{"id":5407,"date":"2021-03-08T11:34:20","date_gmt":"2021-03-08T10:34:20","guid":{"rendered":"https:\/\/www.orpheus-magazin.de\/?p=5407"},"modified":"2021-04-23T12:10:55","modified_gmt":"2021-04-23T10:10:55","slug":"glaenzender-hoergenuss-im-optischen-fluss","status":"publish","type":"post","link":"https:\/\/www.orpheus-magazin.de\/de\/2021\/03\/08\/glaenzender-hoergenuss-im-optischen-fluss\/","title":{"rendered":"Gl\u00e4nzender H\u00f6rgenuss im optischen Fluss?"},"content":{"rendered":"<p>Opernpremieren per Stream sind verdienstvolle und ermutigende Vorhaben sowohl f\u00fcr das Ensemble als auch f\u00fcr das Publikum \u2013 so auch die \u201eZauberfl\u00f6ten\u201c-Premiere des Salzburger Landestheaters. In der Regie von Christiane Lutz und unter der musikalischen Leitung von Leslie Suganandarajah agiert ein Ensemble, das sich vor allem h\u00f6ren lassen kann. Allen voran Alina Wunderlin, die mit wunderbarer Stimme und virtuosen Koloraturen die K\u00f6nigin der Nacht zwischen verzweifelter Mutterangst und vom Zorn \u00fcbermannter Racheg\u00f6ttin gestaltet. Laura Incko als Pamina und David Fischer als Tamino bringen als edles Liebespaar eine gute Mischung aus belcantischem Schmelz und schlanker Stimmf\u00fchrung mit. Laura Barthel mimt und singt mit koboldhaftem Charme die Papagena und George Humphreys kostet das kom\u00f6diantische Potential der Papageno-Rolle stimmlich und darstellerisch mit Vergn\u00fcgen aus. Die drei stimmsch\u00f6n singenden Damen Julia Moorman, Olivia Cosio und Verena Gunz f\u00fcgen sich zu fein abgestimmtem Triogesang zusammen. Kammers\u00e4nger Franz Supper verleiht dem Monostatos gef\u00e4hrliche, aber auch mitleidsvolle T\u00f6ne. Sein Dienstherr Sarastro bekommt durch Andreas H\u00f6rl sonor klingende priesterliche Weihe. Und die Rollen der drei Knaben \u00fcbernehmen tonsicher Mitglieder des Salzburger Festspiele und Theater Kinderchors.<\/p>\n\n\n\n<p>Die Regie vermittelt den interessanten Eindruck, dass es sich bei der Auseinandersetzung zwischen der K\u00f6nigin der Nacht und Sarastro um einen h\u00f6fischen Machtkampf im Palast oder Tempel der Sarastro-Fraktion handelt. Es gibt zwar in dem sparsamen, gleichwohl variablen B\u00fchnenbild von Christian Andr\u00e8 Tabakoff Ausweitungen der Raumgestaltung. Aber letztlich konzentriert sich das Spiel um eine Art Planetenglobus, zentral im Tempelraum auf einer Stele stehend. Um diese Mitte herum entwickelt Christiane Lutz mit einer Menge kreativer Ideen ihre Vorstellungen des Werkes. Aber letztlich will sich das Ganze in der filmischen Umsetzung noch nicht zu einer Einheit f\u00fcgen. Einerseits setzen die unterschiedlichen schauspielerischen M\u00f6glichkeiten des Ensembles der Umsetzung des Regiekonzepts Grenzen. Und die vielen Halbtotalen und Gro\u00dfaufnahmen der Kameras behindern den optischen Fluss des Gesamtgeschehens. Au\u00dferdem erfordern Gro\u00dfaufnahmen ein anderes Agieren der Darstellenden als Aufnahmen aus der Distanz. Nicht jeder, der auf der B\u00fchne live \u00fcberzeugend agiert, ist f\u00fcr das Spielen direkt vor der Kamera ausgebildet. Und die Gro\u00dfaufnahme legt das unerbittlich offen. So lange es Streams gibt, sollte sich die Videoregie darauf einstellen und mehr Distanz wahren. Oder aber camera-acting geh\u00f6rt zuk\u00fcnftig zur Opernausbildung.<\/p>\n\n\n\n<p>Einige Koordinationsprobleme zwischen Orchester und B\u00fchne m\u00f6gen der Premieren-Anspannung geschuldet sein. Ansonsten spielte das Mozarteumorchester Salzburg gewohnt kenntnisreich mit einem Anflug von historisch orientierter Spielpraxis.<\/p>\n\n\n\n<p>Insgesamt Respekt vor dieser Inszenierung, die im Vorfeld und bei der Durchf\u00fchrung sicher viele Pandemie-Probleme bew\u00e4ltigen musste.<\/p>\n\n\n\n<p class=\"has-text-align-right\"><em>Claus-Ulrich Heinke<\/em><\/p>\n\n\n\n<p><strong>\u201eDie Zauberfl\u00f6te\u201c (1791) \/\/ Oper von Wolfgang Amadeus Mozart<\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p><span class=\"location\">Salzburg \/ Salzburger Landestheater (M\u00e4rz 2021)<\/span><\/br><br \/>\nChancen und Risiken einer gestreamten \u201eZauberfl\u00f6te\u201c<\/p>","protected":false},"author":12,"featured_media":5410,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tpgb_global_settings":"","_editorskit_title_hidden":false,"_editorskit_reading_time":1,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","_eb_attr":"","footnotes":""},"categories":[815,34],"tags":[820,829,831,818,699,822,833,828,824,821,825,823,819,832,480,826,422,423,450,425,426,424,816,830,817,451,481,827,253],"class_list":["post-5407","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen-2021-03","category-rezensionen","tag-alina-wunderlin","tag-andreas-hoerl","tag-christian-andre-tabakoff","tag-christiane-lutz","tag-claus-ulrich-heinke","tag-david-fischer","tag-die-zauberfloete","tag-franz-supper","tag-george-humphreys","tag-jana-baumeister","tag-julia-moorman","tag-laura-barthel","tag-leslie-suganandarajah","tag-mozarteumorchester-salzburg","tag-musiktheater","tag-olivia-cosio","tag-oper","tag-opernkritik","tag-opernstreaming","tag-orpheus","tag-orpheus-magazin","tag-premierenkritik","tag-salzburg","tag-salzburger-festspiele-und-theater-kinderchor","tag-salzburger-landestheater","tag-streaming","tag-streamingkritik","tag-verena-gunz","tag-wolfgang-amadeus-mozart"],"tpgb_featured_images":{"full":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/03\/FSG_Salzburg_Die-Zauberfloete-1614612308_sl1_1205-c-Anna-Maria-Loeffelberger-scaled.jpg",2560,1709,false],"tp-image-grid":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/03\/FSG_Salzburg_Die-Zauberfloete-1614612308_sl1_1205-c-Anna-Maria-Loeffelberger-scaled.jpg",700,467,false],"thumbnail":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/03\/FSG_Salzburg_Die-Zauberfloete-1614612308_sl1_1205-c-Anna-Maria-Loeffelberger-scaled-e1615199573204-150x150.jpg",150,150,true],"medium":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/03\/FSG_Salzburg_Die-Zauberfloete-1614612308_sl1_1205-c-Anna-Maria-Loeffelberger-scaled-e1615199573204-300x169.jpg",300,169,true],"medium_large":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/03\/FSG_Salzburg_Die-Zauberfloete-1614612308_sl1_1205-c-Anna-Maria-Loeffelberger-scaled-e1615199573204-768x432.jpg",600,338,true],"large":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/03\/FSG_Salzburg_Die-Zauberfloete-1614612308_sl1_1205-c-Anna-Maria-Loeffelberger-scaled-e1615199573204-1024x576.jpg",600,338,true],"default":"https:\/\/www.orpheus-magazin.de\/wp-content\/plugins\/the-plus-addons-for-block-editor\/assets\/images\/tpgb-placeholder.jpg"},"tpgb_post_meta_info":{"get_date":"8. M\u00e4rz 2021","get_modified_date":"23. April 2021","category_list":{"category":[{"term_id":815,"name":"Rezensionen 2021\/03","slug":"rezensionen-2021-03","term_group":0,"term_taxonomy_id":815,"taxonomy":"category","description":"","parent":34,"count":21,"filter":"raw","order":"0"},{"term_id":34,"name":"Rezensionen","slug":"rezensionen","term_group":0,"term_taxonomy_id":34,"taxonomy":"category","description":"","parent":0,"count":441,"filter":"raw","order":"0"}],"post_tag":[{"term_id":820,"name":"Alina Wunderlin","slug":"alina-wunderlin","term_group":0,"term_taxonomy_id":820,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw","order":"0"},{"term_id":829,"name":"Andreas H\u00f6rl","slug":"andreas-hoerl","term_group":0,"term_taxonomy_id":829,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw","order":"0"},{"term_id":831,"name":"Christian Andr\u00e8 Tabakoff","slug":"christian-andre-tabakoff","term_group":0,"term_taxonomy_id":831,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw","order":"0"},{"term_id":818,"name":"Christiane Lutz","slug":"christiane-lutz","term_group":0,"term_taxonomy_id":818,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw","order":"0"},{"term_id":699,"name":"Claus-Ulrich Heinke","slug":"claus-ulrich-heinke","term_group":0,"term_taxonomy_id":699,"taxonomy":"post_tag","description":"","parent":0,"count":4,"filter":"raw","order":"0"},{"term_id":822,"name":"David Fischer","slug":"david-fischer","term_group":0,"term_taxonomy_id":822,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw","order":"0"},{"term_id":833,"name":"Die Zauberfl\u00f6te","slug":"die-zauberfloete","term_group":0,"term_taxonomy_id":833,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw","order":"0"},{"term_id":828,"name":"Franz Supper","slug":"franz-supper","term_group":0,"term_taxonomy_id":828,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw","order":"0"},{"term_id":824,"name":"George Humphreys","slug":"george-humphreys","term_group":0,"term_taxonomy_id":824,"taxonomy":"post_tag","description":"","parent":0,"count":2,"filter":"raw","order":"0"},{"term_id":821,"name":"Jana Baumeister","slug":"jana-baumeister","term_group":0,"term_taxonomy_id":821,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw","order":"0"},{"term_id":825,"name":"Julia Moorman","slug":"julia-moorman","term_group":0,"term_taxonomy_id":825,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw","order":"0"},{"term_id":823,"name":"Laura Barthel","slug":"laura-barthel","term_group":0,"term_taxonomy_id":823,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw","order":"0"},{"term_id":819,"name":"Leslie Suganandarajah","slug":"leslie-suganandarajah","term_group":0,"term_taxonomy_id":819,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw","order":"0"},{"term_id":832,"name":"Mozarteumorchester Salzburg","slug":"mozarteumorchester-salzburg","term_group":0,"term_taxonomy_id":832,"taxonomy":"post_tag","description":"","parent":0,"count":2,"filter":"raw","order":"0"},{"term_id":480,"name":"Musiktheater","slug":"musiktheater","term_group":0,"term_taxonomy_id":480,"taxonomy":"post_tag","description":"","parent":0,"count":45,"filter":"raw","order":"0"},{"term_id":826,"name":"Olivia Cosio","slug":"olivia-cosio","term_group":0,"term_taxonomy_id":826,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw","order":"0"},{"term_id":422,"name":"Oper","slug":"oper","term_group":0,"term_taxonomy_id":422,"taxonomy":"post_tag","description":"","parent":0,"count":43,"filter":"raw","order":"0"},{"term_id":423,"name":"Opernkritik","slug":"opernkritik","term_group":0,"term_taxonomy_id":423,"taxonomy":"post_tag","description":"","parent":0,"count":42,"filter":"raw","order":"0"},{"term_id":450,"name":"Opernstreaming","slug":"opernstreaming","term_group":0,"term_taxonomy_id":450,"taxonomy":"post_tag","description":"","parent":0,"count":28,"filter":"raw","order":"0"},{"term_id":425,"name":"orpheus","slug":"orpheus","term_group":0,"term_taxonomy_id":425,"taxonomy":"post_tag","description":"","parent":0,"count":83,"filter":"raw","order":"0"},{"term_id":426,"name":"Orpheus Magazin","slug":"orpheus-magazin","term_group":0,"term_taxonomy_id":426,"taxonomy":"post_tag","description":"","parent":0,"count":83,"filter":"raw","order":"0"},{"term_id":424,"name":"Premierenkritik","slug":"premierenkritik","term_group":0,"term_taxonomy_id":424,"taxonomy":"post_tag","description":"","parent":0,"count":56,"filter":"raw","order":"0"},{"term_id":816,"name":"Salzburg","slug":"salzburg","term_group":0,"term_taxonomy_id":816,"taxonomy":"post_tag","description":"","parent":0,"count":4,"filter":"raw","order":"0"},{"term_id":830,"name":"Salzburger Festspiele und Theater Kinderchor","slug":"salzburger-festspiele-und-theater-kinderchor","term_group":0,"term_taxonomy_id":830,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw","order":"0"},{"term_id":817,"name":"Salzburger Landestheater","slug":"salzburger-landestheater","term_group":0,"term_taxonomy_id":817,"taxonomy":"post_tag","description":"","parent":0,"count":2,"filter":"raw","order":"0"},{"term_id":451,"name":"Streaming","slug":"streaming","term_group":0,"term_taxonomy_id":451,"taxonomy":"post_tag","description":"","parent":0,"count":27,"filter":"raw","order":"0"},{"term_id":481,"name":"Streamingkritik","slug":"streamingkritik","term_group":0,"term_taxonomy_id":481,"taxonomy":"post_tag","description":"","parent":0,"count":33,"filter":"raw","order":"0"},{"term_id":827,"name":"Verena Gunz","slug":"verena-gunz","term_group":0,"term_taxonomy_id":827,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw","order":"0"},{"term_id":253,"name":"Wolfgang Amadeus Mozart","slug":"wolfgang-amadeus-mozart","term_group":0,"term_taxonomy_id":253,"taxonomy":"post_tag","description":"","parent":0,"count":5,"filter":"raw","order":"0"}]},"author_name":"Florian Maier","author_url":"https:\/\/www.orpheus-magazin.de\/de\/author\/redaktionorpheus-magazin-de\/","author_email":"redaktion@orpheus-magazin.de","author_website":"","author_description":"","author_facebook":"","author_twitter":"","author_instagram":"","author_role":["administrator"],"author_firstname":"Florian","author_lastname":"Maier","user_login":"redaktion@orpheus-magazin.de","author_avatar":"<img alt='' src='https:\/\/secure.gravatar.com\/avatar\/5ee5bbfa3e4d8e8fd4c1781cc619164177d374083eb6aa532bc9f2ba5f9c346a?s=200&#038;d=mm&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/5ee5bbfa3e4d8e8fd4c1781cc619164177d374083eb6aa532bc9f2ba5f9c346a?s=400&#038;d=mm&#038;r=g 2x' class='avatar avatar-200 photo' height='200' width='200' decoding='async'\/>","author_avatar_url":"https:\/\/secure.gravatar.com\/avatar\/5ee5bbfa3e4d8e8fd4c1781cc619164177d374083eb6aa532bc9f2ba5f9c346a?s=96&d=mm&r=g","comment_count":0,"post_likes":0,"post_views":0},"tpgb_post_category":{"category":"<a href=\"https:\/\/www.orpheus-magazin.de\/de\/category\/rezensionen\/rezensionen-2021-03\/\" alt=\"Rezensionen 2021\/03\"  class=\"category-rezensionen-2021-03\">Rezensionen 2021\/03<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/category\/rezensionen\/\" alt=\"Rezensionen\"  class=\"category-rezensionen\">Rezensionen<\/a> ","post_tag":"<a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/alina-wunderlin\/\" alt=\"Alina Wunderlin\"  class=\"post_tag-alina-wunderlin\">Alina Wunderlin<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/andreas-hoerl\/\" alt=\"Andreas H\u00f6rl\"  class=\"post_tag-andreas-hoerl\">Andreas H\u00f6rl<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/christian-andre-tabakoff\/\" alt=\"Christian Andr\u00e8 Tabakoff\"  class=\"post_tag-christian-andre-tabakoff\">Christian Andr\u00e8 Tabakoff<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/christiane-lutz\/\" alt=\"Christiane Lutz\"  class=\"post_tag-christiane-lutz\">Christiane Lutz<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/claus-ulrich-heinke\/\" alt=\"Claus-Ulrich Heinke\"  class=\"post_tag-claus-ulrich-heinke\">Claus-Ulrich Heinke<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/david-fischer\/\" alt=\"David Fischer\"  class=\"post_tag-david-fischer\">David Fischer<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/die-zauberfloete\/\" alt=\"Die Zauberfl\u00f6te\"  class=\"post_tag-die-zauberfloete\">Die Zauberfl\u00f6te<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/franz-supper\/\" alt=\"Franz Supper\"  class=\"post_tag-franz-supper\">Franz Supper<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/george-humphreys\/\" alt=\"George Humphreys\"  class=\"post_tag-george-humphreys\">George Humphreys<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/jana-baumeister\/\" alt=\"Jana Baumeister\"  class=\"post_tag-jana-baumeister\">Jana Baumeister<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/julia-moorman\/\" alt=\"Julia Moorman\"  class=\"post_tag-julia-moorman\">Julia Moorman<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/laura-barthel\/\" alt=\"Laura Barthel\"  class=\"post_tag-laura-barthel\">Laura Barthel<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/leslie-suganandarajah\/\" alt=\"Leslie Suganandarajah\"  class=\"post_tag-leslie-suganandarajah\">Leslie Suganandarajah<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/mozarteumorchester-salzburg\/\" alt=\"Mozarteumorchester Salzburg\"  class=\"post_tag-mozarteumorchester-salzburg\">Mozarteumorchester Salzburg<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/musiktheater\/\" alt=\"Musiktheater\"  class=\"post_tag-musiktheater\">Musiktheater<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/olivia-cosio\/\" alt=\"Olivia Cosio\"  class=\"post_tag-olivia-cosio\">Olivia Cosio<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/oper\/\" alt=\"Oper\"  class=\"post_tag-oper\">Oper<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/opernkritik\/\" alt=\"Opernkritik\"  class=\"post_tag-opernkritik\">Opernkritik<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/opernstreaming\/\" alt=\"Opernstreaming\"  class=\"post_tag-opernstreaming\">Opernstreaming<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/orpheus\/\" alt=\"orpheus\"  class=\"post_tag-orpheus\">orpheus<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/orpheus-magazin\/\" alt=\"Orpheus Magazin\"  class=\"post_tag-orpheus-magazin\">Orpheus Magazin<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/premierenkritik\/\" alt=\"Premierenkritik\"  class=\"post_tag-premierenkritik\">Premierenkritik<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/salzburg\/\" alt=\"Salzburg\"  class=\"post_tag-salzburg\">Salzburg<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/salzburger-festspiele-und-theater-kinderchor\/\" alt=\"Salzburger Festspiele und Theater Kinderchor\"  class=\"post_tag-salzburger-festspiele-und-theater-kinderchor\">Salzburger Festspiele und Theater Kinderchor<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/salzburger-landestheater\/\" alt=\"Salzburger Landestheater\"  class=\"post_tag-salzburger-landestheater\">Salzburger Landestheater<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/streaming\/\" alt=\"Streaming\"  class=\"post_tag-streaming\">Streaming<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/streamingkritik\/\" alt=\"Streamingkritik\"  class=\"post_tag-streamingkritik\">Streamingkritik<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/verena-gunz\/\" alt=\"Verena Gunz\"  class=\"post_tag-verena-gunz\">Verena Gunz<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/wolfgang-amadeus-mozart\/\" alt=\"Wolfgang Amadeus Mozart\"  class=\"post_tag-wolfgang-amadeus-mozart\">Wolfgang Amadeus Mozart<\/a> "},"_links":{"self":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/posts\/5407","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/comments?post=5407"}],"version-history":[{"count":0,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/posts\/5407\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/media\/5410"}],"wp:attachment":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/media?parent=5407"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/categories?post=5407"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/tags?post=5407"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}