{"id":9946,"date":"2024-07-01T18:00:04","date_gmt":"2024-07-01T16:00:04","guid":{"rendered":"https:\/\/www.orpheus-magazin.de\/?page_id=9946"},"modified":"2024-08-30T16:23:08","modified_gmt":"2024-08-30T14:23:08","slug":"ausgabe-04-2024","status":"publish","type":"page","link":"https:\/\/www.orpheus-magazin.de\/de\/ausgabe-04-2024\/","title":{"rendered":"Ausgabe 04\/2024"},"content":{"rendered":"

Ausgabe 04\/2024<\/h1>\n\n\n\n
<\/div>\n\n\n\n
<\/span>\"\"
\n

<\/p>\n\n\n\n

\n
\n
<\/div>\n<\/div>\n\n\n\n
\n

MILO RAU <\/strong>
Ein provokanter Utopist<\/strong><\/p>\n\n\n\n

Leseprobe<\/p>\n<\/div>\n\n\n\n

<\/div>\n<\/div>\n<\/div><\/a><\/div>\n\n\n\n
<\/div>\n\n\n\n
\n
\n

___
Impressionen<\/p>\n<\/div>\n\n\n\n

\n

Musik f\u00fcrs Auge<\/strong><\/p>\n\n\n\n

Notentitelbl\u00e4tter: gemalte T\u00f6ne als \u201ekleine Schwester\u201c der Plakatwerbung<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

___
Titel<\/p>\n<\/div>\n\n\n\n

\n

Aus 1001 Nacht<\/strong><\/p>\n\n\n\n

\u201eZarqa Al Yamama\u201c \u2013 wenn ein Opernm\u00e4rchen entsteht<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

___
Oper erleben<\/p>\n<\/div>\n\n\n\n

\n

Barocker Br\u00fcckenbau<\/strong><\/p>\n\n\n\n

Lea Desandre, Thomas Dunford und ihr Ensemble Jupiter<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

___
Operette<\/p>\n<\/div>\n\n\n\n

\n

(N)ostalgisches Sahnest\u00fcckchen<\/strong><\/p>\n\n\n\n

Zum Auftakt einer Reihe zum ostdeutschen \u201eHeiteren Musiktheater\u201c zeigt die Komische Oper Berlin im Spiegelzelt Gerd Natschinskis DDR-Operette \u201eMesseschlager Gisela\u201c, die eigentlich ein Musical ist<\/p>\n\n\n\n

\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

___
Portrait<\/p>\n<\/div>\n\n\n\n

\n

Zwischen D\u00fcsseldorf und Charkiw<\/strong><\/p>\n\n\n\n

Vitali Alekseenok, der aus Belarus stammende neue Chefdirigent der Deutschen Oper am Rhein, setzt sich ungeachtet aller Gefahren mit seinen Dirigaten f\u00fcr Frieden und Freiheit ein<\/p>\n\n\n\n

\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

___
Aufgefallen<\/p>\n<\/div>\n\n\n\n

\n

She nailed it.<\/strong><\/p>\n\n\n\n

In Schauspiel und Tanz ist Florentina Holzinger l\u00e4ngst f\u00fcr ihre radikalen und spektakul\u00e4ren Performances bekannt \u2013 jetzt liefert sie ihr mit Spannung erwartetes Operndeb\u00fct \u201eSANCTA\u201c ab<\/p>\n\n\n\n

\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

___
Interview<\/p>\n<\/div>\n\n\n\n

\n

Die Operette ist mein Markenzeichen<\/strong><\/p>\n\n\n\n

Antonia Schuchardt, unsere Medienpreistr\u00e4gerin beim MUT-Sonderwettbewerb zur Wiener Operette 2024<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

___
Seitenblick<\/p>\n<\/div>\n\n\n\n

\n

\u201eLasst nicht zu, dass unser Lied verstummt\u201c<\/strong><\/p>\n\n\n\n

Wir h\u00f6ren Oper in Lateinamerika in aller Regel mit dem eurozentrischen Ohr \u2013 und \u00fcbersehen dabei die reiche indigene Musiktradition<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

___
Medien<\/p>\n<\/div>\n\n\n\n

\n

Geh\u00f6rt, gesehen, gelesen<\/strong><\/p>\n\n\n\n

Kulturtipps f\u00fcr das heimische Wohnzimmer<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

___
Rezensionen<\/p>\n<\/div>\n\n\n\n

\n

F\u00fcr Sie gesehen<\/a><\/strong><\/p>\n\n\n\n

Neues und Spektakul\u00e4res von den (Opern-)B\u00fchnen in Deutschland und Europa<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
\"\"<\/figure>
\n
<\/div>\n\n\n\n

Unsere Ausgabe Juli\/August 2024 online bestellen<\/strong><\/p>\n\n\n\n

Bequem in Ihren Briefkasten oder als PDF zum Sofort-Download<\/p>\n\n\n\n

Print-Ausgabe bestellen<\/a><\/strong> | PDF-Ausgabe bestellen<\/a><\/strong><\/p>\n<\/div><\/div>\n\n\n\n

<\/div>","protected":false},"excerpt":{"rendered":"

Ausgabe 04\/2024 ___Impressionen Musik f\u00fcrs Auge Notentitelbl\u00e4tter: gemalte T\u00f6ne als \u201ekleine Schwester\u201c der Plakatwerbung ___Titel Aus 1001 Nacht \u201eZarqa Al Yamama\u201c \u2013 wenn ein Opernm\u00e4rchen entsteht ___Oper erleben Barocker Br\u00fcckenbau Lea Desandre, Thomas Dunford und ihr Ensemble Jupiter ___Operette (N)ostalgisches Sahnest\u00fcckchen Zum Auftakt einer Reihe zum ostdeutschen \u201eHeiteren Musiktheater\u201c zeigt die Komische Oper Berlin im […]<\/p>\n","protected":false},"author":14,"featured_media":9982,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-cover.php","meta":{"tpgb_global_settings":"","_editorskit_title_hidden":true,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","_eb_attr":"","footnotes":""},"class_list":["post-9946","page","type-page","status-publish","has-post-thumbnail","hentry"],"tpgb_featured_images":{"full":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/07\/Heft-2er_2024-04.jpg",2151,1009,false],"tp-image-grid":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/07\/Heft-2er_2024-04.jpg",700,328,false],"thumbnail":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/07\/Heft-2er_2024-04-150x150.jpg",150,150,true],"medium":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/07\/Heft-2er_2024-04-300x141.jpg",300,141,true],"medium_large":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/07\/Heft-2er_2024-04-768x360.jpg",600,281,true],"large":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2024\/07\/Heft-2er_2024-04-1024x480.jpg",600,281,true],"default":"https:\/\/www.orpheus-magazin.de\/wp-content\/plugins\/the-plus-addons-for-block-editor\/assets\/images\/tpgb-placeholder.jpg"},"tpgb_post_meta_info":{"get_date":"1. Juli 2024","get_modified_date":"30. August 2024","author_name":"Silvia Murauer","author_url":"https:\/\/www.orpheus-magazin.de\/de\/author\/mailsilviamurauer-de\/","author_email":"mail@silviamurauer.de","author_website":"","author_description":"","author_facebook":"","author_twitter":"","author_instagram":"","author_role":["administrator"],"author_firstname":"Silvia","author_lastname":"Murauer","user_login":"mail@silviamurauer.de","author_avatar":"","author_avatar_url":"https:\/\/secure.gravatar.com\/avatar\/f621fd74b09e85b40b2840fd83e82293b9a74c7122761b5607082e36ece1f9d0?s=96&d=mm&r=g","comment_count":0,"post_likes":0,"post_views":0},"tpgb_post_category":[],"_links":{"self":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/pages\/9946","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/comments?post=9946"}],"version-history":[{"count":0,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/pages\/9946\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/media\/9982"}],"wp:attachment":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/media?parent=9946"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}