{"id":7020,"date":"2021-12-20T17:30:01","date_gmt":"2021-12-20T16:30:01","guid":{"rendered":"https:\/\/www.orpheus-magazin.de\/?page_id=7020"},"modified":"2022-02-28T12:06:23","modified_gmt":"2022-02-28T11:06:23","slug":"ausgabe-01-2022","status":"publish","type":"page","link":"https:\/\/www.orpheus-magazin.de\/de\/ausgabe-01-2022\/","title":{"rendered":"Ausgabe 01\/2022"},"content":{"rendered":"

Ausgabe 01\/2022 (digital)<\/h1>\n\n\n\n
<\/div>\n\n\n\n
\n
\n

___
Aktuell<\/p>\n<\/div>\n\n\n\n

\n

dazwischenwelten<\/a><\/strong><\/p>\n\n\n\n

Ein Kommentar von Iris Steiner<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

___
Gro\u00dfe Stimmen<\/p>\n<\/div>\n\n\n\n

\n

Es sung ein Engel einen s\u00fc\u00dfen Gesan<\/a>g<\/a><\/strong><\/p>\n\n\n\n

Edita Gruberov\u00e1 \u2013 ein sehr pers\u00f6nlicher Nachruf<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

___
Interview<\/p>\n<\/div>\n\n\n\n

\n

Mozart x3<\/a><\/strong><\/p>\n\n\n\n

Elsa Dreisigs Verneigung vor dem Genie<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

___
Fundst\u00fccke<\/p>\n<\/div>\n\n\n\n

\n

Eine B\u00fchne, drei Konzepte<\/a><\/strong><\/p>\n\n\n\n

Die Medea-Trilogie am Theater f\u00fcr Niedersachsen (tfn)<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

___
CD-Tipp<\/p>\n<\/div>\n\n\n\n

\n

\u201eWienerisches Slowfood\u201c de luxe<\/a><\/strong><\/p>\n\n\n\n

Groissb\u00f6ck\/Ebner\/Trenkwitz und die Philharmonia Schrammeln<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

___
Rezensionen<\/p>\n<\/div>\n\n\n\n

\n

F\u00fcr Sie gesehen<\/a><\/strong><\/p>\n\n\n\n

Neues und Spektakul\u00e4res von den (Opern-)B\u00fchnen in Deutschland und Europa <\/p>\n\n\n\n

<\/div>\n\n\n\n
\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n
\n\n<\/div>\n\n\n\n
<\/div>","protected":false},"excerpt":{"rendered":"

Ausgabe 01\/2022 (digital) ___Aktuell dazwischenwelten Ein Kommentar von Iris Steiner ___Gro\u00dfe Stimmen Es sung ein Engel einen s\u00fc\u00dfen Gesang Edita Gruberov\u00e1 \u2013 ein sehr pers\u00f6nlicher Nachruf ___Interview Mozart x3 Elsa Dreisigs Verneigung vor dem Genie ___Fundst\u00fccke Eine B\u00fchne, drei Konzepte Die Medea-Trilogie am Theater f\u00fcr Niedersachsen (tfn) ___CD-Tipp \u201eWienerisches Slowfood\u201c de luxe Groissb\u00f6ck\/Ebner\/Trenkwitz und die […]<\/p>\n","protected":false},"author":14,"featured_media":7028,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-cover.php","meta":{"tpgb_global_settings":"","_editorskit_title_hidden":true,"_editorskit_reading_time":1,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","_eb_attr":"","footnotes":""},"class_list":["post-7020","page","type-page","status-publish","has-post-thumbnail","hentry"],"tpgb_featured_images":{"full":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/dazwischenwelten_Slider_BeaSchmucker.jpg",2000,900,false],"tp-image-grid":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/dazwischenwelten_Slider_BeaSchmucker.jpg",700,315,false],"thumbnail":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/dazwischenwelten_Slider_BeaSchmucker-150x150.jpg",150,150,true],"medium":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/dazwischenwelten_Slider_BeaSchmucker-300x135.jpg",300,135,true],"medium_large":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/dazwischenwelten_Slider_BeaSchmucker-768x346.jpg",600,270,true],"large":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/dazwischenwelten_Slider_BeaSchmucker-1024x461.jpg",600,270,true],"default":"https:\/\/www.orpheus-magazin.de\/wp-content\/plugins\/the-plus-addons-for-block-editor\/assets\/images\/tpgb-placeholder.jpg"},"tpgb_post_meta_info":{"get_date":"20. Dezember 2021","get_modified_date":"28. Februar 2022","author_name":"Silvia Murauer","author_url":"https:\/\/www.orpheus-magazin.de\/de\/author\/mailsilviamurauer-de\/","author_email":"mail@silviamurauer.de","author_website":"","author_description":"","author_facebook":"","author_twitter":"","author_instagram":"","author_role":["administrator"],"author_firstname":"Silvia","author_lastname":"Murauer","user_login":"mail@silviamurauer.de","author_avatar":"","author_avatar_url":"https:\/\/secure.gravatar.com\/avatar\/f621fd74b09e85b40b2840fd83e82293b9a74c7122761b5607082e36ece1f9d0?s=96&d=mm&r=g","comment_count":0,"post_likes":0,"post_views":0},"tpgb_post_category":[],"_links":{"self":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/pages\/7020","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/comments?post=7020"}],"version-history":[{"count":0,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/pages\/7020\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/media\/7028"}],"wp:attachment":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/media?parent=7020"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}