grosse-Feuer-c-Herwig-Prammer-500x267.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/03\/Opernhaus-Zuerich_Das-grosse-Feuer-c-Herwig-Prammer-800x427.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/03\/Opernhaus-Zuerich_Das-grosse-Feuer-c-Herwig-Prammer-1280x683.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/03\/Opernhaus-Zuerich_Das-grosse-Feuer-c-Herwig-Prammer-870x464.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/03\/Opernhaus-Zuerich_Das-grosse-Feuer-c-Herwig-Prammer-600x320.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/03\/Opernhaus-Zuerich_Das-grosse-Feuer-c-Herwig-Prammer.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2025\/03\/24\/zuerich-das-grosse-feuer\/\">Entwurzelt<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Z\u00fcrich \/ Opernhaus Z\u00fcrich (M\u00e4rz 2025)<\/span><\/br> Beat Furrers \u201eDas gro\u00dfe Feuer\u201c atmet den Klang einer sterbenden Welt<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2025\/03\/18\/hamburg-maria-stuarda\/\" aria-label=\"Zerfasert\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Staatsoper-Hamburg_Maria_Stuarda-c-Brinkhoff-Moegenburg-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Multipler Krieg der K\u00f6niginnen (Foto Brinkhoff\/M\u00f6genburg)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Staatsoper-Hamburg_Maria_Stuarda-c-Brinkhoff-Moegenburg-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Staatsoper-Hamburg_Maria_Stuarda-c-Brinkhoff-Moegenburg-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Staatsoper-Hamburg_Maria_Stuarda-c-Brinkhoff-Moegenburg-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Staatsoper-Hamburg_Maria_Stuarda-c-Brinkhoff-Moegenburg-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Staatsoper-Hamburg_Maria_Stuarda-c-Brinkhoff-Moegenburg-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Staatsoper-Hamburg_Maria_Stuarda-c-Brinkhoff-Moegenburg-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Staatsoper-Hamburg_Maria_Stuarda-c-Brinkhoff-Moegenburg-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Staatsoper-Hamburg_Maria_Stuarda-c-Brinkhoff-Moegenburg-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Staatsoper-Hamburg_Maria_Stuarda-c-Brinkhoff-Moegenburg.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2025\/03\/18\/hamburg-maria-stuarda\/\">Zerfasert<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Hamburg \/ Staatsoper Hamburg (M\u00e4rz 2025)<\/span><\/br> Viele Doubles f\u00fcr Donizettis \u201eMaria Stuarda\u201c <\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2025\/03\/17\/berlin-akhnaten\/\" aria-label=\"Lichtspiele im klinischen Raum\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Komische-Oper-Berlin_Echnaton-c-Monika-Rittershaus-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Minimal Music rituell ausgeleuchtet (Foto Monika Rittershaus)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Komische-Oper-Berlin_Echnaton-c-Monika-Rittershaus-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Komische-Oper-Berlin_Echnaton-c-Monika-Rittershaus-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Komische-Oper-Berlin_Echnaton-c-Monika-Rittershaus-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Komische-Oper-Berlin_Echnaton-c-Monika-Rittershaus-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Komische-Oper-Berlin_Echnaton-c-Monika-Rittershaus-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Komische-Oper-Berlin_Echnaton-c-Monika-Rittershaus-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Komische-Oper-Berlin_Echnaton-c-Monika-Rittershaus-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Komische-Oper-Berlin_Echnaton-c-Monika-Rittershaus-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Komische-Oper-Berlin_Echnaton-c-Monika-Rittershaus.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2025\/03\/17\/berlin-akhnaten\/\">Lichtspiele im klinischen Raum<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Berlin \/ Komische Oper Berlin (M\u00e4rz 2025)<\/span><\/br> Philip Glass\u2019 \u201eAkhnaten\u201c in faszinierend artifizieller \u00c4sthetik <\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2025\/03\/17\/salzburg-martha\/\" aria-label=\"In der Fahrradwerkstatt\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Salzburger-Landestheater_Martha-c-SLT-Tobias-Witzgall-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Mona Akinola (Nancy) und Nicole Lubinger (Lady Harriet Durham) (Foto SLT\/Tobias Witzgall)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Salzburger-Landestheater_Martha-c-SLT-Tobias-Witzgall-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Salzburger-Landestheater_Martha-c-SLT-Tobias-Witzgall-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Salzburger-Landestheater_Martha-c-SLT-Tobias-Witzgall-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Salzburger-Landestheater_Martha-c-SLT-Tobias-Witzgall-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Salzburger-Landestheater_Martha-c-SLT-Tobias-Witzgall-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Salzburger-Landestheater_Martha-c-SLT-Tobias-Witzgall-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Salzburger-Landestheater_Martha-c-SLT-Tobias-Witzgall-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Salzburger-Landestheater_Martha-c-SLT-Tobias-Witzgall-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Salzburger-Landestheater_Martha-c-SLT-Tobias-Witzgall.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2025\/03\/17\/salzburg-martha\/\">In der Fahrradwerkstatt<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Salzburg \/ Salzburger Landestheater (M\u00e4rz 2025)<\/span><\/br> Flotows \u201eMartha\u201c als moderne Liebesgeschichte <\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2025\/03\/05\/wien-norma\/\" aria-label=\"Waldmenschen im Stehtheater\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Wiener-Staatsoper_Norma-c-Wiener-Staatsoper-Michael-Poehn-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Freddie De Tommaso (Pollione) und Federica Lombardi (Norma) (Foto Wiener Staatsoper\/Michael P\u00f6hn)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Wiener-Staatsoper_Norma-c-Wiener-Staatsoper-Michael-Poehn-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Wiener-Staatsoper_Norma-c-Wiener-Staatsoper-Michael-Poehn-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Wiener-Staatsoper_Norma-c-Wiener-Staatsoper-Michael-Poehn-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Wiener-Staatsoper_Norma-c-Wiener-Staatsoper-Michael-Poehn-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Wiener-Staatsoper_Norma-c-Wiener-Staatsoper-Michael-Poehn-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Wiener-Staatsoper_Norma-c-Wiener-Staatsoper-Michael-Poehn-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Wiener-Staatsoper_Norma-c-Wiener-Staatsoper-Michael-Poehn-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Wiener-Staatsoper_Norma-c-Wiener-Staatsoper-Michael-Poehn-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Wiener-Staatsoper_Norma-c-Wiener-Staatsoper-Michael-Poehn.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2025\/03\/05\/wien-norma\/\">Waldmenschen im Stehtheater<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Wien \/ Wiener Staatsoper (M\u00e4rz 2025)<\/span><\/br> Bellinis \u201eNorma\u201c ohne Spannung und gro\u00dfe Emotionen <\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2025\/03\/03\/dessau-wozzeck\/\" aria-label=\"Am Abgrund\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Anhaltisches-Theater-Dessau_Wozzeck-c-Claudia-Heysel-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Loch in der Welt (Foto Claudia Heysel)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Anhaltisches-Theater-Dessau_Wozzeck-c-Claudia-Heysel-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Anhaltisches-Theater-Dessau_Wozzeck-c-Claudia-Heysel-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Anhaltisches-Theater-Dessau_Wozzeck-c-Claudia-Heysel-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Anhaltisches-Theater-Dessau_Wozzeck-c-Claudia-Heysel-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Anhaltisches-Theater-Dessau_Wozzeck-c-Claudia-Heysel-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Anhaltisches-Theater-Dessau_Wozzeck-c-Claudia-Heysel-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Anhaltisches-Theater-Dessau_Wozzeck-c-Claudia-Heysel-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Anhaltisches-Theater-Dessau_Wozzeck-c-Claudia-Heysel-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Anhaltisches-Theater-Dessau_Wozzeck-c-Claudia-Heysel.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2025\/03\/03\/dessau-wozzeck\/\">Am Abgrund<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Dessau \/ Anhaltisches Theater (M\u00e4rz 2025)<\/span><\/br> Die bet\u00f6rende Expressivit\u00e4t von Bergs \u201eWozzeck\u201c<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2025\/02\/28\/duesseldorf-lady-macbeth-von-mzensk\/\" aria-label=\"Subversives Potenzial\"><img decoding=\"async\" width=\"300\" height=\"168\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Deutsche-Oper-am-Rhein_Lady-Macbeth-von-Mzensk-c-Sandra-Then-300x168.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Vokales Kraftzentrum: Izabela Matula als Katerina Ismailowa (Foto Sandra Then)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Deutsche-Oper-am-Rhein_Lady-Macbeth-von-Mzensk-c-Sandra-Then-300x168.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Deutsche-Oper-am-Rhein_Lady-Macbeth-von-Mzensk-c-Sandra-Then-1024x575.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Deutsche-Oper-am-Rhein_Lady-Macbeth-von-Mzensk-c-Sandra-Then-768x431.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Deutsche-Oper-am-Rhein_Lady-Macbeth-von-Mzensk-c-Sandra-Then-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Deutsche-Oper-am-Rhein_Lady-Macbeth-von-Mzensk-c-Sandra-Then-800x449.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Deutsche-Oper-am-Rhein_Lady-Macbeth-von-Mzensk-c-Sandra-Then-1280x719.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Deutsche-Oper-am-Rhein_Lady-Macbeth-von-Mzensk-c-Sandra-Then-870x488.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Deutsche-Oper-am-Rhein_Lady-Macbeth-von-Mzensk-c-Sandra-Then-600x337.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Deutsche-Oper-am-Rhein_Lady-Macbeth-von-Mzensk-c-Sandra-Then.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2025\/02\/28\/duesseldorf-lady-macbeth-von-mzensk\/\">Subversives Potenzial<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">D\u00fcsseldorf \/ Deutsche Oper am Rhein (Februar 2025)<\/span><\/br> \u201eLady Macbeth von Mzensk\u201c erhebt Schostakowitschs Musik zum Protagonisten<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2025\/02\/24\/hildesheim-hochzeit-in-hollywood\/\" aria-label=\"Dragqueen in fluider Traumfabrik\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Theater-fuer-Niedersachsen_Hochzeit-in-Hollywood-c-Tim-Mueller-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Dragqueen Loreley Rivers als Mizzi (Foto Tim M\u00fcller)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Theater-fuer-Niedersachsen_Hochzeit-in-Hollywood-c-Tim-Mueller-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Theater-fuer-Niedersachsen_Hochzeit-in-Hollywood-c-Tim-Mueller-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Theater-fuer-Niedersachsen_Hochzeit-in-Hollywood-c-Tim-Mueller-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Theater-fuer-Niedersachsen_Hochzeit-in-Hollywood-c-Tim-Mueller-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Theater-fuer-Niedersachsen_Hochzeit-in-Hollywood-c-Tim-Mueller-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Theater-fuer-Niedersachsen_Hochzeit-in-Hollywood-c-Tim-Mueller-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Theater-fuer-Niedersachsen_Hochzeit-in-Hollywood-c-Tim-Mueller-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Theater-fuer-Niedersachsen_Hochzeit-in-Hollywood-c-Tim-Mueller-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Theater-fuer-Niedersachsen_Hochzeit-in-Hollywood-c-Tim-Mueller.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2025\/02\/24\/hildesheim-hochzeit-in-hollywood\/\">Dragqueen in fluider Traumfabrik<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Hildesheim \/ Theater f\u00fcr Niedersachsen (Februar 2025)<\/span><\/br> Straus\u2019 \u201eHochzeit in Hollywood\u201c als burleske und bitters\u00fc\u00dfe Operetten-Spiele<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2025\/02\/24\/karlsruhe-rinaldo\/\" aria-label=\"Psychogramm eines Helden\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Badisches-Staatstheater-Karlsruhe_Rinaldo-c-Felix-Gruenschloss-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Suzanne Jerosme (Almirena) und Francesca Ascioti (Argante) (Foto Felix Gr\u00fcnschlo\u00df)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Badisches-Staatstheater-Karlsruhe_Rinaldo-c-Felix-Gruenschloss-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Badisches-Staatstheater-Karlsruhe_Rinaldo-c-Felix-Gruenschloss-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Badisches-Staatstheater-Karlsruhe_Rinaldo-c-Felix-Gruenschloss-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Badisches-Staatstheater-Karlsruhe_Rinaldo-c-Felix-Gruenschloss-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Badisches-Staatstheater-Karlsruhe_Rinaldo-c-Felix-Gruenschloss-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Badisches-Staatstheater-Karlsruhe_Rinaldo-c-Felix-Gruenschloss-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Badisches-Staatstheater-Karlsruhe_Rinaldo-c-Felix-Gruenschloss-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Badisches-Staatstheater-Karlsruhe_Rinaldo-c-Felix-Gruenschloss-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Badisches-Staatstheater-Karlsruhe_Rinaldo-c-Felix-Gruenschloss.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2025\/02\/24\/karlsruhe-rinaldo\/\">Psychogramm eines Helden<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Karlsruhe \/ Badisches Staatstheater Karlsruhe (Februar 2025)<\/span><\/br> H\u00e4ndels \u201eRinaldo\u201c in der zweiten Fassung von 1731 <\/div><\/li>\n<\/ul>\n\n\n<div style=\"height:80px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-vertically-aligned-center is-stacked-on-mobile has-background\" style=\"background-color:#f6f6f6;grid-template-columns:22% auto\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"850\" height=\"1000\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Heft_Bestellbox_2025-03_s.jpg\" alt=\"\" class=\"wp-image-10622 size-full\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Heft_Bestellbox_2025-03_s.jpg 850w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Heft_Bestellbox_2025-03_s-255x300.jpg 255w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Heft_Bestellbox_2025-03_s-768x904.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Heft_Bestellbox_2025-03_s-500x588.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Heft_Bestellbox_2025-03_s-800x941.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2025\/04\/Heft_Bestellbox_2025-03_s-600x706.jpg 600w\" sizes=\"(max-width: 850px) 100vw, 850px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p style=\"font-size:24px\"><strong>Unsere Ausgabe Mai\/Juni 2025 online bestellen<\/strong><\/p>\n\n\n\n<p>Bequem in Ihren Briefkasten oder als PDF zum Sofort-Download<\/p>\n\n\n\n<p><strong><a href=\"https:\/\/www.orpheus-magazin.de\/de\/product\/print-ausgabe-03-2025\/\" target=\"_blank\" rel=\"noreferrer noopener\">Print-Ausgabe bestellen<\/a><\/strong> | <strong><a href=\"https:\/\/www.orpheus-magazin.de\/de\/product\/pdf-ausgabe-03-2025\/\" target=\"_blank\" rel=\"noreferrer noopener\">PDF-Ausgabe bestellen<\/a><\/strong><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Eine Auswahl an Premierenkritiken, einige davon nur hier online.Zus\u00e4tzlich finden Sie 32 weitere Rezensionen exklusiv in unserer Printausgabe Mai\/Juni 2025.<\/p>","protected":false},"author":14,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"tpgb_global_settings":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","_eb_attr":"","footnotes":""},"class_list":["post-10632","page","type-page","status-publish","hentry"],"tpgb_featured_images":null,"tpgb_post_meta_info":{"get_date":"28. April 2025","get_modified_date":"29. April 2025","author_name":"Silvia Murauer","author_url":"https:\/\/www.orpheus-magazin.de\/de\/author\/mailsilviamurauer-de\/","author_email":"mail@silviamurauer.de","author_website":"","author_description":"","author_facebook":"","author_twitter":"","author_instagram":"","author_role":["administrator"],"author_firstname":"Silvia","author_lastname":"Murauer","user_login":"mail@silviamurauer.de","author_avatar":"<img alt='' src='https:\/\/secure.gravatar.com\/avatar\/f621fd74b09e85b40b2840fd83e82293b9a74c7122761b5607082e36ece1f9d0?s=200&#038;d=mm&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/f621fd74b09e85b40b2840fd83e82293b9a74c7122761b5607082e36ece1f9d0?s=400&#038;d=mm&#038;r=g 2x' class='avatar avatar-200 photo' height='200' width='200' decoding='async'\/>","author_avatar_url":"https:\/\/secure.gravatar.com\/avatar\/f621fd74b09e85b40b2840fd83e82293b9a74c7122761b5607082e36ece1f9d0?s=96&d=mm&r=g","comment_count":0,"post_likes":0,"post_views":0},"tpgb_post_category":[],"_links":{"self":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/pages\/10632","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/comments?post=10632"}],"version-history":[{"count":0,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/pages\/10632\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/media?parent=10632"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}