{"id":9797,"date":"2024-04-24T22:41:02","date_gmt":"2024-04-24T20:41:02","guid":{"rendered":"https:\/\/www.orpheus-magazin.de\/?page_id=9797"},"modified":"2024-07-01T18:24:32","modified_gmt":"2024-07-01T16:24:32","slug":"ausgabe-03-2024","status":"publish","type":"page","link":"https:\/\/www.orpheus-magazin.de\/de\/ausgabe-03-2024\/","title":{"rendered":"Ausgabe 03\/2024"},"content":{"rendered":"

Ausgabe 03\/2024<\/h1>\n\n\n\n
<\/div>\n\n\n\n
<\/span>\"\"
\n
<\/div>\n\n\n\n

BABATUNDE AKINBOBOYE<\/strong>
Mit Jonas Kaufmann im Internet<\/strong><\/p>\n\n\n\n

Leseprobe<\/p>\n<\/div><\/a><\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\n

___
Impressionen<\/p>\n<\/div>\n\n\n\n

\n

Verstummte Stimmen h\u00f6rbar machen<\/strong><\/p>\n\n\n\n

Die Kinderoper \u201eGoldh\u00e4rchen\u201c der Theresienstadt-\u00dcberlebenden Lena Stein-Schneider in Prag<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

___
Titel<\/p>\n<\/div>\n\n\n\n

\n

Wenn M\u00e4rchen wahr werden<\/strong><\/p>\n\n\n\n

Vom \u201eEnde der Welt\u201c auf die B\u00fchnen der Welt: Aigul Akhmetshina ist mit nur 28 Jahren die neue Mezzo-Sensation<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

___
Aufgefallen<\/p>\n<\/div>\n\n\n\n

\n

Kafka in T\u00f6nen<\/strong><\/p>\n\n\n\n

Das Opernhaus Z\u00fcrich realisiert kongenial Roman Haubenstock-Ramatis \u201eAmerika\u201c<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

___
Interview<\/p>\n<\/div>\n\n\n\n

\n

Entwicklung<\/strong><\/p>\n\n\n\n

Ein Norweger in Prag: Seit 2019 bringt Per Boye Hansen als K\u00fcnstlerischer Leiter der Prager Opernh\u00e4user wieder internationales Flair an die Moldau<\/p>\n\n\n\n

\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

___
Oper erleben<\/p>\n<\/div>\n\n\n\n

\n

Puccini, zukunftsweisend<\/strong><\/p>\n\n\n\n

\u201eOpera Meets New Media\u201c \u2013 eine Vision \u00fcber 100 Jahre Gegenwart<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

___
Aufgefallen<\/p>\n<\/div>\n\n\n\n

\n

Schuld, gestern und heute<\/strong><\/p>\n\n\n\n

Mieczys\u0142aw Weinbergs Musikdrama \u201eDie Passagierin\u201c an der Bayerischen Staatsoper<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

___
Jubil\u00e4um<\/p>\n<\/div>\n\n\n\n

\n

Nationalkomponist? Vielleicht sp\u00e4ter …<\/strong><\/p>\n\n\n\n

Smetanas Opernschaffen \u2013 eine Werkschau zum 200. Geburtstag<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

___
Debatte<\/p>\n<\/div>\n\n\n\n

\n

Libretto gesucht<\/strong><\/p>\n\n\n\n

Die Initiative \u201eCritical Classics\u201c hinterfragt Opernklassiker aus einem heutigen Blickwinkel<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

___
Zeitgeschichte<\/p>\n<\/div>\n\n\n\n

\n

Wie der Vater, so die S\u00f6hne<\/strong><\/p>\n\n\n\n

Die Familiengeschichte der Strauss-Dynastie<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

___
Medien<\/p>\n<\/div>\n\n\n\n

\n

Geh\u00f6rt, gesehen, gelesen<\/strong><\/p>\n\n\n\n

Kulturtipps f\u00fcr das heimische Wohnzimmer<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

___
Rezensionen<\/p>\n<\/div>\n\n\n\n

\n

F\u00fcr Sie gesehen<\/a><\/strong><\/strong><\/strong><\/p>\n\n\n\n

Neues und Spektakul\u00e4res von den (Opern-)B\u00fchnen in Deutschland und Europa<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\"\"<\/figure>
\n
<\/div>\n\n\n\n

Unsere Ausgabe Mai\/Juni 2024 online bestellen<\/strong><\/p>\n\n\n\n

Bequem in Ihren Briefkasten oder als PDF zum Sofort-Download<\/p>\n\n\n\n

Print-Ausgabe bestellen<\/a><\/strong> | PDF-Ausgabe bestellen<\/a><\/strong><\/p>\n<\/div><\/div>\n\n\n\n

<\/div>","protected":false},"excerpt":{"rendered":"

Ausgabe 03\/2024 ___Impressionen Verstummte Stimmen h\u00f6rbar machen Die Kinderoper \u201eGoldh\u00e4rchen\u201c der Theresienstadt-\u00dcberlebenden Lena Stein-Schneider in Prag ___Titel Wenn M\u00e4rchen wahr werden Vom \u201eEnde der Welt\u201c auf die B\u00fchnen der Welt: Aigul Akhmetshina ist mit nur 28 Jahren die neue Mezzo-Sensation ___Aufgefallen Kafka in T\u00f6nen Das Opernhaus Z\u00fcrich realisiert kongenial Roman Haubenstock-Ramatis \u201eAmerika\u201c ___Interview Entwicklung Ein […]<\/p>\n","protected":false},"author":14,"featured_media":9817,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-cover.php","meta":{"tpgb_global_settings":"","_editorskit_title_hidden":true,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","_eb_attr":"","footnotes":""},"class_list":["post-9797","page","type-page","status-publish","has-post-thumbnail","hentry"],"tpgb_featured_images":{"full":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/04\/Heft-2er_2024-03.jpg",2151,1009,false],"tp-image-grid":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/04\/Heft-2er_2024-03.jpg",700,328,false],"thumbnail":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/04\/Heft-2er_2024-03-150x150.jpg",150,150,true],"medium":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/04\/Heft-2er_2024-03-300x141.jpg",300,141,true],"medium_large":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/04\/Heft-2er_2024-03-768x360.jpg",600,281,true],"large":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/04\/Heft-2er_2024-03-1024x480.jpg",600,281,true],"default":"https:\/\/www.orpheus-magazin.de\/wp-content\/plugins\/the-plus-addons-for-block-editor\/assets\/images\/tpgb-placeholder.jpg"},"tpgb_post_meta_info":{"get_date":"24. April 2024","get_modified_date":"1. Juli 2024","author_name":"Silvia Murauer","author_url":"https:\/\/www.orpheus-magazin.de\/de\/author\/mailsilviamurauer-de\/","author_email":"mail@silviamurauer.de","author_website":"","author_description":"","author_facebook":"","author_twitter":"","author_instagram":"","author_role":["administrator"],"author_firstname":"Silvia","author_lastname":"Murauer","user_login":"mail@silviamurauer.de","author_avatar":"","author_avatar_url":"https:\/\/secure.gravatar.com\/avatar\/f621fd74b09e85b40b2840fd83e82293b9a74c7122761b5607082e36ece1f9d0?s=96&d=mm&r=g","comment_count":0,"post_likes":0,"post_views":0},"tpgb_post_category":[],"_links":{"self":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/pages\/9797","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/comments?post=9797"}],"version-history":[{"count":0,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/pages\/9797\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/media\/9817"}],"wp:attachment":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/media?parent=9797"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}