{"id":3381,"date":"2020-12-27T21:59:53","date_gmt":"2020-12-27T20:59:53","guid":{"rendered":"https:\/\/www.orpheus-magazin.de\/?p=3381"},"modified":"2021-02-26T17:55:27","modified_gmt":"2021-02-26T16:55:27","slug":"oper-im-fieberwahn","status":"publish","type":"post","link":"https:\/\/www.orpheus-magazin.de\/de\/2020\/12\/27\/oper-im-fieberwahn\/","title":{"rendered":"Oper im Fieberwahn"},"content":{"rendered":"

Camille Saint-Sa\u00ebns hat ein enormes \u0152uvre hinterlassen, doch popul\u00e4r sind nur wenige St\u00fccke, wie die Suite \u201eKarneval der Tiere\u201c und die Dalila-Arie aus \u201eSamson et Dalila\u201c. Um das Interesse am Schaffen des Komponisten anzukurbeln, richtet das Forschungsteam vom Palazetto Bru Zane anl\u00e4sslich seines 100. Todestags im Dezember 2021 in den kommenden Monaten einen vielseitigen Zyklus aus. Auftakt ist die Einspielung des ersten gro\u00dfen B\u00fchnenwerks \u201eLe Timbre d\u2019argent\u201c, die 2017 nach Vorstellungen in Paris entstand. Die Oper thematisiert Fieberfantasien des Malers Konrad, die sich um einen Pakt mit dem Teufel, eine Geld- und Tod-bringende Silberglocke sowie die Obsession zu einer T\u00e4nzerin ranken. Das musikalisch und szenisch effektvolle K\u00fcnstlerdrama weist Parallelen zu Offenbachs \u201eHoffmann\u201c auf, einiges erinnert auch an die \u201eFaust\u201c-Vertonungen von Berlioz und Gounod. \u201eLe Timbre d\u2019argent\u201c hatte 1877 Premiere, die weiteren Auff\u00fchrungen bis zur letzten Fassung 1914 waren durch widrige Bedingungen und etliche Umarbeitungen gepr\u00e4gt, so dass Saint-Sa\u00ebns res\u00fcmierte: \u201eEs ist keine Oper, es ist ein Alptraum.\u201c Nicht so das Revival, das der Dirigent Fran\u00e7ois-Xavier Roth mit seinem Orchester Les Si\u00e8cles, dem Chor accentus und einem vorz\u00fcglichen Gesangsquintett zu einem lustvollen Musikfest werden l\u00e4sst. Er\u00f6ffnet wird der kurzweilige Mix aus romantischem Gesang, Operettenesprit, Ch\u00f6ren und Balletteinlagen von einer ausgedehnten Ouvert\u00fcre. Die beiden Ten\u00f6re, der jugendlich-heldische Edgaras Montvidas und der lyrisch-geschmeidige Yu Shao, harmonieren perfekt miteinander, ebenso die Sopranpartien, die innige H\u00e9l\u00e8ne Guilmette und die bezaubernd klare Jodie Devos. Als Teufel zieht Tassis Christoyannis alle stimmlichen Register, seine Gestaltung des B\u00f6sen ist elegant und ungemein subtil.<\/p>\n\n\n\n

Karin Coper<\/em><\/p>\n\n\n\n

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INFOS ZUR CD<\/p>\n\n\n\n

Camille Saint-Sa\u00ebns: \u201eLe Timbre d\u2019argent\u201c (1877)
Guilmette, Devos, Montvidas, Shao, Christoyannis
Les Si\u00e8cles, accentus \u2013 Fran\u00e7ois-Xavier Roth
2 CDs, Bru Zane<\/p>\n\n\n\n

<\/div>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"

Camille Saint-Sa\u00ebns: \u201eLe Timbre d\u2019argent\u201c<\/p>","protected":false},"author":0,"featured_media":4060,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tpgb_global_settings":"","_editorskit_title_hidden":false,"_editorskit_reading_time":1,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","_eb_attr":"","footnotes":""},"categories":[223,225,368],"tags":[347,346,298,344,342,343,345],"class_list":["post-3381","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-medien","category-medien_2021_01","category-medien_2021_01_cd","tag-accentus-francois-xavier-roth-2-cds","tag-camille-saint-saens-le-timbre-dargent-1877-guilmette","tag-cd","tag-christoyannis-les-siecles","tag-devos","tag-montvidas","tag-shao"],"tpgb_featured_images":{"full":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/01\/CD_Saint-Saens.jpg",1440,887,false],"tp-image-grid":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/01\/CD_Saint-Saens-700x700.jpg",700,700,true],"thumbnail":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/01\/CD_Saint-Saens-600x185.jpg",600,185,true],"medium":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/01\/CD_Saint-Saens-1200x739.jpg",1200,739,true],"medium_large":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/01\/CD_Saint-Saens-768x473.jpg",600,370,true],"large":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/01\/CD_Saint-Saens-1024x631.jpg",600,370,true],"default":"https:\/\/www.orpheus-magazin.de\/wp-content\/plugins\/the-plus-addons-for-block-editor\/assets\/images\/tpgb-placeholder.jpg"},"tpgb_post_meta_info":{"get_date":"27. 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