{"id":9355,"date":"2023-10-26T20:28:23","date_gmt":"2023-10-26T18:28:23","guid":{"rendered":"https:\/\/www.orpheus-magazin.de\/?page_id=9355"},"modified":"2023-10-27T11:45:41","modified_gmt":"2023-10-27T09:45:41","slug":"rezensionen-06-2023","status":"publish","type":"page","link":"https:\/\/www.orpheus-magazin.de\/de\/rezensionen-06-2023\/","title":{"rendered":"Rezensionen 06\/2023"},"content":{"rendered":"<p class=\"has-text-align-center\">Eine Auswahl an Premierenkritiken, einige davon nur hier online. <br>Zus\u00e4tzlich finden Sie 36 weitere Rezensionen exklusiv in unserer <a aria-label=\" (opens in a new tab)\" href=\"https:\/\/www.orpheus-magazin.de\/de\/ausgabe-06-2023\/\" target=\"_blank\" rel=\"noreferrer noopener\" class=\"ek-link\">Printausgabe November\/Dezember 2023<\/a>.<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<ul class=\"wp-block-latest-posts__list wp-block-latest-posts\"><li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2023\/10\/18\/leipzig-the-producers\/\" aria-label=\"Lachen gegen den Geist der Zeit(en)\"><img fetchpriority=\"high\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Oper-Leipzig_The-Producers-c-Kirsten-Nijhof-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Farbloser Buchhalter (Nick K\u00f6rber), Flop-Regisseur (Andreas Rainer) und anno dazumal erfolgreicher Broadway-Produzent (Patrick Rohbeck) (Foto Kirsten Nijhof)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Oper-Leipzig_The-Producers-c-Kirsten-Nijhof-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Oper-Leipzig_The-Producers-c-Kirsten-Nijhof-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Oper-Leipzig_The-Producers-c-Kirsten-Nijhof-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Oper-Leipzig_The-Producers-c-Kirsten-Nijhof-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Oper-Leipzig_The-Producers-c-Kirsten-Nijhof-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Oper-Leipzig_The-Producers-c-Kirsten-Nijhof-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Oper-Leipzig_The-Producers-c-Kirsten-Nijhof-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Oper-Leipzig_The-Producers-c-Kirsten-Nijhof-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Oper-Leipzig_The-Producers-c-Kirsten-Nijhof.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2023\/10\/18\/leipzig-the-producers\/\">Lachen gegen den Geist der Zeit(en)<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Leipzig \/ Oper Leipzig (Oktober 2023)<\/span><\/br>\nMel Brooks\u2019 \u201eThe Producers\u201c als scharfsinniges Fest der politischen Inkorrektheit<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2023\/10\/16\/wien-die-reise-zum-mond\/\" aria-label=\"Familienreise zum Mond\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Volksoper-Wien_Die-Reise-zum-Mond-c-Barbara-Palffy-Volksoper-Wien-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Theatermagie wie nicht von dieser Welt: Laurent Pellys fantastische Kost\u00fcme (Foto Barbara P\u00e1lffy\/Volksoper Wien)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Volksoper-Wien_Die-Reise-zum-Mond-c-Barbara-Palffy-Volksoper-Wien-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Volksoper-Wien_Die-Reise-zum-Mond-c-Barbara-Palffy-Volksoper-Wien-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Volksoper-Wien_Die-Reise-zum-Mond-c-Barbara-Palffy-Volksoper-Wien-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Volksoper-Wien_Die-Reise-zum-Mond-c-Barbara-Palffy-Volksoper-Wien-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Volksoper-Wien_Die-Reise-zum-Mond-c-Barbara-Palffy-Volksoper-Wien-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Volksoper-Wien_Die-Reise-zum-Mond-c-Barbara-Palffy-Volksoper-Wien-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Volksoper-Wien_Die-Reise-zum-Mond-c-Barbara-Palffy-Volksoper-Wien-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Volksoper-Wien_Die-Reise-zum-Mond-c-Barbara-Palffy-Volksoper-Wien-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Volksoper-Wien_Die-Reise-zum-Mond-c-Barbara-Palffy-Volksoper-Wien.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2023\/10\/16\/wien-die-reise-zum-mond\/\">Familienreise zum Mond<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Wien \/ Volksoper Wien (Oktober 2023)<\/span><\/br>\nOffenbachs M\u00e4rchenoper wird zum vielseitig gelungenen Ereignis f\u00fcr Jung und Alt<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2023\/10\/08\/hamburg-i-due-figaro\/\" aria-label=\"Goldader par excellence\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Allee-Theater-Hamburger-Kammeroper_I-due-Figaro-c-Patrick-Sobottka-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Ein Abend mit feinem, schlagfertigem Humor (Foto Patrick Sobottka)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Allee-Theater-Hamburger-Kammeroper_I-due-Figaro-c-Patrick-Sobottka-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Allee-Theater-Hamburger-Kammeroper_I-due-Figaro-c-Patrick-Sobottka-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Allee-Theater-Hamburger-Kammeroper_I-due-Figaro-c-Patrick-Sobottka-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Allee-Theater-Hamburger-Kammeroper_I-due-Figaro-c-Patrick-Sobottka-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Allee-Theater-Hamburger-Kammeroper_I-due-Figaro-c-Patrick-Sobottka-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Allee-Theater-Hamburger-Kammeroper_I-due-Figaro-c-Patrick-Sobottka-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Allee-Theater-Hamburger-Kammeroper_I-due-Figaro-c-Patrick-Sobottka-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Allee-Theater-Hamburger-Kammeroper_I-due-Figaro-c-Patrick-Sobottka-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Allee-Theater-Hamburger-Kammeroper_I-due-Figaro-c-Patrick-Sobottka.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2023\/10\/08\/hamburg-i-due-figaro\/\">Goldader par excellence<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Hamburg \/ Allee Theater \u2013 Hamburger Kammeroper (Oktober 2023)<\/span><\/br>\nDeutsche Erstauff\u00fchrung von Mercadantes Mozart-Ableger \u201eI due Figaro\u201c<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2023\/10\/05\/berlin-aida\/\" aria-label=\"Cancan tanzen gegen den Kolonialismus\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Staatsoper-Unter-den-Linden_Aida-c-Herwig-Prammer-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Ein Duell mit zwei Gewinnerinnen: Elina Garan\u010da (Amneris) und Marina Rebeka (Aida) (Foto Herwig Prammer)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Staatsoper-Unter-den-Linden_Aida-c-Herwig-Prammer-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Staatsoper-Unter-den-Linden_Aida-c-Herwig-Prammer-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Staatsoper-Unter-den-Linden_Aida-c-Herwig-Prammer-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Staatsoper-Unter-den-Linden_Aida-c-Herwig-Prammer-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Staatsoper-Unter-den-Linden_Aida-c-Herwig-Prammer-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Staatsoper-Unter-den-Linden_Aida-c-Herwig-Prammer-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Staatsoper-Unter-den-Linden_Aida-c-Herwig-Prammer-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Staatsoper-Unter-den-Linden_Aida-c-Herwig-Prammer-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Staatsoper-Unter-den-Linden_Aida-c-Herwig-Prammer.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2023\/10\/05\/berlin-aida\/\">Cancan tanzen gegen den Kolonialismus<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Berlin \/ Staatsoper Unter den Linden (Oktober 2023)<\/span><\/br>\nCalixto Bieito liefert eine oftmals genialische \u201eAida\u201c \u2013 w\u00e4re nur nicht die Wokeness<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2023\/09\/29\/sevilla-tristan-und-isolde\/\" aria-label=\"Unm\u00f6gliche Liebe\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Teatro-de-la-Maestranza_Tristan-und-Isolde-c-Guillermo-Mendo-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Naturalismus und h\u00f6fischer Druck (Foto Guillermo Mendo)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Teatro-de-la-Maestranza_Tristan-und-Isolde-c-Guillermo-Mendo-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Teatro-de-la-Maestranza_Tristan-und-Isolde-c-Guillermo-Mendo-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Teatro-de-la-Maestranza_Tristan-und-Isolde-c-Guillermo-Mendo-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Teatro-de-la-Maestranza_Tristan-und-Isolde-c-Guillermo-Mendo-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Teatro-de-la-Maestranza_Tristan-und-Isolde-c-Guillermo-Mendo-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Teatro-de-la-Maestranza_Tristan-und-Isolde-c-Guillermo-Mendo-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Teatro-de-la-Maestranza_Tristan-und-Isolde-c-Guillermo-Mendo-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Teatro-de-la-Maestranza_Tristan-und-Isolde-c-Guillermo-Mendo-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Teatro-de-la-Maestranza_Tristan-und-Isolde-c-Guillermo-Mendo.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2023\/09\/29\/sevilla-tristan-und-isolde\/\">Unm\u00f6gliche Liebe<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Sevilla \/ Teatro de la Maestranza (September 2023)<\/span><\/br>\nWagners \u201eTristan und Isolde\u201c mit Fokus auf die Musik<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2023\/09\/26\/salzburg-il-barbiere-di-siviglia\/\" aria-label=\"Spritzige Mixtur\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Salzburger-Landestheater_Il-barbiere-di-Siviglia-c-Salzburger-Landestheater-Tobias-Witzgall-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"George Humphreys (Figaro), Katie Coventry (Rosina) und Theodore Browne (Graf Almaviva) (Foto Salzburger Landestheater\/Tobias Witzgall)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Salzburger-Landestheater_Il-barbiere-di-Siviglia-c-Salzburger-Landestheater-Tobias-Witzgall-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Salzburger-Landestheater_Il-barbiere-di-Siviglia-c-Salzburger-Landestheater-Tobias-Witzgall-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Salzburger-Landestheater_Il-barbiere-di-Siviglia-c-Salzburger-Landestheater-Tobias-Witzgall-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Salzburger-Landestheater_Il-barbiere-di-Siviglia-c-Salzburger-Landestheater-Tobias-Witzgall-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Salzburger-Landestheater_Il-barbiere-di-Siviglia-c-Salzburger-Landestheater-Tobias-Witzgall-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Salzburger-Landestheater_Il-barbiere-di-Siviglia-c-Salzburger-Landestheater-Tobias-Witzgall-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Salzburger-Landestheater_Il-barbiere-di-Siviglia-c-Salzburger-Landestheater-Tobias-Witzgall-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Salzburger-Landestheater_Il-barbiere-di-Siviglia-c-Salzburger-Landestheater-Tobias-Witzgall-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Salzburger-Landestheater_Il-barbiere-di-Siviglia-c-Salzburger-Landestheater-Tobias-Witzgall.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2023\/09\/26\/salzburg-il-barbiere-di-siviglia\/\">Spritzige Mixtur<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Salzburg \/ Salzburger Landestheater (September 2023)<\/span><\/br>\nRossinis \u201eIl barbiere di Siviglia\u201c vereint Parodie und Gef\u00fchligkeit<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2023\/09\/25\/paris-lohengrin\/\" aria-label=\"Kein Krieg ist romantisch &#8230;\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Opera-national-de-Paris_Lohengrin-c-Charles-Duprat-Opera-national-de-Paris-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Trauma und Weltflucht: Johanni van Oostrum als Elsa (Foto Charles Duprat\/Op\u00e9ra national de Paris)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Opera-national-de-Paris_Lohengrin-c-Charles-Duprat-Opera-national-de-Paris-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Opera-national-de-Paris_Lohengrin-c-Charles-Duprat-Opera-national-de-Paris-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Opera-national-de-Paris_Lohengrin-c-Charles-Duprat-Opera-national-de-Paris-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Opera-national-de-Paris_Lohengrin-c-Charles-Duprat-Opera-national-de-Paris-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Opera-national-de-Paris_Lohengrin-c-Charles-Duprat-Opera-national-de-Paris-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Opera-national-de-Paris_Lohengrin-c-Charles-Duprat-Opera-national-de-Paris-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Opera-national-de-Paris_Lohengrin-c-Charles-Duprat-Opera-national-de-Paris-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Opera-national-de-Paris_Lohengrin-c-Charles-Duprat-Opera-national-de-Paris-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Opera-national-de-Paris_Lohengrin-c-Charles-Duprat-Opera-national-de-Paris.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2023\/09\/25\/paris-lohengrin\/\">Kein Krieg ist romantisch &#8230;<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Paris \/ Op\u00e9ra national de Paris (September 2023)<\/span><\/br>\nWagners \u201eLohengrin\u201c als beklemmendes Antikriegsst\u00fcck<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2023\/09\/22\/wien-pandora\/\" aria-label=\"Out of the box\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Musiktheatertage-Wien_Pandora-c-Nick-Mangafas-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\u00dcberlagerte Jahrhunderte (Foto Nick Mangafas)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Musiktheatertage-Wien_Pandora-c-Nick-Mangafas-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Musiktheatertage-Wien_Pandora-c-Nick-Mangafas-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Musiktheatertage-Wien_Pandora-c-Nick-Mangafas-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Musiktheatertage-Wien_Pandora-c-Nick-Mangafas-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Musiktheatertage-Wien_Pandora-c-Nick-Mangafas-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Musiktheatertage-Wien_Pandora-c-Nick-Mangafas-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Musiktheatertage-Wien_Pandora-c-Nick-Mangafas-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Musiktheatertage-Wien_Pandora-c-Nick-Mangafas-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Musiktheatertage-Wien_Pandora-c-Nick-Mangafas.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2023\/09\/22\/wien-pandora\/\">Out of the box<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Wien \/ Musiktheatertage Wien (September 2023)<\/span><\/br>\n\u201ePandora\u201c: \u201eCyber-Reanimation\u201c eines barocken Operntorsos<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2023\/09\/20\/strasbourg-don-giovanni-aux-enfers\/\" aria-label=\"Er kann es nicht lassen &#8230;\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Opera-national-du-Rhin_Don-Giovanni-aux-enfers-c-Klara-Beck-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Ein ebenso dunkler wie vergn\u00fcglicher Hexenkessel (Foto Klara Beck)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Opera-national-du-Rhin_Don-Giovanni-aux-enfers-c-Klara-Beck-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Opera-national-du-Rhin_Don-Giovanni-aux-enfers-c-Klara-Beck-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Opera-national-du-Rhin_Don-Giovanni-aux-enfers-c-Klara-Beck-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Opera-national-du-Rhin_Don-Giovanni-aux-enfers-c-Klara-Beck-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Opera-national-du-Rhin_Don-Giovanni-aux-enfers-c-Klara-Beck-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Opera-national-du-Rhin_Don-Giovanni-aux-enfers-c-Klara-Beck-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Opera-national-du-Rhin_Don-Giovanni-aux-enfers-c-Klara-Beck-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Opera-national-du-Rhin_Don-Giovanni-aux-enfers-c-Klara-Beck-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Opera-national-du-Rhin_Don-Giovanni-aux-enfers-c-Klara-Beck.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2023\/09\/20\/strasbourg-don-giovanni-aux-enfers\/\">Er kann es nicht lassen &#8230;<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Strasbourg \/ Op\u00e9ra national du Rhin (September 2023)<\/span><\/br>\nDer d\u00e4nische Komponist Simon Steen-Andersen folgt Don Giovanni in die Unterwelt<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2023\/09\/15\/london-das-rheingold\/\" aria-label=\"Verhei\u00dfung, gro\u00df wie Walhall\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Royal-Opera-House_Das-Rheingold-c-Monika-Rittershaus-Royal-Opera-House-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Auf dem Weg zum Gold: Alberich (Christoher Purves) mit den Rheint\u00f6chtern (Katharina Konradi, Niamh O\u2019Sullivan, Marvic Monreal) (Foto Monika Rittershaus\/Royal Opera House)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Royal-Opera-House_Das-Rheingold-c-Monika-Rittershaus-Royal-Opera-House-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Royal-Opera-House_Das-Rheingold-c-Monika-Rittershaus-Royal-Opera-House-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Royal-Opera-House_Das-Rheingold-c-Monika-Rittershaus-Royal-Opera-House-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Royal-Opera-House_Das-Rheingold-c-Monika-Rittershaus-Royal-Opera-House-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Royal-Opera-House_Das-Rheingold-c-Monika-Rittershaus-Royal-Opera-House-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Royal-Opera-House_Das-Rheingold-c-Monika-Rittershaus-Royal-Opera-House-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Royal-Opera-House_Das-Rheingold-c-Monika-Rittershaus-Royal-Opera-House-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Royal-Opera-House_Das-Rheingold-c-Monika-Rittershaus-Royal-Opera-House-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Royal-Opera-House_Das-Rheingold-c-Monika-Rittershaus-Royal-Opera-House.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2023\/09\/15\/london-das-rheingold\/\">Verhei\u00dfung, gro\u00df wie Walhall<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">London \/ Royal Opera House (September 2023)<\/span><\/br>\nAntonio Pappano und Barrie Kosky beginnen einen neuen \u201eRing\u201c<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2023\/09\/12\/moenchengladbach-aida-der-fuenfte-akt\/\" aria-label=\"Sterben lernen\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Theater-Krefeld-und-Moenchengladbach_-Aida-der-fuenfte-Akt-c-Matthias-Stutte-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Klaustrophobisches Erl\u00f6schen: Rafael Bruck (Radam\u00e8s) und Eva Maria G\u00fcnschmann (Aida) (Foto Matthias Stutte)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Theater-Krefeld-und-Moenchengladbach_-Aida-der-fuenfte-Akt-c-Matthias-Stutte-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Theater-Krefeld-und-Moenchengladbach_-Aida-der-fuenfte-Akt-c-Matthias-Stutte-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Theater-Krefeld-und-Moenchengladbach_-Aida-der-fuenfte-Akt-c-Matthias-Stutte-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Theater-Krefeld-und-Moenchengladbach_-Aida-der-fuenfte-Akt-c-Matthias-Stutte-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Theater-Krefeld-und-Moenchengladbach_-Aida-der-fuenfte-Akt-c-Matthias-Stutte-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Theater-Krefeld-und-Moenchengladbach_-Aida-der-fuenfte-Akt-c-Matthias-Stutte-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Theater-Krefeld-und-Moenchengladbach_-Aida-der-fuenfte-Akt-c-Matthias-Stutte-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Theater-Krefeld-und-Moenchengladbach_-Aida-der-fuenfte-Akt-c-Matthias-Stutte-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Theater-Krefeld-und-Moenchengladbach_-Aida-der-fuenfte-Akt-c-Matthias-Stutte.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2023\/09\/12\/moenchengladbach-aida-der-fuenfte-akt\/\">Sterben lernen<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">M\u00f6nchengladbach \/ Theater Krefeld und M\u00f6nchengladbach (September 2023)<\/span><\/br>\nVerdi-Fortschreibung im Weltkriegsbunker: \u201eAida \u2013 der f\u00fcnfte Akt\u201c<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2023\/09\/11\/bielefeld-der-mann-der-sherlock-holmes-war\/\" aria-label=\"Hochstapler und Verwechslungen\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Theater-Bielefeld_Der-Mann-der-Sherlock-Holmes-war-c-Bettina-Stoess-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"\u201eBer\u00fchmte\u201c Detektive und Schloss-Erbinnen unter sich (Foto Bettina St\u00f6\u00df)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Theater-Bielefeld_Der-Mann-der-Sherlock-Holmes-war-c-Bettina-Stoess-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Theater-Bielefeld_Der-Mann-der-Sherlock-Holmes-war-c-Bettina-Stoess-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Theater-Bielefeld_Der-Mann-der-Sherlock-Holmes-war-c-Bettina-Stoess-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Theater-Bielefeld_Der-Mann-der-Sherlock-Holmes-war-c-Bettina-Stoess-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Theater-Bielefeld_Der-Mann-der-Sherlock-Holmes-war-c-Bettina-Stoess-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Theater-Bielefeld_Der-Mann-der-Sherlock-Holmes-war-c-Bettina-Stoess-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Theater-Bielefeld_Der-Mann-der-Sherlock-Holmes-war-c-Bettina-Stoess-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Theater-Bielefeld_Der-Mann-der-Sherlock-Holmes-war-c-Bettina-Stoess-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Theater-Bielefeld_Der-Mann-der-Sherlock-Holmes-war-c-Bettina-Stoess.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2023\/09\/11\/bielefeld-der-mann-der-sherlock-holmes-war\/\">Hochstapler und Verwechslungen<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Bielefeld \/ Theater Bielefeld (September 2023)<\/span><\/br>\nMusical-Swing mit dem \u201eMann, der Sherlock Holmes war\u201c<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2023\/09\/10\/schwerin-la-boheme\/\" aria-label=\"Klangfarben allein?\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Mecklenburgisches-Staatstheater_La-Boheme-c-Silke-Winkler-300x169.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Stylish-unterk\u00fchlte und willk\u00fcrliche Bilder (Foto Silke Winkler)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Mecklenburgisches-Staatstheater_La-Boheme-c-Silke-Winkler-300x169.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Mecklenburgisches-Staatstheater_La-Boheme-c-Silke-Winkler-1024x576.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Mecklenburgisches-Staatstheater_La-Boheme-c-Silke-Winkler-768x432.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Mecklenburgisches-Staatstheater_La-Boheme-c-Silke-Winkler-500x281.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Mecklenburgisches-Staatstheater_La-Boheme-c-Silke-Winkler-800x450.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Mecklenburgisches-Staatstheater_La-Boheme-c-Silke-Winkler-1280x720.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Mecklenburgisches-Staatstheater_La-Boheme-c-Silke-Winkler-870x490.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Mecklenburgisches-Staatstheater_La-Boheme-c-Silke-Winkler-600x338.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/Mecklenburgisches-Staatstheater_La-Boheme-c-Silke-Winkler.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2023\/09\/10\/schwerin-la-boheme\/\">Klangfarben allein?<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Schwerin \/ Mecklenburgisches Staatstheater (September 2023)<\/span><\/br>\nPuccinis \u201eLa Boh\u00e8me\u201c versinkt im belanglosen Nirgendwo<\/div><\/li>\n<li><div class=\"wp-block-latest-posts__featured-image alignleft\"><a href=\"https:\/\/www.orpheus-magazin.de\/de\/2023\/09\/01\/bochum-aus-einem-totenhaus\/\" aria-label=\"Aussichtslos\"><img decoding=\"async\" width=\"300\" height=\"190\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Ruhrtriennale_Aus-einem-Totenhaus-c-Volker-Beushausen-Ruhrtriennale-2023-300x190.jpg\" class=\"attachment-medium size-medium wp-post-image\" alt=\"Die gro\u00dfdimensionierte begehbare B\u00fchne (Foto Volker Beushausen\/Ruhrtriennale 2023)\" style=\"\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Ruhrtriennale_Aus-einem-Totenhaus-c-Volker-Beushausen-Ruhrtriennale-2023-300x190.jpg 300w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Ruhrtriennale_Aus-einem-Totenhaus-c-Volker-Beushausen-Ruhrtriennale-2023-1024x649.jpg 1024w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Ruhrtriennale_Aus-einem-Totenhaus-c-Volker-Beushausen-Ruhrtriennale-2023-768x487.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Ruhrtriennale_Aus-einem-Totenhaus-c-Volker-Beushausen-Ruhrtriennale-2023-500x317.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Ruhrtriennale_Aus-einem-Totenhaus-c-Volker-Beushausen-Ruhrtriennale-2023-800x507.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Ruhrtriennale_Aus-einem-Totenhaus-c-Volker-Beushausen-Ruhrtriennale-2023-1280x811.jpg 1280w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Ruhrtriennale_Aus-einem-Totenhaus-c-Volker-Beushausen-Ruhrtriennale-2023-870x551.jpg 870w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Ruhrtriennale_Aus-einem-Totenhaus-c-Volker-Beushausen-Ruhrtriennale-2023-600x380.jpg 600w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/09\/Ruhrtriennale_Aus-einem-Totenhaus-c-Volker-Beushausen-Ruhrtriennale-2023.jpg 1332w\" sizes=\"(max-width: 300px) 100vw, 300px\" loading=\"eager\" \/><\/a><\/div><a class=\"wp-block-latest-posts__post-title\" href=\"https:\/\/www.orpheus-magazin.de\/de\/2023\/09\/01\/bochum-aus-einem-totenhaus\/\">Aussichtslos<\/a><div class=\"wp-block-latest-posts__post-excerpt\"><span class=\"location\">Bochum \/ Ruhrtriennale (August 2023)<\/span><\/br>\nJan\u00e1\u010deks \u201eTotenhaus\u201c als immersive B\u00fchneninstallation<\/div><\/li>\n<\/ul>\n\n\n<div style=\"height:80px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-vertically-aligned-center is-stacked-on-mobile has-background\" style=\"background-color:#f6f6f6;grid-template-columns:22% auto\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"850\" height=\"1000\" src=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/23-06_Heft_Bestellbox_Startseite.jpg\" alt=\"\" class=\"wp-image-9350 size-full\" srcset=\"https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/23-06_Heft_Bestellbox_Startseite.jpg 850w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/23-06_Heft_Bestellbox_Startseite-255x300.jpg 255w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/23-06_Heft_Bestellbox_Startseite-768x904.jpg 768w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/23-06_Heft_Bestellbox_Startseite-500x588.jpg 500w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/23-06_Heft_Bestellbox_Startseite-800x941.jpg 800w, https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/10\/23-06_Heft_Bestellbox_Startseite-600x706.jpg 600w\" sizes=\"(max-width: 850px) 100vw, 850px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p style=\"font-size:24px\"><strong>Unsere Ausgabe November\/Dezember 2023 online bestellen<\/strong><\/p>\n\n\n\n<p>Bequem in Ihren Briefkasten oder als PDF zum Sofort-Download<\/p>\n\n\n\n<p><strong><a href=\"https:\/\/www.orpheus-magazin.de\/de\/product\/print-ausgabe-06-2023\/\" target=\"_blank\" aria-label=\" (opens in a new tab)\" rel=\"noreferrer noopener\" class=\"ek-link\">Print-Ausgabe bestellen<\/a><\/strong> | <strong><a href=\"https:\/\/www.orpheus-magazin.de\/de\/product\/pdf-ausgabe-06-2023\/\" target=\"_blank\" aria-label=\" (opens in a new tab)\" rel=\"noreferrer noopener\" class=\"ek-link\">PDF-Ausgabe bestellen<\/a><\/strong><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>","protected":false},"excerpt":{"rendered":"<p>Eine Auswahl an Premierenkritiken, einige davon nur hier online. Zus\u00e4tzlich finden Sie 36 weitere Rezensionen exklusiv in unserer Printausgabe November\/Dezember 2023.<\/p>","protected":false},"author":14,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"tpgb_global_settings":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","_eb_attr":"","footnotes":""},"class_list":["post-9355","page","type-page","status-publish","hentry"],"tpgb_featured_images":null,"tpgb_post_meta_info":{"get_date":"26. Oktober 2023","get_modified_date":"27. Oktober 2023","author_name":"Silvia Murauer","author_url":"https:\/\/www.orpheus-magazin.de\/de\/author\/mailsilviamurauer-de\/","author_email":"mail@silviamurauer.de","author_website":"","author_description":"","author_facebook":"","author_twitter":"","author_instagram":"","author_role":["administrator"],"author_firstname":"Silvia","author_lastname":"Murauer","user_login":"mail@silviamurauer.de","author_avatar":"<img alt='' src='https:\/\/secure.gravatar.com\/avatar\/f621fd74b09e85b40b2840fd83e82293b9a74c7122761b5607082e36ece1f9d0?s=200&#038;d=mm&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/f621fd74b09e85b40b2840fd83e82293b9a74c7122761b5607082e36ece1f9d0?s=400&#038;d=mm&#038;r=g 2x' class='avatar avatar-200 photo' height='200' width='200' decoding='async'\/>","author_avatar_url":"https:\/\/secure.gravatar.com\/avatar\/f621fd74b09e85b40b2840fd83e82293b9a74c7122761b5607082e36ece1f9d0?s=96&d=mm&r=g","comment_count":0,"post_likes":0,"post_views":0},"tpgb_post_category":[],"_links":{"self":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/pages\/9355","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/comments?post=9355"}],"version-history":[{"count":0,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/pages\/9355\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/media?parent=9355"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}