{"id":3184,"date":"2020-12-22T23:29:32","date_gmt":"2020-12-22T22:29:32","guid":{"rendered":"https:\/\/www.orpheus-magazin.de\/?p=3184"},"modified":"2021-01-02T17:01:28","modified_gmt":"2021-01-02T16:01:28","slug":"ein-filmkomponist-macht-oper-und-wie","status":"publish","type":"post","link":"https:\/\/www.orpheus-magazin.de\/de\/2020\/12\/22\/ein-filmkomponist-macht-oper-und-wie\/","title":{"rendered":"Ein Filmkomponist macht Oper \u2013 und wie!"},"content":{"rendered":"

Der Brite Malcolm Arnold (1921-2006) war ein Vielschreiber, wurde aber haupts\u00e4chlich durch seine \u00fcber 100 Kino-Soundtracks bekannt, zu denen der mit einem Oscar gekr\u00f6nte Streifen \u201eDie Br\u00fccke am Kwai\u201c geh\u00f6rt. Sein Werk wird von Sinfonischem, Balletten und Konzerten f\u00fcr diverse Blasinstrumente dominiert, die zwei vollendeten Opern gehen darin fast unter. Zu Unrecht, was den gerade ver\u00f6ffentlichten Einakter \u201eThe Dancing Master\u201c betrifft, der auf einem Lustspiel aus dem 17. Jahrhundert basiert. Titelfigur ist Sch\u00fcrzenj\u00e4ger Gerard, der die reiche Erbin Miranda erobert hat, obwohl diese nach dem Willen von Vater und Tante einen eitlen Dandy heiraten soll. Mit Hilfe ihrer pfiffigen Zofe gibt Miranda den Geliebten daher als Tanzlehrer aus, um dessen Anwesenheit zu rechtfertigen. Das ist der zentrale Ausgangspunkt f\u00fcr eine Typenkom\u00f6die, die Arnold zu einer modernen Opera buffa inspirierte: musikalisch frisch, delikat instrumentiert und kurzweilig durch den Wechsel von Gesangsromantik und Ensemblewitz. Das Werk entstand 1952 in nur zwei Wochen f\u00fcr das BBC-Fernsehen, doch wurde es wegen des f\u00fcr damalige Verh\u00e4ltnisse anz\u00fcglichen Librettos abgelehnt und erst 1962 semiprofessionell aufgef\u00fchrt. Dem Dirigenten John Andrews ist die Ausgrabung und ihre sachkundige musikalische Einstudierung zu verdanken. Das Resultat: eine funkelnde Wiedergabe durch das BBC Concert Orchestra und das vorz\u00fcgliche, pointiert gestaltende Vokalquintett um Eleanor Dennis als soprans\u00fc\u00dfe Miranda.<\/p>\n\n\n\n

Karin Coper<\/em><\/p>\n\n\n\n

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INFOS ZUR CD<\/p>\n\n\n\n

Malcolm Arnold: \u201eThe Dancing Master\u201c (1952)
Dennis, Carby, Kimm, Lyon, Wilde, Broadbent
BBC Concert Orchestra \u2013 John Andrews
1 CD, resonus<\/p>\n\n\n\n

<\/div>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"

Malcolm Arnold: \u201eThe Dancing Master\u201c<\/p>","protected":false},"author":0,"featured_media":4055,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tpgb_global_settings":"","_editorskit_title_hidden":false,"_editorskit_reading_time":1,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","_eb_attr":"","footnotes":""},"categories":[223,225,368],"tags":[240,241,243,239,242],"class_list":["post-3184","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-medien","category-medien_2021_01","category-medien_2021_01_cd","tag-carby","tag-kimm","tag-lyon","tag-malcolm-arnold-the-dancing-master-1952-dennis","tag-wilde"],"tpgb_featured_images":{"full":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/01\/CD_Dancing-Master.jpg",1440,887,false],"tp-image-grid":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/01\/CD_Dancing-Master-700x700.jpg",700,700,true],"thumbnail":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/01\/CD_Dancing-Master-600x185.jpg",600,185,true],"medium":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/01\/CD_Dancing-Master-1200x739.jpg",1200,739,true],"medium_large":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/01\/CD_Dancing-Master-768x473.jpg",600,370,true],"large":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/01\/CD_Dancing-Master-1024x631.jpg",600,370,true],"default":"https:\/\/www.orpheus-magazin.de\/wp-content\/plugins\/the-plus-addons-for-block-editor\/assets\/images\/tpgb-placeholder.jpg"},"tpgb_post_meta_info":{"get_date":"22. Dezember 2020","get_modified_date":"2. Januar 2021","category_list":{"category":[{"term_id":223,"name":"Medien","slug":"medien","term_group":0,"term_taxonomy_id":223,"taxonomy":"category","description":"","parent":0,"count":26,"filter":"raw","order":"0"},{"term_id":225,"name":"Medien 2021\/01","slug":"medien_2021_01","term_group":0,"term_taxonomy_id":225,"taxonomy":"category","description":"","parent":223,"count":17,"filter":"raw","order":"0"},{"term_id":368,"name":"Medien 2021\/01 CD","slug":"medien_2021_01_cd","term_group":0,"term_taxonomy_id":368,"taxonomy":"category","description":"","parent":225,"count":9,"filter":"raw","order":"0"}],"post_tag":[{"term_id":240,"name":"Carby","slug":"carby","term_group":0,"term_taxonomy_id":240,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw","order":"0"},{"term_id":241,"name":"Kimm","slug":"kimm","term_group":0,"term_taxonomy_id":241,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw","order":"0"},{"term_id":243,"name":"Lyon","slug":"lyon","term_group":0,"term_taxonomy_id":243,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw","order":"0"},{"term_id":239,"name":"Malcolm Arnold: \u201eThe Dancing Master\u201c (1952) Dennis","slug":"malcolm-arnold-the-dancing-master-1952-dennis","term_group":0,"term_taxonomy_id":239,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw","order":"0"},{"term_id":242,"name":"Wilde","slug":"wilde","term_group":0,"term_taxonomy_id":242,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw","order":"0"}]},"comment_count":0,"post_likes":0,"post_views":0},"tpgb_post_category":{"category":"Medien<\/a> Medien 2021\/01<\/a> Medien 2021\/01 CD<\/a> ","post_tag":"Carby<\/a> Kimm<\/a> Lyon<\/a> Malcolm Arnold: \u201eThe Dancing Master\u201c (1952) Dennis<\/a> Wilde<\/a> "},"_links":{"self":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/posts\/3184","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/types\/post"}],"replies":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/comments?post=3184"}],"version-history":[{"count":0,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/posts\/3184\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/media\/4055"}],"wp:attachment":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/media?parent=3184"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/categories?post=3184"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/tags?post=3184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}