{"id":9446,"date":"2023-12-21T11:48:00","date_gmt":"2023-12-21T10:48:00","guid":{"rendered":"https:\/\/www.orpheus-magazin.de\/?page_id=9446"},"modified":"2024-03-01T13:23:54","modified_gmt":"2024-03-01T12:23:54","slug":"ausgabe-01-2024","status":"publish","type":"page","link":"https:\/\/www.orpheus-magazin.de\/de\/ausgabe-01-2024\/","title":{"rendered":"Ausgabe 01\/2024"},"content":{"rendered":"

Ausgabe 01\/2024<\/h1>\n\n\n\n
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DEUTSCH-UKRAINISCHE<\/strong> LIEDERABENDE <\/strong>
Singen gegen den Krieg<\/strong><\/p>\n\n\n\n

Leseprobe<\/p>\n<\/div><\/a><\/div>\n<\/div>\n\n\n\n

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DR. REBEKAH ROTA<\/strong>
Wie kann ich st\u00f6ren?<\/strong><\/p>\n\n\n\n

Leseprobe<\/p>\n<\/div><\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n

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Impressionen<\/p>\n<\/div>\n\n\n\n

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Eiserner Vorhang<\/strong><\/p>\n\n\n\n

Mit Anselm Kiefer gestaltet einer der bedeutendsten bildenden K\u00fcnstler der Gegenwart die tempor\u00e4re Ausstellungsfl\u00e4che der Wiener Staatsoper<\/p>\n\n\n\n

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Titel<\/p>\n<\/div>\n\n\n\n

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So bin ich eben<\/strong><\/p>\n\n\n\n

Der Meister-Buffo: Ensemble-Urgestein Ulrich Re\u00df verabschiedet sich nach 38 Jahren von der Bayerischen Staatsoper<\/p>\n\n\n\n

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Jubil\u00e4um<\/p>\n<\/div>\n\n\n\n

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\u201eDie geilste bayerische Beh\u00f6rde\u201c<\/strong><\/p>\n\n\n\n

30 Jahre Theaterakademie August Everding<\/p>\n\n\n\n

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Im Gespr\u00e4ch<\/p>\n<\/div>\n\n\n\n

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\u00dcber den Wandel der Welt \u2013 Teil 1<\/strong><\/p>\n\n\n\n

Ist unser Kulturverst\u00e4ndnis noch zeitgem\u00e4\u00df? Wie viel Tradition sollte in Visionen f\u00fcr die Zukunft stecken und wie legitimiert sich unsere Kulturnation in Zeiten wachsender Multikulturalit\u00e4t? Musikjournalist Axel Br\u00fcggemann, Autor des vielbeachteten Buchs \u201eDie Zwei-Klassik-Gesellschaft\u201c, im Gespr\u00e4ch mit \u201eorpheus\u201c-Chefredakteurin Iris Steiner<\/p>\n\n\n\n

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Fundst\u00fccke<\/p>\n<\/div>\n\n\n\n

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Der Notengr\u00e4ber<\/strong><\/p>\n\n\n\n

Musikliebhaber Georg Hermansdorfer rekonstruiert zuhause im bayerischen Chiemgau unvollst\u00e4ndige, unleserliche Partituren vergessener Opern, gr\u00fcndet kurzerhand einen Verein und f\u00fchrt sie auf<\/p>\n\n\n\n

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Operette<\/p>\n<\/div>\n\n\n\n

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\u201eBist du\u2019s, lachendes Gl\u00fcck?\u201c<\/strong><\/p>\n\n\n\n

Der Operettenlibrettist und Anarchist Robert Bodanzky<\/p>\n\n\n\n

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In eigener Sache<\/p>\n<\/div>\n\n\n\n

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Dem Nachwuchs eine Stimme<\/strong><\/p>\n\n\n\n

Unser Clauspeter Koscielny Nachwuchspreis geht 2024 in die erste Runde<\/p>\n\n\n\n

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Medien<\/p>\n<\/div>\n\n\n\n

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Geh\u00f6rt, gesehen, gelesen<\/strong><\/p>\n\n\n\n

Kulturtipps f\u00fcr das heimische Wohnzimmer<\/p>\n\n\n\n

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Rezensionen<\/p>\n<\/div>\n\n\n\n

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F\u00fcr Sie gesehen<\/a><\/strong><\/p>\n\n\n\n

Neues und Spektakul\u00e4res von den (Opern-)B\u00fchnen in Deutschland und Europa<\/p>\n\n\n\n

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Unsere Ausgabe Januar\/Februar 2024 online bestellen<\/strong><\/p>\n\n\n\n

Bequem in Ihren Briefkasten oder als PDF zum Sofort-Download<\/p>\n\n\n\n

Print-Ausgabe bestellen<\/a><\/strong> | PDF-Ausgabe bestellen<\/a><\/strong><\/p>\n<\/div><\/div>\n\n\n\n

<\/div>","protected":false},"excerpt":{"rendered":"

Ausgabe 01\/2024 ___Impressionen Eiserner Vorhang Mit Anselm Kiefer gestaltet einer der bedeutendsten bildenden K\u00fcnstler der Gegenwart die tempor\u00e4re Ausstellungsfl\u00e4che der Wiener Staatsoper ___Titel So bin ich eben Der Meister-Buffo: Ensemble-Urgestein Ulrich Re\u00df verabschiedet sich nach 38 Jahren von der Bayerischen Staatsoper ___Jubil\u00e4um \u201eDie geilste bayerische Beh\u00f6rde\u201c 30 Jahre Theaterakademie August Everding ___Im Gespr\u00e4ch \u00dcber den […]<\/p>\n","protected":false},"author":14,"featured_media":9486,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-cover.php","meta":{"tpgb_global_settings":"","_editorskit_title_hidden":true,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","_eb_attr":"","footnotes":""},"class_list":["post-9446","page","type-page","status-publish","has-post-thumbnail","hentry"],"tpgb_featured_images":{"full":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/12\/Heft-2er_2024-01.jpg",2151,1009,false],"tp-image-grid":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/12\/Heft-2er_2024-01.jpg",700,328,false],"thumbnail":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/12\/Heft-2er_2024-01-150x150.jpg",150,150,true],"medium":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/12\/Heft-2er_2024-01-300x141.jpg",300,141,true],"medium_large":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/12\/Heft-2er_2024-01-768x360.jpg",600,281,true],"large":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2023\/12\/Heft-2er_2024-01-1024x480.jpg",600,281,true],"default":"https:\/\/www.orpheus-magazin.de\/wp-content\/plugins\/the-plus-addons-for-block-editor\/assets\/images\/tpgb-placeholder.jpg"},"tpgb_post_meta_info":{"get_date":"21. Dezember 2023","get_modified_date":"1. M\u00e4rz 2024","author_name":"Silvia Murauer","author_url":"https:\/\/www.orpheus-magazin.de\/de\/author\/mailsilviamurauer-de\/","author_email":"mail@silviamurauer.de","author_website":"","author_description":"","author_facebook":"","author_twitter":"","author_instagram":"","author_role":["administrator"],"author_firstname":"Silvia","author_lastname":"Murauer","user_login":"mail@silviamurauer.de","author_avatar":"","author_avatar_url":"https:\/\/secure.gravatar.com\/avatar\/f621fd74b09e85b40b2840fd83e82293b9a74c7122761b5607082e36ece1f9d0?s=96&d=mm&r=g","comment_count":0,"post_likes":0,"post_views":0},"tpgb_post_category":[],"_links":{"self":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/pages\/9446","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/comments?post=9446"}],"version-history":[{"count":0,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/pages\/9446\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/media\/9486"}],"wp:attachment":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/media?parent=9446"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}