{"id":5028,"date":"2021-02-22T13:37:24","date_gmt":"2021-02-22T12:37:24","guid":{"rendered":"https:\/\/www.orpheus-magazin.de\/?page_id=5028"},"modified":"2021-02-22T13:37:25","modified_gmt":"2021-02-22T12:37:25","slug":"rezensionen-01-2021","status":"publish","type":"page","link":"https:\/\/www.orpheus-magazin.de\/de\/rezensionen-01-2021\/","title":{"rendered":"Rezensionen 01\/2021"},"content":{"rendered":"<ul class=\"wp-block-latest-posts__list alignwide wp-block-latest-posts\"><li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2020\/12\/23\/liebestaumel-kalt-gestoppt\/\" aria-label=\"Liebestaumel kalt gestoppt\"><img fetchpriority=\"high\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_muenchen_falstaff-5M1A1097_c_wilfried_Hoesl-e1608747409823-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Gru\u00dfspurige Erscheinung im Designer-Look: Wolfgang Koch als Sir John Falstaff\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_muenchen_falstaff-5M1A1097_c_wilfried_Hoesl-e1608747409823-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_muenchen_falstaff-5M1A1097_c_wilfried_Hoesl-e1608747409823-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_muenchen_falstaff-5M1A1097_c_wilfried_Hoesl-e1608747409823-18x10.jpg 18w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_muenchen_falstaff-5M1A1097_c_wilfried_Hoesl-e1608747409823-870x489.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_muenchen_falstaff-5M1A1097_c_wilfried_Hoesl-e1608747409823-60x34.jpg 60w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_muenchen_falstaff-5M1A1097_c_wilfried_Hoesl-e1608747409823-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_muenchen_falstaff-5M1A1097_c_wilfried_Hoesl-e1608747409823.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2020\/12\/23\/liebestaumel-kalt-gestoppt\/\">Liebestaumel kalt gestoppt<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">M\u00fcnchen \/ Bayerische Staatsoper (Dezember 2020)<\/span><\/br>\n\u201eFalstaff\u201c-Neuproduktion feiert im Stream Premiere<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2020\/12\/23\/il-valenziano\/\" aria-label=\"Il Valenziano\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_valencia_il-tutore-burlat_miguel-lorenzo_Lesarts_28_min-e1608749130495-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\u201eIl tutore burlato\u201c (1775) \/\/ Dramma giocoso von Vicente Mart\u00edn i Soler\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_valencia_il-tutore-burlat_miguel-lorenzo_Lesarts_28_min-e1608749130495-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_valencia_il-tutore-burlat_miguel-lorenzo_Lesarts_28_min-e1608749130495-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_valencia_il-tutore-burlat_miguel-lorenzo_Lesarts_28_min-e1608749130495-18x10.jpg 18w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_valencia_il-tutore-burlat_miguel-lorenzo_Lesarts_28_min-e1608749130495-870x489.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_valencia_il-tutore-burlat_miguel-lorenzo_Lesarts_28_min-e1608749130495-60x34.jpg 60w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_valencia_il-tutore-burlat_miguel-lorenzo_Lesarts_28_min-e1608749130495-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_valencia_il-tutore-burlat_miguel-lorenzo_Lesarts_28_min-e1608749130495.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2020\/12\/23\/il-valenziano\/\">Il Valenziano<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Valencia \/ Palau de les Arts (November 2020)<\/span><\/br>\nEinstiger Star der Barockszene will mit \u201eIl tutore burlato\u201c wiederentdeckt werden<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2020\/12\/23\/kaleidoskop-der-dramatik-und-totalen-vergeltung\/\" aria-label=\"Kaleidoskop der Dramatik und totalen Vergeltung\"><img decoding=\"async\" width=\"1200\" height=\"800\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_sofia_elektra_CHAP2954_c_svetoslav-nikolov-1200x800.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\u201eElektra\u201c (1909) \/\/ Richard Strauss\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_sofia_elektra_CHAP2954_c_svetoslav-nikolov-1200x800.jpg 1200w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_sofia_elektra_CHAP2954_c_svetoslav-nikolov-1920x1280.jpg 1920w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_sofia_elektra_CHAP2954_c_svetoslav-nikolov-2048x1365.jpg 2048w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_sofia_elektra_CHAP2954_c_svetoslav-nikolov-768x512.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_sofia_elektra_CHAP2954_c_svetoslav-nikolov-1536x1024.jpg 1536w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_sofia_elektra_CHAP2954_c_svetoslav-nikolov-18x12.jpg 18w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_sofia_elektra_CHAP2954_c_svetoslav-nikolov-870x580.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_sofia_elektra_CHAP2954_c_svetoslav-nikolov-1860x1240.jpg 1860w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_sofia_elektra_CHAP2954_c_svetoslav-nikolov-60x40.jpg 60w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_sofia_elektra_CHAP2954_c_svetoslav-nikolov-600x400.jpg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2020\/12\/23\/kaleidoskop-der-dramatik-und-totalen-vergeltung\/\">Kaleidoskop der Dramatik und totalen Vergeltung<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Sofia \/ Sofia Opera (November 2020)<\/span><\/br>\nZum ersten Mal \u201eElektra\u201c in Bulgarien<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2020\/12\/23\/vom-erwachsenwerden\/\" aria-label=\"Vom Erwachsenwerden\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_dresden_die-zauberfloete_zauberflte_gp_469_c_semperoper-dresden_ludwig-olah-e1608678234922-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Voller Spielfreude: Sebastian Wartig (Papageno) und Katerina von Bennigsen (Papagena)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_dresden_die-zauberfloete_zauberflte_gp_469_c_semperoper-dresden_ludwig-olah-e1608678234922-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_dresden_die-zauberfloete_zauberflte_gp_469_c_semperoper-dresden_ludwig-olah-e1608678234922-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_dresden_die-zauberfloete_zauberflte_gp_469_c_semperoper-dresden_ludwig-olah-e1608678234922-18x10.jpg 18w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_dresden_die-zauberfloete_zauberflte_gp_469_c_semperoper-dresden_ludwig-olah-e1608678234922-870x489.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_dresden_die-zauberfloete_zauberflte_gp_469_c_semperoper-dresden_ludwig-olah-e1608678234922-60x34.jpg 60w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_dresden_die-zauberfloete_zauberflte_gp_469_c_semperoper-dresden_ludwig-olah-e1608678234922-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_dresden_die-zauberfloete_zauberflte_gp_469_c_semperoper-dresden_ludwig-olah-e1608678234922.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2020\/12\/23\/vom-erwachsenwerden\/\">Vom Erwachsenwerden<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Dresden \/ Semperoper Dresden (November 2020)<\/span><\/br>\u201eZauberfl\u00f6ten\u201c-Premiere am Vorabend des Lockdowns<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2020\/12\/23\/fluechtlingsdrama-im-containerdorf\/\" aria-label=\"Fl\u00fcchtlingsdrama im Containerdorf\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_wien_porgy-and-bess-porgy_and_bess_573_c_monika-rittershaus-e1608751868293-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\u201ePorgy and Bess\u201c (1935)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_wien_porgy-and-bess-porgy_and_bess_573_c_monika-rittershaus-e1608751868293-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_wien_porgy-and-bess-porgy_and_bess_573_c_monika-rittershaus-e1608751868293-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_wien_porgy-and-bess-porgy_and_bess_573_c_monika-rittershaus-e1608751868293-18x10.jpg 18w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_wien_porgy-and-bess-porgy_and_bess_573_c_monika-rittershaus-e1608751868293-870x489.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_wien_porgy-and-bess-porgy_and_bess_573_c_monika-rittershaus-e1608751868293-60x34.jpg 60w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_wien_porgy-and-bess-porgy_and_bess_573_c_monika-rittershaus-e1608751868293-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_wien_porgy-and-bess-porgy_and_bess_573_c_monika-rittershaus-e1608751868293.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2020\/12\/23\/fluechtlingsdrama-im-containerdorf\/\">Fl\u00fcchtlingsdrama im Containerdorf<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Wien \/ Theater an der Wien (Oktober 2020)<\/span><\/br>\nExzellentes \u201ePorgy and Bess\u201c-Ensemble swingt und jazzt<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2020\/12\/23\/zwischen-den-welten\/\" aria-label=\"Zwischen den Welten\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/01\/FSG_Stuttgart_Das-Lied-von-der-Erde_Katja-Buerkle_Foto-Matthias-Baus-scaled-e1609667748487-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/01\/FSG_Stuttgart_Das-Lied-von-der-Erde_Katja-Buerkle_Foto-Matthias-Baus-scaled-e1609667748487-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/01\/FSG_Stuttgart_Das-Lied-von-der-Erde_Katja-Buerkle_Foto-Matthias-Baus-scaled-e1609667748487-1024x577.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/01\/FSG_Stuttgart_Das-Lied-von-der-Erde_Katja-Buerkle_Foto-Matthias-Baus-scaled-e1609667748487-768x433.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/01\/FSG_Stuttgart_Das-Lied-von-der-Erde_Katja-Buerkle_Foto-Matthias-Baus-scaled-e1609667748487-1536x866.jpg 1536w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/01\/FSG_Stuttgart_Das-Lied-von-der-Erde_Katja-Buerkle_Foto-Matthias-Baus-scaled-e1609667748487-500x282.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/01\/FSG_Stuttgart_Das-Lied-von-der-Erde_Katja-Buerkle_Foto-Matthias-Baus-scaled-e1609667748487-800x451.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/01\/FSG_Stuttgart_Das-Lied-von-der-Erde_Katja-Buerkle_Foto-Matthias-Baus-scaled-e1609667748487-1280x722.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/01\/FSG_Stuttgart_Das-Lied-von-der-Erde_Katja-Buerkle_Foto-Matthias-Baus-scaled-e1609667748487-1920x1082.jpg 1920w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/01\/FSG_Stuttgart_Das-Lied-von-der-Erde_Katja-Buerkle_Foto-Matthias-Baus-scaled-e1609667748487-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/01\/FSG_Stuttgart_Das-Lied-von-der-Erde_Katja-Buerkle_Foto-Matthias-Baus-scaled-e1609667748487-1860x1049.jpg 1860w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/01\/FSG_Stuttgart_Das-Lied-von-der-Erde_Katja-Buerkle_Foto-Matthias-Baus-scaled-e1609667748487-600x338.jpg 600w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2020\/12\/23\/zwischen-den-welten\/\">Zwischen den Welten<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Stuttgart \/ Staatsoper Stuttgart (Oktober 2020)<\/span><\/br>\nGustav Mahler meets Elfriede Jelinek in \u201eDas Lied von der Erde\u201c<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2020\/12\/23\/russisches-seelendrama\/\" aria-label=\"Russisches Seelendrama\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_wien_eugen-onegin-eugenonegin_d5B1947_CAR_IVASHCHENKO_SCHUEN_c_wiener-staatsoper_michael-Poehn_16_9-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\u201eEugen Onegin\u201c (1879)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_wien_eugen-onegin-eugenonegin_d5B1947_CAR_IVASHCHENKO_SCHUEN_c_wiener-staatsoper_michael-Poehn_16_9-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_wien_eugen-onegin-eugenonegin_d5B1947_CAR_IVASHCHENKO_SCHUEN_c_wiener-staatsoper_michael-Poehn_16_9-600x339.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_wien_eugen-onegin-eugenonegin_d5B1947_CAR_IVASHCHENKO_SCHUEN_c_wiener-staatsoper_michael-Poehn_16_9-768x434.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_wien_eugen-onegin-eugenonegin_d5B1947_CAR_IVASHCHENKO_SCHUEN_c_wiener-staatsoper_michael-Poehn_16_9-18x10.jpg 18w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_wien_eugen-onegin-eugenonegin_d5B1947_CAR_IVASHCHENKO_SCHUEN_c_wiener-staatsoper_michael-Poehn_16_9-870x491.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_wien_eugen-onegin-eugenonegin_d5B1947_CAR_IVASHCHENKO_SCHUEN_c_wiener-staatsoper_michael-Poehn_16_9-60x34.jpg 60w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_wien_eugen-onegin-eugenonegin_d5B1947_CAR_IVASHCHENKO_SCHUEN_c_wiener-staatsoper_michael-Poehn_16_9.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2020\/12\/23\/russisches-seelendrama\/\">Russisches Seelendrama<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Wien \/ Wiener Staatsoper (Oktober 2020)<\/span><\/br>\n\u201eEugen Onegin\u201c in unspektakul\u00e4rem Einheitsb\u00fchnenbild<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2020\/12\/23\/singulaer\/\" aria-label=\"Singul\u00e4r\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_muenchen_die_voegel_die_voegel_c_w_hoesl_2_c_wilfried-hoesl-e1608747435802-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Hochkar\u00e4tiges Trio: Caroline Wettergreen (Nachtigall), Michael Nagy (Ratefreund) und Charles Workman (Hoffegut)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_muenchen_die_voegel_die_voegel_c_w_hoesl_2_c_wilfried-hoesl-e1608747435802-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_muenchen_die_voegel_die_voegel_c_w_hoesl_2_c_wilfried-hoesl-e1608747435802-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_muenchen_die_voegel_die_voegel_c_w_hoesl_2_c_wilfried-hoesl-e1608747435802-18x10.jpg 18w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_muenchen_die_voegel_die_voegel_c_w_hoesl_2_c_wilfried-hoesl-e1608747435802-870x489.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_muenchen_die_voegel_die_voegel_c_w_hoesl_2_c_wilfried-hoesl-e1608747435802-60x34.jpg 60w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_muenchen_die_voegel_die_voegel_c_w_hoesl_2_c_wilfried-hoesl-e1608747435802-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_muenchen_die_voegel_die_voegel_c_w_hoesl_2_c_wilfried-hoesl-e1608747435802.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2020\/12\/23\/singulaer\/\">Singul\u00e4r<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">M\u00fcnchen \/ Bayerische Staatsoper (Oktober 2020)<\/span><\/br>\nJubil\u00e4um der Braunfels-Rarit\u00e4t \u201eDie V\u00f6gel\u201c ger\u00e4t zur Stippvisite<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2020\/12\/23\/ein-gewisses-etwas\/\" aria-label=\"Ein gewisses Etwas\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_moenchengladbach_meisterklasse-006_meisterklasse_hp1-e1608746388858-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Sie ist es nicht und ist es doch: Eva Spott als Maria Callas\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_moenchengladbach_meisterklasse-006_meisterklasse_hp1-e1608746388858-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_moenchengladbach_meisterklasse-006_meisterklasse_hp1-e1608746388858-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_moenchengladbach_meisterklasse-006_meisterklasse_hp1-e1608746388858-18x10.jpg 18w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_moenchengladbach_meisterklasse-006_meisterklasse_hp1-e1608746388858-870x489.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_moenchengladbach_meisterklasse-006_meisterklasse_hp1-e1608746388858-60x34.jpg 60w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_moenchengladbach_meisterklasse-006_meisterklasse_hp1-e1608746388858-600x337.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_moenchengladbach_meisterklasse-006_meisterklasse_hp1-e1608746388858.jpg 1023w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2020\/12\/23\/ein-gewisses-etwas\/\">Ein gewisses Etwas<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">M\u00f6nchengladbach \/ Theater Krefeld M\u00f6nchengladbach (Oktober 2020)<\/span><\/br>\nVon der \u201eMeisterklasse\u201c bekehrt<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2020\/12\/23\/ist-das-noch-oper\/\" aria-label=\"Ist das noch Oper?\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_hannover_carmen_carmen_c_sandra_then7_mitte_evgania_asanova-e1608745853241-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Musikalische Bearbeitung eines Klassikers \u2013 reizvoll oder \u00fcberfl\u00fcssig?\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_hannover_carmen_carmen_c_sandra_then7_mitte_evgania_asanova-e1608745853241-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_hannover_carmen_carmen_c_sandra_then7_mitte_evgania_asanova-e1608745853241-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_hannover_carmen_carmen_c_sandra_then7_mitte_evgania_asanova-e1608745853241-18x10.jpg 18w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_hannover_carmen_carmen_c_sandra_then7_mitte_evgania_asanova-e1608745853241-870x489.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_hannover_carmen_carmen_c_sandra_then7_mitte_evgania_asanova-e1608745853241-60x34.jpg 60w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_hannover_carmen_carmen_c_sandra_then7_mitte_evgania_asanova-e1608745853241-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_hannover_carmen_carmen_c_sandra_then7_mitte_evgania_asanova-e1608745853241.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2020\/12\/23\/ist-das-noch-oper\/\">Ist das noch Oper?<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Hannover \/ Staatsoper Hannover (Oktober 2020)<\/span><\/br>\nRecht beliebige \u201eUmkomposition\u201c der \u201eCarmen\u201c<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2020\/12\/22\/brueche-und-widersprueche\/\" aria-label=\"Br\u00fcche und Widerspr\u00fcche\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_cottbus_mazeppa-mazeppa_5_presse_c_marlies-kross-e1608677973481-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Selten gespieltes Opernereignis: Kim-Lillian Strebel als Maria und Andreas J\u00e4pel als Mazeppa\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_cottbus_mazeppa-mazeppa_5_presse_c_marlies-kross-e1608677973481-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_cottbus_mazeppa-mazeppa_5_presse_c_marlies-kross-e1608677973481-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_cottbus_mazeppa-mazeppa_5_presse_c_marlies-kross-e1608677973481-18x10.jpg 18w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_cottbus_mazeppa-mazeppa_5_presse_c_marlies-kross-e1608677973481-870x489.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_cottbus_mazeppa-mazeppa_5_presse_c_marlies-kross-e1608677973481-60x34.jpg 60w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_cottbus_mazeppa-mazeppa_5_presse_c_marlies-kross-e1608677973481-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_cottbus_mazeppa-mazeppa_5_presse_c_marlies-kross-e1608677973481.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2020\/12\/22\/brueche-und-widersprueche\/\">Br\u00fcche und Widerspr\u00fcche<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Cottbus \/ Staatstheater Cottbus (Oktober 2020)<\/span><\/br>Tschaikowskis \u201eMazeppa\u201c als atemberaubende Studie \u00fcber den Untergang eines Imperiums<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2020\/12\/22\/mit-kostuem-und-abstand\/\" aria-label=\"Mit Kost\u00fcm und Abstand\"><img decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_berlin_die-grossherzogin-von-gerolstein-gerolstein_137_foto_monikarittershaus-e1608677531667-1200x675.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_berlin_die-grossherzogin-von-gerolstein-gerolstein_137_foto_monikarittershaus-e1608677531667-1200x675.jpg 1200w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_berlin_die-grossherzogin-von-gerolstein-gerolstein_137_foto_monikarittershaus-e1608677531667-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_berlin_die-grossherzogin-von-gerolstein-gerolstein_137_foto_monikarittershaus-e1608677531667-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_berlin_die-grossherzogin-von-gerolstein-gerolstein_137_foto_monikarittershaus-e1608677531667-1536x864.jpg 1536w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_berlin_die-grossherzogin-von-gerolstein-gerolstein_137_foto_monikarittershaus-e1608677531667-18x10.jpg 18w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_berlin_die-grossherzogin-von-gerolstein-gerolstein_137_foto_monikarittershaus-e1608677531667-870x489.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_berlin_die-grossherzogin-von-gerolstein-gerolstein_137_foto_monikarittershaus-e1608677531667-60x34.jpg 60w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_berlin_die-grossherzogin-von-gerolstein-gerolstein_137_foto_monikarittershaus-e1608677531667-600x337.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2020\/12\/fsg_berlin_die-grossherzogin-von-gerolstein-gerolstein_137_foto_monikarittershaus-e1608677531667.jpg 1679w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2020\/12\/22\/mit-kostuem-und-abstand\/\">Mit Kost\u00fcm und Abstand<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Berlin \/ Komische Oper Berlin (Oktober 2020)<\/span><\/br>Offenbachs \u201eGro\u00dfherzogin von Gerolstein\u201c \u2013 ein fantasievoller Hingucker<\/div><\/li>\n<\/ul>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":14,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"tpgb_global_settings":"","_editorskit_title_hidden":true,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","_eb_attr":"","footnotes":""},"class_list":["post-5028","page","type-page","status-publish","hentry"],"tpgb_featured_images":null,"tpgb_post_meta_info":{"get_date":"22. Februar 2021","get_modified_date":"22. Februar 2021","author_name":"Silvia Murauer","author_url":"https:\/\/www.orpheus-magazin.de\/de\/author\/mailsilviamurauer-de\/","author_email":"mail@silviamurauer.de","author_website":"","author_description":"","author_facebook":"","author_twitter":"","author_instagram":"","author_role":["administrator"],"author_firstname":"Silvia","author_lastname":"Murauer","user_login":"mail@silviamurauer.de","author_avatar":"<img alt='' src='https:\/\/secure.gravatar.com\/avatar\/f621fd74b09e85b40b2840fd83e82293b9a74c7122761b5607082e36ece1f9d0?s=200&#038;d=mm&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/f621fd74b09e85b40b2840fd83e82293b9a74c7122761b5607082e36ece1f9d0?s=400&#038;d=mm&#038;r=g 2x' class='avatar avatar-200 photo' height='200' width='200' decoding='async'\/>","author_avatar_url":"https:\/\/secure.gravatar.com\/avatar\/f621fd74b09e85b40b2840fd83e82293b9a74c7122761b5607082e36ece1f9d0?s=96&d=mm&r=g","comment_count":0,"post_likes":0,"post_views":0},"tpgb_post_category":[],"_links":{"self":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/pages\/5028","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/comments?post=5028"}],"version-history":[{"count":0,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/pages\/5028\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/media?parent=5028"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}