{"id":7096,"date":"2021-12-20T19:15:47","date_gmt":"2021-12-20T18:15:47","guid":{"rendered":"https:\/\/www.orpheus-magazin.de\/?page_id=7096"},"modified":"2021-12-20T19:17:14","modified_gmt":"2021-12-20T18:17:14","slug":"rezensionen-01-2022","status":"publish","type":"page","link":"https:\/\/www.orpheus-magazin.de\/de\/rezensionen-01-2022\/","title":{"rendered":"Rezensionen 01\/2022"},"content":{"rendered":"<ul class=\"wp-block-latest-posts__list alignwide wp-block-latest-posts\"><li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/22\/machtkaempfe-im-grossstadt-dschungel\/\" aria-label=\"Machtk\u00e4mpfe im Gro\u00dfstadt-Dschungel\"><img fetchpriority=\"high\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Teatro-alla-Scala_Macbeth-c-Brescia-e-Amisano-Teatro-alla-Scala-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Glanzlicht und Entt\u00e4uschung: Luca Salsi (Macbeth) und Anna Netrebko (Lady Macbeth) (Foto Brescia e Amisano \/ Teatro alla Scala)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Teatro-alla-Scala_Macbeth-c-Brescia-e-Amisano-Teatro-alla-Scala-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Teatro-alla-Scala_Macbeth-c-Brescia-e-Amisano-Teatro-alla-Scala-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Teatro-alla-Scala_Macbeth-c-Brescia-e-Amisano-Teatro-alla-Scala-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Teatro-alla-Scala_Macbeth-c-Brescia-e-Amisano-Teatro-alla-Scala-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Teatro-alla-Scala_Macbeth-c-Brescia-e-Amisano-Teatro-alla-Scala-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Teatro-alla-Scala_Macbeth-c-Brescia-e-Amisano-Teatro-alla-Scala-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Teatro-alla-Scala_Macbeth-c-Brescia-e-Amisano-Teatro-alla-Scala-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Teatro-alla-Scala_Macbeth-c-Brescia-e-Amisano-Teatro-alla-Scala-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Teatro-alla-Scala_Macbeth-c-Brescia-e-Amisano-Teatro-alla-Scala.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/22\/machtkaempfe-im-grossstadt-dschungel\/\">Machtk\u00e4mpfe im Gro\u00dfstadt-Dschungel<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Mailand \/ Teatro alla Scala (Dezember 2021)<\/span><\/br>\nVerdis \u201eMacbeth\u201c erntet Buhrufe<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/12\/eine-oper-wie-gemalt\/\" aria-label=\"Eine Oper wie gemalt\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatstheater-Meiningen_La-Boheme-c-foto@jochenquast.de_-scaled-e1639322617267-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatstheater-Meiningen_La-Boheme-c-foto@jochenquast.de_-scaled-e1639322617267-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatstheater-Meiningen_La-Boheme-c-foto@jochenquast.de_-scaled-e1639322617267-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatstheater-Meiningen_La-Boheme-c-foto@jochenquast.de_-scaled-e1639322617267-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatstheater-Meiningen_La-Boheme-c-foto@jochenquast.de_-scaled-e1639322617267-1536x864.jpg 1536w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatstheater-Meiningen_La-Boheme-c-foto@jochenquast.de_-scaled-e1639322617267-2048x1152.jpg 2048w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatstheater-Meiningen_La-Boheme-c-foto@jochenquast.de_-scaled-e1639322617267-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatstheater-Meiningen_La-Boheme-c-foto@jochenquast.de_-scaled-e1639322617267-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatstheater-Meiningen_La-Boheme-c-foto@jochenquast.de_-scaled-e1639322617267-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatstheater-Meiningen_La-Boheme-c-foto@jochenquast.de_-scaled-e1639322617267-1920x1080.jpg 1920w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatstheater-Meiningen_La-Boheme-c-foto@jochenquast.de_-scaled-e1639322617267-870x489.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatstheater-Meiningen_La-Boheme-c-foto@jochenquast.de_-scaled-e1639322617267-1860x1046.jpg 1860w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatstheater-Meiningen_La-Boheme-c-foto@jochenquast.de_-scaled-e1639322617267-600x338.jpg 600w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/12\/eine-oper-wie-gemalt\/\">Eine Oper wie gemalt<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Meiningen \/ Staatstheater Meiningen (Dezember 2021)<\/span><\/br>\nMarkus L\u00fcpertz\u2019 anachronistisches Regiedeb\u00fct mit \u201eLa Boh\u00e8me\u201c<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/12\/tamino-im-hier-und-jetzt\/\" aria-label=\"Tamino im Hier und Jetzt\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Kiel_Die-Zauberfloete-c-Olaf-Struck-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Die doppelte Papagena: Sopranistin Mengqi Zhang und Schauspielerin Jennifer B\u00f6hm (Foto Olaf Struck)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Kiel_Die-Zauberfloete-c-Olaf-Struck-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Kiel_Die-Zauberfloete-c-Olaf-Struck-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Kiel_Die-Zauberfloete-c-Olaf-Struck-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Kiel_Die-Zauberfloete-c-Olaf-Struck-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Kiel_Die-Zauberfloete-c-Olaf-Struck-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Kiel_Die-Zauberfloete-c-Olaf-Struck-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Kiel_Die-Zauberfloete-c-Olaf-Struck-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Kiel_Die-Zauberfloete-c-Olaf-Struck-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Kiel_Die-Zauberfloete-c-Olaf-Struck.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/12\/tamino-im-hier-und-jetzt\/\">Tamino im Hier und Jetzt<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Kiel \/ Theater Kiel (Dezember 2021)<\/span><\/br>\nModerner Sprechtext und frische Ideen f\u00fcr Mozarts \u201eZauberfl\u00f6te\u201c<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/12\/jauchzet-frohlocket\/\" aria-label=\"Jauchzet, frohlocket &#8230;\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatstheater-Kassel_Weihnachtsoratorium-c-Isabel-Machado-Rios-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Eine hinterfragende und zugleich aufmunternde musikalische Weihnachtseinstimmung (Foto Isabel Machado Rios)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatstheater-Kassel_Weihnachtsoratorium-c-Isabel-Machado-Rios-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatstheater-Kassel_Weihnachtsoratorium-c-Isabel-Machado-Rios-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatstheater-Kassel_Weihnachtsoratorium-c-Isabel-Machado-Rios-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatstheater-Kassel_Weihnachtsoratorium-c-Isabel-Machado-Rios-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatstheater-Kassel_Weihnachtsoratorium-c-Isabel-Machado-Rios-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatstheater-Kassel_Weihnachtsoratorium-c-Isabel-Machado-Rios-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatstheater-Kassel_Weihnachtsoratorium-c-Isabel-Machado-Rios-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatstheater-Kassel_Weihnachtsoratorium-c-Isabel-Machado-Rios-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatstheater-Kassel_Weihnachtsoratorium-c-Isabel-Machado-Rios.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/12\/jauchzet-frohlocket\/\">Jauchzet, frohlocket &#8230;<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Kassel \/ Staatstheater Kassel (Dezember 2021)<\/span><\/br>\nBachs \u201eWeihnachtsoratorium\u201c als \u201eparzitipatives Musiktheater\u207a\u201c<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/12\/kontrastiv\/\" aria-label=\"Kontrastiv\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Altenburg-Gera_The-Bear-c-Katja-Wisotzki-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Flottes Requiem: Waltons \u201eThe Bear\u201c (Foto Katja Wisotzki)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Altenburg-Gera_The-Bear-c-Katja-Wisotzki-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Altenburg-Gera_The-Bear-c-Katja-Wisotzki-1024x577.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Altenburg-Gera_The-Bear-c-Katja-Wisotzki-768x433.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Altenburg-Gera_The-Bear-c-Katja-Wisotzki-500x282.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Altenburg-Gera_The-Bear-c-Katja-Wisotzki-800x451.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Altenburg-Gera_The-Bear-c-Katja-Wisotzki-1280x721.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Altenburg-Gera_The-Bear-c-Katja-Wisotzki-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Altenburg-Gera_The-Bear-c-Katja-Wisotzki-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Altenburg-Gera_The-Bear-c-Katja-Wisotzki.jpg 1498w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/12\/kontrastiv\/\">Kontrastiv<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Gera \/ Theater Altenburg Gera (Dezember 2021)<\/span><\/br>\nSpannungsgeladener Doppelabend mit Taveners \u201eA Gentle Spirit\u201c und Waltons \u201eThe Bear\u201c<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/12\/flugversuche\/\" aria-label=\"Flugversuche\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Frankfurt_Die-Nacht-vor-Weihnachten-c-Monika-Rittershaus-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Rundum \u00fcberzeugendes Pl\u00e4doyer f\u00fcr eine bezaubernde Opernrarit\u00e4t (Foto Monika Rittershaus)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Frankfurt_Die-Nacht-vor-Weihnachten-c-Monika-Rittershaus-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Frankfurt_Die-Nacht-vor-Weihnachten-c-Monika-Rittershaus-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Frankfurt_Die-Nacht-vor-Weihnachten-c-Monika-Rittershaus-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Frankfurt_Die-Nacht-vor-Weihnachten-c-Monika-Rittershaus-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Frankfurt_Die-Nacht-vor-Weihnachten-c-Monika-Rittershaus-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Frankfurt_Die-Nacht-vor-Weihnachten-c-Monika-Rittershaus-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Frankfurt_Die-Nacht-vor-Weihnachten-c-Monika-Rittershaus-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Frankfurt_Die-Nacht-vor-Weihnachten-c-Monika-Rittershaus-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Frankfurt_Die-Nacht-vor-Weihnachten-c-Monika-Rittershaus.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/12\/flugversuche\/\">Flugversuche<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Frankfurt am Main \/ Oper Frankfurt (Dezember 2021)<\/span><\/br>\nEin B\u00fchnenwunder mit Rimski-Korsakows \u201eDie Nacht vor Weihnachten\u201c<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/12\/liebesstrategin-von-rang\/\" aria-label=\"Liebesstrategin von Rang\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Landestheater-Detmold_Die-lustige-Witwe-c-A.T.-Schaefer-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Kaum gelandet, schon umworben (Foto A.T. Schaefer)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Landestheater-Detmold_Die-lustige-Witwe-c-A.T.-Schaefer-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Landestheater-Detmold_Die-lustige-Witwe-c-A.T.-Schaefer-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Landestheater-Detmold_Die-lustige-Witwe-c-A.T.-Schaefer-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Landestheater-Detmold_Die-lustige-Witwe-c-A.T.-Schaefer-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Landestheater-Detmold_Die-lustige-Witwe-c-A.T.-Schaefer-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Landestheater-Detmold_Die-lustige-Witwe-c-A.T.-Schaefer-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Landestheater-Detmold_Die-lustige-Witwe-c-A.T.-Schaefer-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Landestheater-Detmold_Die-lustige-Witwe-c-A.T.-Schaefer-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Landestheater-Detmold_Die-lustige-Witwe-c-A.T.-Schaefer.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/12\/liebesstrategin-von-rang\/\">Liebesstrategin von Rang<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Detmold \/ Landestheater Detmold (Dezember 2021)<\/span><\/br>\nLeh\u00e1rs \u201eLustige Witwe\u201c man\u00f6vriert Freund und Feind nach ihrem Gusto<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/12\/berlin-berlin-du-heisse-braut\/\" aria-label=\"Berlin, Berlin, Du hei\u00dfe Braut!\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/02_Kudamm-56_CC-Joern-Hartmann-Dominic-Ernst_klein-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Gelungene Musical-Adaption der ZDF-Erfolgsserie (Foto J\u00f6rn Hartmann\/Dominic Ernst)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/02_Kudamm-56_CC-Joern-Hartmann-Dominic-Ernst_klein-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/02_Kudamm-56_CC-Joern-Hartmann-Dominic-Ernst_klein-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/02_Kudamm-56_CC-Joern-Hartmann-Dominic-Ernst_klein-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/02_Kudamm-56_CC-Joern-Hartmann-Dominic-Ernst_klein-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/02_Kudamm-56_CC-Joern-Hartmann-Dominic-Ernst_klein-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/02_Kudamm-56_CC-Joern-Hartmann-Dominic-Ernst_klein-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/02_Kudamm-56_CC-Joern-Hartmann-Dominic-Ernst_klein-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/02_Kudamm-56_CC-Joern-Hartmann-Dominic-Ernst_klein-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/02_Kudamm-56_CC-Joern-Hartmann-Dominic-Ernst_klein.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/12\/berlin-berlin-du-heisse-braut\/\">Berlin, Berlin, Du hei\u00dfe Braut!<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Berlin \/ Stage Theater des Westens (Dezember 2021)<\/span><\/br>\n\u201eKu\u2019damm 56 \u2013 Das Musical\u201c ger\u00e4t zum Volltreffer mit Kultpotenzial<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/03\/eine-orgie-lebendigster-narrheit\/\" aria-label=\"\u201eEine Orgie lebendigster Narrheit\u201c\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Opera-de-Rouen-Normandie_La-vie-parisienne-c-Vincent-Pontet-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Opulente Spielfreude (Foto Vincent Pontet)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Opera-de-Rouen-Normandie_La-vie-parisienne-c-Vincent-Pontet-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Opera-de-Rouen-Normandie_La-vie-parisienne-c-Vincent-Pontet-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Opera-de-Rouen-Normandie_La-vie-parisienne-c-Vincent-Pontet-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Opera-de-Rouen-Normandie_La-vie-parisienne-c-Vincent-Pontet-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Opera-de-Rouen-Normandie_La-vie-parisienne-c-Vincent-Pontet-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Opera-de-Rouen-Normandie_La-vie-parisienne-c-Vincent-Pontet-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Opera-de-Rouen-Normandie_La-vie-parisienne-c-Vincent-Pontet-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Opera-de-Rouen-Normandie_La-vie-parisienne-c-Vincent-Pontet-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Opera-de-Rouen-Normandie_La-vie-parisienne-c-Vincent-Pontet.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/03\/eine-orgie-lebendigster-narrheit\/\">\u201eEine Orgie lebendigster Narrheit\u201c<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Rouen \/ Op\u00e9ra de Rouen Normandie (November 2021)<\/span><\/br>\nRekonstruktion der Urfassung von Offenbachs \u201eLa vie parisienne\u201c<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/03\/dienst-nach-vorschrift\/\" aria-label=\"Dienst nach Vorschrift\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Hessisches-Staatstheater-Wiesbaden_Tristan-und-Isolde-c-Karl-und-Monika-Forster-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Isolde (Barbara Haveman) am Totenbett des Tristan-Doppelg\u00e4ngers (Foto Karl und Monika Forster)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Hessisches-Staatstheater-Wiesbaden_Tristan-und-Isolde-c-Karl-und-Monika-Forster-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Hessisches-Staatstheater-Wiesbaden_Tristan-und-Isolde-c-Karl-und-Monika-Forster-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Hessisches-Staatstheater-Wiesbaden_Tristan-und-Isolde-c-Karl-und-Monika-Forster-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Hessisches-Staatstheater-Wiesbaden_Tristan-und-Isolde-c-Karl-und-Monika-Forster-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Hessisches-Staatstheater-Wiesbaden_Tristan-und-Isolde-c-Karl-und-Monika-Forster-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Hessisches-Staatstheater-Wiesbaden_Tristan-und-Isolde-c-Karl-und-Monika-Forster-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Hessisches-Staatstheater-Wiesbaden_Tristan-und-Isolde-c-Karl-und-Monika-Forster-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Hessisches-Staatstheater-Wiesbaden_Tristan-und-Isolde-c-Karl-und-Monika-Forster-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Hessisches-Staatstheater-Wiesbaden_Tristan-und-Isolde-c-Karl-und-Monika-Forster.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/03\/dienst-nach-vorschrift\/\">Dienst nach Vorschrift<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Wiesbaden \/ Hessisches Staatstheater Wiesbaden (November 2021)<\/span><\/br>\nWagners \u201eTristan und Isolde\u201c mit der Anmutung von fader Pflicht\u00fcbung<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/03\/uneinheitliche-qualitaeten\/\" aria-label=\"Uneinheitliche Qualit\u00e4ten\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Stuttgart_Das-Rheingold-c-Matthias-Baus-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Wagner im Zirkus \u2013 ein kontroverses Regiekonzept (Foto Matthias Baus)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Stuttgart_Das-Rheingold-c-Matthias-Baus-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Stuttgart_Das-Rheingold-c-Matthias-Baus-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Stuttgart_Das-Rheingold-c-Matthias-Baus-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Stuttgart_Das-Rheingold-c-Matthias-Baus-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Stuttgart_Das-Rheingold-c-Matthias-Baus-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Stuttgart_Das-Rheingold-c-Matthias-Baus-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Stuttgart_Das-Rheingold-c-Matthias-Baus-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Stuttgart_Das-Rheingold-c-Matthias-Baus-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Stuttgart_Das-Rheingold-c-Matthias-Baus.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/03\/uneinheitliche-qualitaeten\/\">Uneinheitliche Qualit\u00e4ten<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Stuttgart \/ Staatsoper Stuttgart (November 2021)<\/span><\/br>\nWagners \u201eRheingold\u201c entf\u00fchrt in den Zirkus<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/03\/eindringliche-politische-parabel\/\" aria-label=\"Eindringliche politische Parabel\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Stuttgart_Die-Verurteilung-des-Lukullus-c-Martin-Sigmund-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Abrechnung im bildergefluteten Jenseits (Foto Martin Sigmund)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Stuttgart_Die-Verurteilung-des-Lukullus-c-Martin-Sigmund-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Stuttgart_Die-Verurteilung-des-Lukullus-c-Martin-Sigmund-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Stuttgart_Die-Verurteilung-des-Lukullus-c-Martin-Sigmund-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Stuttgart_Die-Verurteilung-des-Lukullus-c-Martin-Sigmund-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Stuttgart_Die-Verurteilung-des-Lukullus-c-Martin-Sigmund-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Stuttgart_Die-Verurteilung-des-Lukullus-c-Martin-Sigmund-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Stuttgart_Die-Verurteilung-des-Lukullus-c-Martin-Sigmund-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Stuttgart_Die-Verurteilung-des-Lukullus-c-Martin-Sigmund-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Stuttgart_Die-Verurteilung-des-Lukullus-c-Martin-Sigmund.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/03\/eindringliche-politische-parabel\/\">Eindringliche politische Parabel<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Stuttgart \/ Staatsoper Stuttgart (November 2021)<\/span><\/br>\nPaul Dessaus und Bertolt Brechts \u201eVerurteilung des Lukullus\u201c <\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/03\/zwischen-mode-und-politik\/\" aria-label=\"Zwischen Mode und Politik\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Luebeck_Die-stumme-Serenade-c-Olaf-Malzahn-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Modesch\u00f6pfer Andrea Cocl\u00e9 (Steffen Kubach) und Schauspielerin Silvia Lombardi (Amelie M\u00fcller) (Foto Olaf Malzahn)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Luebeck_Die-stumme-Serenade-c-Olaf-Malzahn-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Luebeck_Die-stumme-Serenade-c-Olaf-Malzahn-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Luebeck_Die-stumme-Serenade-c-Olaf-Malzahn-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Luebeck_Die-stumme-Serenade-c-Olaf-Malzahn-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Luebeck_Die-stumme-Serenade-c-Olaf-Malzahn-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Luebeck_Die-stumme-Serenade-c-Olaf-Malzahn-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Luebeck_Die-stumme-Serenade-c-Olaf-Malzahn-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Luebeck_Die-stumme-Serenade-c-Olaf-Malzahn-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Luebeck_Die-stumme-Serenade-c-Olaf-Malzahn.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/03\/zwischen-mode-und-politik\/\">Zwischen Mode und Politik<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">L\u00fcbeck \/ Theater L\u00fcbeck (November 2021)<\/span><\/br>\nAusgrabung von Erich Wolfgang Korngolds \u201eDie stumme Serenade\u201c<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/03\/patronin-der-kirchenmusik\/\" aria-label=\"Patronin der Kirchenmusik\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Hattingen_Die-heilige-Caecilia-c-Guido-Krawinkel-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Eine Auff\u00fchrung im Geiste des kurz vor der Premiere verstorbenen Peter P. Pachl (Foto Guido Krawinkel)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Hattingen_Die-heilige-Caecilia-c-Guido-Krawinkel-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Hattingen_Die-heilige-Caecilia-c-Guido-Krawinkel-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Hattingen_Die-heilige-Caecilia-c-Guido-Krawinkel-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Hattingen_Die-heilige-Caecilia-c-Guido-Krawinkel-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Hattingen_Die-heilige-Caecilia-c-Guido-Krawinkel-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Hattingen_Die-heilige-Caecilia-c-Guido-Krawinkel-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Hattingen_Die-heilige-Caecilia-c-Guido-Krawinkel-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Hattingen_Die-heilige-Caecilia-c-Guido-Krawinkel-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Hattingen_Die-heilige-Caecilia-c-Guido-Krawinkel.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/03\/patronin-der-kirchenmusik\/\">Patronin der Kirchenmusik<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Hattingen \/ pianopianissimo musiktheater (November 2021)<\/span><\/br>\nSp\u00e4te Urauff\u00fchrung von Anton Urspruchs \u201eDie heilige C\u00e4cilia\u201c<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/02\/schlachthaus-atmosphaere\/\" aria-label=\"Schlachthaus-Atmosph\u00e4re\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Hannover_Sweeney-Todd-c-Sandra-Then-scaled-e1638467625585-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Hannover_Sweeney-Todd-c-Sandra-Then-scaled-e1638467625585-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Hannover_Sweeney-Todd-c-Sandra-Then-scaled-e1638467625585-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Hannover_Sweeney-Todd-c-Sandra-Then-scaled-e1638467625585-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Hannover_Sweeney-Todd-c-Sandra-Then-scaled-e1638467625585-1536x864.jpg 1536w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Hannover_Sweeney-Todd-c-Sandra-Then-scaled-e1638467625585-2048x1152.jpg 2048w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Hannover_Sweeney-Todd-c-Sandra-Then-scaled-e1638467625585-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Hannover_Sweeney-Todd-c-Sandra-Then-scaled-e1638467625585-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Hannover_Sweeney-Todd-c-Sandra-Then-scaled-e1638467625585-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Hannover_Sweeney-Todd-c-Sandra-Then-scaled-e1638467625585-1920x1080.jpg 1920w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Hannover_Sweeney-Todd-c-Sandra-Then-scaled-e1638467625585-870x489.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Hannover_Sweeney-Todd-c-Sandra-Then-scaled-e1638467625585-1860x1046.jpg 1860w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Hannover_Sweeney-Todd-c-Sandra-Then-scaled-e1638467625585-600x338.jpg 600w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/12\/02\/schlachthaus-atmosphaere\/\">Schlachthaus-Atmosph\u00e4re<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Hannover \/ Staatsoper Hannover (November 2021)<\/span><\/br>\nStephen Sondheims \u201eSweeney Todd\u201c mit der Wucht der griechischen Trag\u00f6die<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/11\/27\/teestunde-mit-nebenwirkung\/\" aria-label=\"Teestunde mit Nebenwirkung\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Hamburg_Elektra-c-Monika-Rittershaus-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Besessen vom ermordeten Vater: Au\u0161rin\u0117 Stundyt\u0117 in der Titelpartie (Foto Monika Rittershaus)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Hamburg_Elektra-c-Monika-Rittershaus-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Hamburg_Elektra-c-Monika-Rittershaus-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Hamburg_Elektra-c-Monika-Rittershaus-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Hamburg_Elektra-c-Monika-Rittershaus-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Hamburg_Elektra-c-Monika-Rittershaus-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Hamburg_Elektra-c-Monika-Rittershaus-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Hamburg_Elektra-c-Monika-Rittershaus-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Hamburg_Elektra-c-Monika-Rittershaus-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Hamburg_Elektra-c-Monika-Rittershaus.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/11\/27\/teestunde-mit-nebenwirkung\/\">Teestunde mit Nebenwirkung<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Hamburg \/ Staatsoper Hamburg (November 2021)<\/span><\/br>\nDmitri Tcherniakov inszeniert Richard Strauss\u2019 \u201eElektra\u201c<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/11\/26\/schach-den-koeniginnen\/\" aria-label=\"Schach den K\u00f6niginnen\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/11\/Oper-Dortmund_Fredegonde-c-Bjoern-Hickmann-stage-picture-scaled-e1637939624776-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Sergey Romanovsky (M\u00e9rowig) und Anna Sohn (Brunhilda) (Foto Bj\u00f6rn Hickmann \/ stage picture)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/11\/Oper-Dortmund_Fredegonde-c-Bjoern-Hickmann-stage-picture-scaled-e1637939624776-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/11\/Oper-Dortmund_Fredegonde-c-Bjoern-Hickmann-stage-picture-scaled-e1637939624776-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/11\/Oper-Dortmund_Fredegonde-c-Bjoern-Hickmann-stage-picture-scaled-e1637939624776-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/11\/Oper-Dortmund_Fredegonde-c-Bjoern-Hickmann-stage-picture-scaled-e1637939624776-1536x864.jpg 1536w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/11\/Oper-Dortmund_Fredegonde-c-Bjoern-Hickmann-stage-picture-scaled-e1637939624776-2048x1152.jpg 2048w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/11\/Oper-Dortmund_Fredegonde-c-Bjoern-Hickmann-stage-picture-scaled-e1637939624776-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/11\/Oper-Dortmund_Fredegonde-c-Bjoern-Hickmann-stage-picture-scaled-e1637939624776-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/11\/Oper-Dortmund_Fredegonde-c-Bjoern-Hickmann-stage-picture-scaled-e1637939624776-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/11\/Oper-Dortmund_Fredegonde-c-Bjoern-Hickmann-stage-picture-scaled-e1637939624776-1920x1080.jpg 1920w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/11\/Oper-Dortmund_Fredegonde-c-Bjoern-Hickmann-stage-picture-scaled-e1637939624776-870x489.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/11\/Oper-Dortmund_Fredegonde-c-Bjoern-Hickmann-stage-picture-scaled-e1637939624776-1860x1046.jpg 1860w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/11\/Oper-Dortmund_Fredegonde-c-Bjoern-Hickmann-stage-picture-scaled-e1637939624776-600x338.jpg 600w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/11\/26\/schach-den-koeniginnen\/\">Schach den K\u00f6niginnen<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Dortmund \/ Oper Dortmund (November 2021)<\/span><\/br>\nAmbitionierte Ausgrabung von Ernest Guirauds und Camille Saint-Sa\u00ebns\u2019 \u201eFr\u00e9d\u00e9gonde\u201c<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/11\/12\/ins-licht\/\" aria-label=\"Ins Licht\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Anhaltisches-Theater-Dessau_Iolanta-c-Claudia-Heysel-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Idealbesetzt: Iordanka Derilova in der Titelpartie (Foto Claudia Heysel)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Anhaltisches-Theater-Dessau_Iolanta-c-Claudia-Heysel-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Anhaltisches-Theater-Dessau_Iolanta-c-Claudia-Heysel-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Anhaltisches-Theater-Dessau_Iolanta-c-Claudia-Heysel-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Anhaltisches-Theater-Dessau_Iolanta-c-Claudia-Heysel-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Anhaltisches-Theater-Dessau_Iolanta-c-Claudia-Heysel-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Anhaltisches-Theater-Dessau_Iolanta-c-Claudia-Heysel-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Anhaltisches-Theater-Dessau_Iolanta-c-Claudia-Heysel-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Anhaltisches-Theater-Dessau_Iolanta-c-Claudia-Heysel-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Anhaltisches-Theater-Dessau_Iolanta-c-Claudia-Heysel.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/11\/12\/ins-licht\/\">Ins Licht<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Dessau \/ Anhaltisches Theater Dessau (November 2021)<\/span><\/br>\nGl\u00e4nzende Deutung von Tschaikowskis selten gespieltem Sp\u00e4twerk \u201eIolanta\u201c <\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/11\/12\/obdachlosigkeit-am-fjord\/\" aria-label=\"Obdachlosigkeit am Fjord\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Unter-den-Linden_Sleepless-c-Gianmarco-Bresadola-scaled-e1639493150679-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Das junge Paar von jeder T\u00fcr gewiesen (Foto Gianmarco Bresadola)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Unter-den-Linden_Sleepless-c-Gianmarco-Bresadola-scaled-e1639493150679-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Unter-den-Linden_Sleepless-c-Gianmarco-Bresadola-scaled-e1639493150679-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Unter-den-Linden_Sleepless-c-Gianmarco-Bresadola-scaled-e1639493150679-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Unter-den-Linden_Sleepless-c-Gianmarco-Bresadola-scaled-e1639493150679-1536x864.jpg 1536w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Unter-den-Linden_Sleepless-c-Gianmarco-Bresadola-scaled-e1639493150679-2048x1152.jpg 2048w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Unter-den-Linden_Sleepless-c-Gianmarco-Bresadola-scaled-e1639493150679-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Unter-den-Linden_Sleepless-c-Gianmarco-Bresadola-scaled-e1639493150679-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Unter-den-Linden_Sleepless-c-Gianmarco-Bresadola-scaled-e1639493150679-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Unter-den-Linden_Sleepless-c-Gianmarco-Bresadola-scaled-e1639493150679-1920x1080.jpg 1920w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Unter-den-Linden_Sleepless-c-Gianmarco-Bresadola-scaled-e1639493150679-870x489.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Unter-den-Linden_Sleepless-c-Gianmarco-Bresadola-scaled-e1639493150679-1860x1046.jpg 1860w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Staatsoper-Unter-den-Linden_Sleepless-c-Gianmarco-Bresadola-scaled-e1639493150679-600x338.jpg 600w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/11\/12\/obdachlosigkeit-am-fjord\/\">Obdachlosigkeit am Fjord<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Berlin \/ Staatsoper Unter den Linden (November 2021)<\/span><\/br>\nPeter E\u00f6tv\u00f6s thematisiert in seiner neuen Oper \u201eSleepless\u201c gesellschaftliche Rohheit<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/11\/11\/barockes-glueck\/\" aria-label=\"Barockes Gl\u00fcck\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/11\/FSG_Berlin_Idomenee_70-c-Bernd-Uhlig-scaled-e1636647254144-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/11\/FSG_Berlin_Idomenee_70-c-Bernd-Uhlig-scaled-e1636647254144-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/11\/FSG_Berlin_Idomenee_70-c-Bernd-Uhlig-scaled-e1636647254144-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/11\/FSG_Berlin_Idomenee_70-c-Bernd-Uhlig-scaled-e1636647254144-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/11\/FSG_Berlin_Idomenee_70-c-Bernd-Uhlig-scaled-e1636647254144-1536x864.jpg 1536w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/11\/FSG_Berlin_Idomenee_70-c-Bernd-Uhlig-scaled-e1636647254144-2048x1152.jpg 2048w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/11\/FSG_Berlin_Idomenee_70-c-Bernd-Uhlig-scaled-e1636647254144-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/11\/FSG_Berlin_Idomenee_70-c-Bernd-Uhlig-scaled-e1636647254144-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/11\/FSG_Berlin_Idomenee_70-c-Bernd-Uhlig-scaled-e1636647254144-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/11\/FSG_Berlin_Idomenee_70-c-Bernd-Uhlig-scaled-e1636647254144-1920x1080.jpg 1920w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/11\/FSG_Berlin_Idomenee_70-c-Bernd-Uhlig-scaled-e1636647254144-870x489.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/11\/FSG_Berlin_Idomenee_70-c-Bernd-Uhlig-scaled-e1636647254144-1860x1046.jpg 1860w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/11\/FSG_Berlin_Idomenee_70-c-Bernd-Uhlig-scaled-e1636647254144-600x338.jpg 600w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/11\/11\/barockes-glueck\/\">Barockes Gl\u00fcck<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Berlin \/ Staatsoper Unter den Linden (November 2021)<\/span><\/br>\n20 Jahre Le Concert d\u2019Astr\u00e9e mit Andr\u00e9 Campras \u201eIdom\u00e9n\u00e9e\u201c<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/11\/11\/von-assoziationen-und-anspielungen-atomisiert\/\" aria-label=\"Von Assoziationen und Anspielungen atomisiert\"><img decoding=\"async\" width=\"300\" height=\"162\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsche-Oper-Berlin_Siegfried-c-Bernd-Uhlig-300x162.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Zwei b\u00f6se M\u00e4rchenaugen \u2013 der Drache aus Koffern sieht das Publikum als Fra\u00df (Foto Bernd Uhlig)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsche-Oper-Berlin_Siegfried-c-Bernd-Uhlig-300x162.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsche-Oper-Berlin_Siegfried-c-Bernd-Uhlig-1024x553.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsche-Oper-Berlin_Siegfried-c-Bernd-Uhlig-768x415.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsche-Oper-Berlin_Siegfried-c-Bernd-Uhlig-1536x830.jpg 1536w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsche-Oper-Berlin_Siegfried-c-Bernd-Uhlig-2048x1106.jpg 2048w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsche-Oper-Berlin_Siegfried-c-Bernd-Uhlig-500x270.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsche-Oper-Berlin_Siegfried-c-Bernd-Uhlig-800x432.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsche-Oper-Berlin_Siegfried-c-Bernd-Uhlig-1280x691.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsche-Oper-Berlin_Siegfried-c-Bernd-Uhlig-1920x1037.jpg 1920w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsche-Oper-Berlin_Siegfried-c-Bernd-Uhlig-870x470.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsche-Oper-Berlin_Siegfried-c-Bernd-Uhlig-1860x1005.jpg 1860w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsche-Oper-Berlin_Siegfried-c-Bernd-Uhlig-600x324.jpg 600w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/11\/11\/von-assoziationen-und-anspielungen-atomisiert\/\">Von Assoziationen und Anspielungen atomisiert<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Berlin \/ Deutsche Oper Berlin (November 2021)<\/span><\/br>\nStefan Herheim taucht \u201eSiegfried\u201c ins Wechselbad aus Hochartifiziellem und Dilettantismus<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/10\/30\/neuanfang\/\" aria-label=\"Neuanfang\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/The-Metropolitan-Opera_Fire-Shut-Up-in-My-Bones-c-Ken-Howard-Met-Opera-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Aufarbeitung der Vergangenheit: Billie (Latonia Moore) und Charles (Will Liverman) (Foto Ken Howard \/ Met Opera)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/The-Metropolitan-Opera_Fire-Shut-Up-in-My-Bones-c-Ken-Howard-Met-Opera-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/The-Metropolitan-Opera_Fire-Shut-Up-in-My-Bones-c-Ken-Howard-Met-Opera-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/The-Metropolitan-Opera_Fire-Shut-Up-in-My-Bones-c-Ken-Howard-Met-Opera-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/The-Metropolitan-Opera_Fire-Shut-Up-in-My-Bones-c-Ken-Howard-Met-Opera-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/The-Metropolitan-Opera_Fire-Shut-Up-in-My-Bones-c-Ken-Howard-Met-Opera-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/The-Metropolitan-Opera_Fire-Shut-Up-in-My-Bones-c-Ken-Howard-Met-Opera-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/The-Metropolitan-Opera_Fire-Shut-Up-in-My-Bones-c-Ken-Howard-Met-Opera-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/The-Metropolitan-Opera_Fire-Shut-Up-in-My-Bones-c-Ken-Howard-Met-Opera-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/The-Metropolitan-Opera_Fire-Shut-Up-in-My-Bones-c-Ken-Howard-Met-Opera.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/10\/30\/neuanfang\/\">Neuanfang<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">New York \/ The Metropolitan Opera (Oktober 2021)<\/span><\/br>\nHistorische Premiere mit Terence Blanchards \u201eFire Shut Up in My Bones\u201c<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/10\/30\/zwischen-machtbesessenheit-und-wahnsinn\/\" aria-label=\"Zwischen Machtbesessenheit und Wahnsinn\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Salzburger-Landestheater_Macbeth-c-Anna-Maria-Loeffelberger-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Blutgetr\u00e4nkter Ehrgeiz: Simon Neal (Macbeth) und Annemarie Kremer (Lady Macbeth) (Foto Salzburger Landestheater \/ Anna-Maria L\u00f6ffelberger)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Salzburger-Landestheater_Macbeth-c-Anna-Maria-Loeffelberger-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Salzburger-Landestheater_Macbeth-c-Anna-Maria-Loeffelberger-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Salzburger-Landestheater_Macbeth-c-Anna-Maria-Loeffelberger-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Salzburger-Landestheater_Macbeth-c-Anna-Maria-Loeffelberger-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Salzburger-Landestheater_Macbeth-c-Anna-Maria-Loeffelberger-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Salzburger-Landestheater_Macbeth-c-Anna-Maria-Loeffelberger-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Salzburger-Landestheater_Macbeth-c-Anna-Maria-Loeffelberger-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Salzburger-Landestheater_Macbeth-c-Anna-Maria-Loeffelberger-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Salzburger-Landestheater_Macbeth-c-Anna-Maria-Loeffelberger.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/10\/30\/zwischen-machtbesessenheit-und-wahnsinn\/\">Zwischen Machtbesessenheit und Wahnsinn<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Salzburg \/ Salzburger Landestheater (Oktober 2021)<\/span><\/br>\nVerdis Opernthriller \u201eMacbeth\u201c in der Felsenreitschule<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/10\/26\/konzentriertes-drama\/\" aria-label=\"Konzentriertes Drama\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Wuppertal_Il-canto-sattrista-perche-c-Bjoern-Hickmann-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Antiker Thriller in faszinierender Optik (Foto Bj\u00f6rn Hickmann)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Wuppertal_Il-canto-sattrista-perche-c-Bjoern-Hickmann-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Wuppertal_Il-canto-sattrista-perche-c-Bjoern-Hickmann-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Wuppertal_Il-canto-sattrista-perche-c-Bjoern-Hickmann-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Wuppertal_Il-canto-sattrista-perche-c-Bjoern-Hickmann-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Wuppertal_Il-canto-sattrista-perche-c-Bjoern-Hickmann-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Wuppertal_Il-canto-sattrista-perche-c-Bjoern-Hickmann-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Wuppertal_Il-canto-sattrista-perche-c-Bjoern-Hickmann-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Wuppertal_Il-canto-sattrista-perche-c-Bjoern-Hickmann-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Wuppertal_Il-canto-sattrista-perche-c-Bjoern-Hickmann.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/10\/26\/konzentriertes-drama\/\">Konzentriertes Drama<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Wuppertal \/ Oper Wuppertal (Oktober 2021)<\/span><\/br>\nSciarrino-Erstauff\u00fchrung der Oper Wuppertal im Leverkusener \u201eExil\u201c<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/10\/26\/das-humboldt-forum-am-nil\/\" aria-label=\"Das Humboldt-Forum am Nil\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsches-Nationaltheater-Weimar_Aida-c-Candy-Welz-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Camila Ribero-Souza in der Titelpartie (Foto Candy Welz)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsches-Nationaltheater-Weimar_Aida-c-Candy-Welz-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsches-Nationaltheater-Weimar_Aida-c-Candy-Welz-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsches-Nationaltheater-Weimar_Aida-c-Candy-Welz-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsches-Nationaltheater-Weimar_Aida-c-Candy-Welz-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsches-Nationaltheater-Weimar_Aida-c-Candy-Welz-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsches-Nationaltheater-Weimar_Aida-c-Candy-Welz-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsches-Nationaltheater-Weimar_Aida-c-Candy-Welz-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsches-Nationaltheater-Weimar_Aida-c-Candy-Welz-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsches-Nationaltheater-Weimar_Aida-c-Candy-Welz.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/10\/26\/das-humboldt-forum-am-nil\/\">Das Humboldt-Forum am Nil<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Weimar \/ Deutsches Nationaltheater Weimar (Oktober 2021)<\/span><\/br>\nVerdis \u201eAida\u201c als packend-gegenw\u00e4rtige Bilderflut<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/10\/26\/vom-coup-de-foudre-zur-selbstzerstoerung\/\" aria-label=\"Vom Coup de foudre zur Selbstzerst\u00f6rung\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Regensburg_Werther-c-Juliane-Zitzlsperger-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Zerrissen: Werther (Amar Muchhala) und Charlotte (Vera Semieniuk) (Foto Juliane Zitzlsperger)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Regensburg_Werther-c-Juliane-Zitzlsperger-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Regensburg_Werther-c-Juliane-Zitzlsperger-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Regensburg_Werther-c-Juliane-Zitzlsperger-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Regensburg_Werther-c-Juliane-Zitzlsperger-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Regensburg_Werther-c-Juliane-Zitzlsperger-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Regensburg_Werther-c-Juliane-Zitzlsperger-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Regensburg_Werther-c-Juliane-Zitzlsperger-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Regensburg_Werther-c-Juliane-Zitzlsperger-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Regensburg_Werther-c-Juliane-Zitzlsperger.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/10\/26\/vom-coup-de-foudre-zur-selbstzerstoerung\/\">Vom Coup de foudre zur Selbstzerst\u00f6rung<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Regensburg \/ Theater Regensburg (Oktober 2021)<\/span><\/br>\nMassenets \u201eWerther\u201c voller Eindringlichkeit und Intensit\u00e4t<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/10\/26\/gescheiterter-neuanfang\/\" aria-label=\"Gescheiterter Neuanfang\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Osnabrueck_Fremde-Erde-c-Stephan-Glagla-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Neue Welt? (Foto Stephan Glagla)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Osnabrueck_Fremde-Erde-c-Stephan-Glagla-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Osnabrueck_Fremde-Erde-c-Stephan-Glagla-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Osnabrueck_Fremde-Erde-c-Stephan-Glagla-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Osnabrueck_Fremde-Erde-c-Stephan-Glagla-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Osnabrueck_Fremde-Erde-c-Stephan-Glagla-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Osnabrueck_Fremde-Erde-c-Stephan-Glagla-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Osnabrueck_Fremde-Erde-c-Stephan-Glagla-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Osnabrueck_Fremde-Erde-c-Stephan-Glagla-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Theater-Osnabrueck_Fremde-Erde-c-Stephan-Glagla.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/10\/26\/gescheiterter-neuanfang\/\">Gescheiterter Neuanfang<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Osnabr\u00fcck \/ Theater Osnabr\u00fcck (Oktober 2021)<\/span><\/br>\nVerdienstvolle Ausgrabung von Karol Rathaus\u2019 Oper \u201eFremde Erde\u201c<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/10\/25\/wie-realistisch-ist-real\/\" aria-label=\"Wie realistisch ist real?\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/10\/FSG_Muenchen_Die-Nase-Nase_2021_D.Soffel_c_W_Hoesl-c-Wilfried-Hoesl-scaled-e1635168695146-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/10\/FSG_Muenchen_Die-Nase-Nase_2021_D.Soffel_c_W_Hoesl-c-Wilfried-Hoesl-scaled-e1635168695146-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/10\/FSG_Muenchen_Die-Nase-Nase_2021_D.Soffel_c_W_Hoesl-c-Wilfried-Hoesl-scaled-e1635168695146-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/10\/FSG_Muenchen_Die-Nase-Nase_2021_D.Soffel_c_W_Hoesl-c-Wilfried-Hoesl-scaled-e1635168695146-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/10\/FSG_Muenchen_Die-Nase-Nase_2021_D.Soffel_c_W_Hoesl-c-Wilfried-Hoesl-scaled-e1635168695146-1536x864.jpg 1536w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/10\/FSG_Muenchen_Die-Nase-Nase_2021_D.Soffel_c_W_Hoesl-c-Wilfried-Hoesl-scaled-e1635168695146-2048x1152.jpg 2048w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/10\/FSG_Muenchen_Die-Nase-Nase_2021_D.Soffel_c_W_Hoesl-c-Wilfried-Hoesl-scaled-e1635168695146-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/10\/FSG_Muenchen_Die-Nase-Nase_2021_D.Soffel_c_W_Hoesl-c-Wilfried-Hoesl-scaled-e1635168695146-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/10\/FSG_Muenchen_Die-Nase-Nase_2021_D.Soffel_c_W_Hoesl-c-Wilfried-Hoesl-scaled-e1635168695146-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/10\/FSG_Muenchen_Die-Nase-Nase_2021_D.Soffel_c_W_Hoesl-c-Wilfried-Hoesl-scaled-e1635168695146-1920x1080.jpg 1920w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/10\/FSG_Muenchen_Die-Nase-Nase_2021_D.Soffel_c_W_Hoesl-c-Wilfried-Hoesl-scaled-e1635168695146-870x489.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/10\/FSG_Muenchen_Die-Nase-Nase_2021_D.Soffel_c_W_Hoesl-c-Wilfried-Hoesl-scaled-e1635168695146-1860x1046.jpg 1860w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/10\/FSG_Muenchen_Die-Nase-Nase_2021_D.Soffel_c_W_Hoesl-c-Wilfried-Hoesl-scaled-e1635168695146-600x338.jpg 600w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/10\/25\/wie-realistisch-ist-real\/\">Wie realistisch ist real?<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">M\u00fcnchen \/ Bayerische Staatsoper (Oktober 2021)<\/span><\/br>\nKirill Serebrennikov inszeniert Schostakowitschs Fr\u00fchwerk \u201eDie Nase\u201c<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/10\/25\/ueber-den-daechern-von-nuernberg\/\" aria-label=\"\u00dcber den D\u00e4chern von N\u00fcrnberg\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Leipzig_Die-Meistersinger-von-Nuernberg-c-Kirsten-Nijhof-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Pittoreskes N\u00fcrnberg im Kleinformat (Foto Kirsten Nijhof)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Leipzig_Die-Meistersinger-von-Nuernberg-c-Kirsten-Nijhof-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Leipzig_Die-Meistersinger-von-Nuernberg-c-Kirsten-Nijhof-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Leipzig_Die-Meistersinger-von-Nuernberg-c-Kirsten-Nijhof-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Leipzig_Die-Meistersinger-von-Nuernberg-c-Kirsten-Nijhof-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Leipzig_Die-Meistersinger-von-Nuernberg-c-Kirsten-Nijhof-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Leipzig_Die-Meistersinger-von-Nuernberg-c-Kirsten-Nijhof-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Leipzig_Die-Meistersinger-von-Nuernberg-c-Kirsten-Nijhof-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Leipzig_Die-Meistersinger-von-Nuernberg-c-Kirsten-Nijhof-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Leipzig_Die-Meistersinger-von-Nuernberg-c-Kirsten-Nijhof.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/10\/25\/ueber-den-daechern-von-nuernberg\/\">\u00dcber den D\u00e4chern von N\u00fcrnberg<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Leipzig \/ Oper Leipzig (Oktober 2021)<\/span><\/br>\nEine herausragende Produktion von Wagners \u201eMeistersingern\u201c<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/10\/25\/rockig-vor-der-himmelstuer\/\" aria-label=\"Rockig vor der Himmelst\u00fcr\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Stadttheater-Fuerth_Knockin\u00b4-on-Heaven\u00b4s-Door-c-Thomas-Langer-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Eine letzte gemeinsame Reise: Jonas Hein (Rudi) und Dominik Hees (Martin) (Foto Thomas Langer)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Stadttheater-Fuerth_Knockin\u00b4-on-Heaven\u00b4s-Door-c-Thomas-Langer-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Stadttheater-Fuerth_Knockin\u00b4-on-Heaven\u00b4s-Door-c-Thomas-Langer-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Stadttheater-Fuerth_Knockin\u00b4-on-Heaven\u00b4s-Door-c-Thomas-Langer-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Stadttheater-Fuerth_Knockin\u00b4-on-Heaven\u00b4s-Door-c-Thomas-Langer-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Stadttheater-Fuerth_Knockin\u00b4-on-Heaven\u00b4s-Door-c-Thomas-Langer-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Stadttheater-Fuerth_Knockin\u00b4-on-Heaven\u00b4s-Door-c-Thomas-Langer-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Stadttheater-Fuerth_Knockin\u00b4-on-Heaven\u00b4s-Door-c-Thomas-Langer-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Stadttheater-Fuerth_Knockin\u00b4-on-Heaven\u00b4s-Door-c-Thomas-Langer-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Stadttheater-Fuerth_Knockin\u00b4-on-Heaven\u00b4s-Door-c-Thomas-Langer.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/10\/25\/rockig-vor-der-himmelstuer\/\">Rockig vor der Himmelst\u00fcr<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">F\u00fcrth \/ Stadttheater F\u00fcrth (Oktober 2021)<\/span><\/br>\n\u201eKnockin\u2019 on Heaven\u2019s Door\u201c als Roadmovie-Musical aus deutschen Landen<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/10\/25\/auf-ins-repertoire\/\" aria-label=\"Auf ins Repertoire!\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Frankfurt_Maskerade-c-Monika-Rittershaus-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Auf dem Maskenfest fallen die Hemmungen (Foto Monika Rittershaus)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Frankfurt_Maskerade-c-Monika-Rittershaus-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Frankfurt_Maskerade-c-Monika-Rittershaus-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Frankfurt_Maskerade-c-Monika-Rittershaus-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Frankfurt_Maskerade-c-Monika-Rittershaus-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Frankfurt_Maskerade-c-Monika-Rittershaus-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Frankfurt_Maskerade-c-Monika-Rittershaus-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Frankfurt_Maskerade-c-Monika-Rittershaus-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Frankfurt_Maskerade-c-Monika-Rittershaus-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Oper-Frankfurt_Maskerade-c-Monika-Rittershaus.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/10\/25\/auf-ins-repertoire\/\">Auf ins Repertoire!<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Frankfurt am Main \/ Oper Frankfurt (Oktober 2021)<\/span><\/br>\nCarl Nielsens \u201eMaskerade\u201c als umwerfend komischer Opernimport aus D\u00e4nemark<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/10\/25\/buecher-sind-gefaehrlich\/\" aria-label=\"B\u00fccher sind gef\u00e4hrlich\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Semperoper-Dresden_Don-Carlo-c-Semperoper-Dresden-Ludwig-Olah-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Andrei Bondarenko (Rodrigo, Marchese di Posa) und Vitalij Kowaljow (Filippo II) (Foto Semperoper Dresden\/Ludwig Olah)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Semperoper-Dresden_Don-Carlo-c-Semperoper-Dresden-Ludwig-Olah-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Semperoper-Dresden_Don-Carlo-c-Semperoper-Dresden-Ludwig-Olah-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Semperoper-Dresden_Don-Carlo-c-Semperoper-Dresden-Ludwig-Olah-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Semperoper-Dresden_Don-Carlo-c-Semperoper-Dresden-Ludwig-Olah-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Semperoper-Dresden_Don-Carlo-c-Semperoper-Dresden-Ludwig-Olah-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Semperoper-Dresden_Don-Carlo-c-Semperoper-Dresden-Ludwig-Olah-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Semperoper-Dresden_Don-Carlo-c-Semperoper-Dresden-Ludwig-Olah-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Semperoper-Dresden_Don-Carlo-c-Semperoper-Dresden-Ludwig-Olah-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Semperoper-Dresden_Don-Carlo-c-Semperoper-Dresden-Ludwig-Olah.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/10\/25\/buecher-sind-gefaehrlich\/\">B\u00fccher sind gef\u00e4hrlich<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Dresden \/ Semperoper Dresden (Oktober 2021)<\/span><\/br>\nVerdis \u201eDon Carlo\u201c mit neukomponierter Einleitung von Manfred Trojahn<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/10\/25\/sympathischer-serienmoerder\/\" aria-label=\"Sympathischer Serienm\u00f6rder\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Landestheater-Detmold_Liebe-Mord-und-Adelspflichten-c-Bettina-Stoess-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Seine Lordschaft sieht dem Tod ins Auge (Foto Bettina St\u00f6\u00df)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Landestheater-Detmold_Liebe-Mord-und-Adelspflichten-c-Bettina-Stoess-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Landestheater-Detmold_Liebe-Mord-und-Adelspflichten-c-Bettina-Stoess-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Landestheater-Detmold_Liebe-Mord-und-Adelspflichten-c-Bettina-Stoess-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Landestheater-Detmold_Liebe-Mord-und-Adelspflichten-c-Bettina-Stoess-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Landestheater-Detmold_Liebe-Mord-und-Adelspflichten-c-Bettina-Stoess-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Landestheater-Detmold_Liebe-Mord-und-Adelspflichten-c-Bettina-Stoess-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Landestheater-Detmold_Liebe-Mord-und-Adelspflichten-c-Bettina-Stoess-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Landestheater-Detmold_Liebe-Mord-und-Adelspflichten-c-Bettina-Stoess-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Landestheater-Detmold_Liebe-Mord-und-Adelspflichten-c-Bettina-Stoess.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/10\/25\/sympathischer-serienmoerder\/\">Sympathischer Serienm\u00f6rder<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Detmold \/ Landestheater Detmold (Oktober 2021)<\/span><\/br>\nSteven Lutvaks Musical \u201eLiebe, Mord und Adelspflichten\u201c als launige Farce<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/10\/25\/notwendiger-untergang\/\" aria-label=\"Notwendiger Untergang\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsche-Oper-Berlin_Goetterdaemmerung-c-Bernd-Uhlig-scaled-e1639420299324-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsche-Oper-Berlin_Goetterdaemmerung-c-Bernd-Uhlig-scaled-e1639420299324-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsche-Oper-Berlin_Goetterdaemmerung-c-Bernd-Uhlig-scaled-e1639420299324-1024x575.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsche-Oper-Berlin_Goetterdaemmerung-c-Bernd-Uhlig-scaled-e1639420299324-768x431.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsche-Oper-Berlin_Goetterdaemmerung-c-Bernd-Uhlig-scaled-e1639420299324-1536x863.jpg 1536w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsche-Oper-Berlin_Goetterdaemmerung-c-Bernd-Uhlig-scaled-e1639420299324-2048x1150.jpg 2048w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsche-Oper-Berlin_Goetterdaemmerung-c-Bernd-Uhlig-scaled-e1639420299324-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsche-Oper-Berlin_Goetterdaemmerung-c-Bernd-Uhlig-scaled-e1639420299324-800x449.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsche-Oper-Berlin_Goetterdaemmerung-c-Bernd-Uhlig-scaled-e1639420299324-1280x719.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsche-Oper-Berlin_Goetterdaemmerung-c-Bernd-Uhlig-scaled-e1639420299324-1920x1079.jpg 1920w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsche-Oper-Berlin_Goetterdaemmerung-c-Bernd-Uhlig-scaled-e1639420299324-870x489.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsche-Oper-Berlin_Goetterdaemmerung-c-Bernd-Uhlig-scaled-e1639420299324-1860x1045.jpg 1860w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Deutsche-Oper-Berlin_Goetterdaemmerung-c-Bernd-Uhlig-scaled-e1639420299324-600x337.jpg 600w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/10\/25\/notwendiger-untergang\/\">Notwendiger Untergang<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Berlin \/ Deutsche Oper Berlin (Oktober 2021)<\/span><\/br>\n\u201eG\u00f6tterd\u00e4mmerung\u201c der Pandemie geschuldet als vorletzter Teil der \u201eRing\u201c-Tetralogie<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/10\/25\/von-wegen-opernprovinz\/\" aria-label=\"Von wegen Opernprovinz!\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Collage-Leonce-und-Lena-c-Dirk-Rueckschloss-Der-Prozess-c-Florian-Gaertner-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Impressionen aus \u201eLeonce und Lena\u201c (links, Foto Dirk R\u00fcckschloss) und \u201eDer Prozess\u201c (rechts, Foto Florian Gaertner)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Collage-Leonce-und-Lena-c-Dirk-Rueckschloss-Der-Prozess-c-Florian-Gaertner-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Collage-Leonce-und-Lena-c-Dirk-Rueckschloss-Der-Prozess-c-Florian-Gaertner-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Collage-Leonce-und-Lena-c-Dirk-Rueckschloss-Der-Prozess-c-Florian-Gaertner-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Collage-Leonce-und-Lena-c-Dirk-Rueckschloss-Der-Prozess-c-Florian-Gaertner-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Collage-Leonce-und-Lena-c-Dirk-Rueckschloss-Der-Prozess-c-Florian-Gaertner-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Collage-Leonce-und-Lena-c-Dirk-Rueckschloss-Der-Prozess-c-Florian-Gaertner-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Collage-Leonce-und-Lena-c-Dirk-Rueckschloss-Der-Prozess-c-Florian-Gaertner-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Collage-Leonce-und-Lena-c-Dirk-Rueckschloss-Der-Prozess-c-Florian-Gaertner-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/12\/Collage-Leonce-und-Lena-c-Dirk-Rueckschloss-Der-Prozess-c-Florian-Gaertner.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2021\/10\/25\/von-wegen-opernprovinz\/\">Von wegen Opernprovinz!<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Annaberg-Buchholz \/ Eduard-von-Winterstein-Theater &#038; Radebeul \/ Landesb\u00fchnen Sachsen (Oktober 2021)<\/span><\/br>\nBegeisternde Opernrarit\u00e4ten abseits der Zentren<\/div><\/li>\n<\/ul>\n\n\n<div style=\"height:80px\" aria-hidden=\"true\" 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Dezember 2021","get_modified_date":"20. 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