{"id":5515,"date":"2021-03-24T17:50:51","date_gmt":"2021-03-24T16:50:51","guid":{"rendered":"https:\/\/www.orpheus-magazin.de\/?p=5515"},"modified":"2021-04-28T12:15:58","modified_gmt":"2021-04-28T10:15:58","slug":"ein-sonderbar-ding","status":"publish","type":"post","link":"https:\/\/www.orpheus-magazin.de\/de\/2021\/03\/24\/ein-sonderbar-ding\/","title":{"rendered":"Ein sonderbar Ding &#8230;"},"content":{"rendered":"<p>Um in M\u00fcnchen eine uralte \u201eRosenkavalier\u201c-Inszenierung mit Kultstatus von Otto Schenk zu ersetzen, braucht es nicht nur Mut, sondern auch einen ambitionierten und perfektionistischen Regie-K\u00f6nner wie Barrie Kosky. Dazu das Bayerische Staatsorchester, das auch in pandemiebedingt auf 43 K\u00f6pfe reduzierter St\u00e4rke in der Instrumentierung von Eberhard Kloke und unter der Leitung des designierten Generalmusikdirektors Vladimir Jurowski einen kammermusikalisch transparenten Klang beisteuert. Vor allem aber braucht es eine vokale Deluxe-Besetzung, die das Schmuckst\u00fcck von Richard Strauss und Hugo von Hofmannsthal 110 Jahre nach der Dresdner Urauff\u00fchrung so zum Leuchten bringt, dass einem selbst vor dem Bildschirm noch der Atem wegbleibt. Allesamt nutzen diesen speziellen Strauss-Klang durchweg f\u00fcr ein Fest der Stimmen.<\/p>\n\n\n\n<p>Das gilt zuerst f\u00fcr die drei Damen an der Spitze des Ensembles, allen voran die durchweg intelligent gef\u00fchlvolle und hochsouver\u00e4ne Marlis Petersen mit ihrem Marschallinen-Deb\u00fct. Samantha Hankey hebt sich mit ihrem androgynen Octavian vokal dagegen ab und Katharina Konradi vervollst\u00e4ndigt mit bet\u00f6rend jugendlicher Klarheit dieses ber\u00fchmte Damen-Terzett. Wenn sich diese drei zusammenfinden, ist das eine vokale Sternstunde. Passend dazu ist Christof Fischesser ein Ochs von vitaler Pr\u00e4gnanz und Johannes Martin Kr\u00e4nzle der souver\u00e4ne Faninal. Weil auch die \u00fcbrigen Rollen durch die Bank vorz\u00fcglich besetzt sind, ist ein musikalisches Glanzst\u00fcck zu vermelden.<\/p>\n\n\n\n<p>F\u00fcr seine Inszenierung spielt Kosky metaphorisch mit der Zeit, \u201edem sonderbar Ding\u201c, und \u00fcberblendet damit einen Perspektivenwechsel. Im ersten Akt nimmt er die der Marschallin ein, im zweiten die von Sophie. Der dritte Akt wird zu einer Inszenierung von Octavian. Im d\u00fcsteren Schlafzimmer der Marschallin ist nur der Auftritt des S\u00e4ngers ein Barockglanzlicht. In der \u00fcbervollen Gem\u00e4ldegalerie bei Faninals wird das Auftauchen der silbernen Prunkkutsche samt Octavian und Silberrose zum Coup. Den dritten Aufzug verlegt Kosky vom Vorstadtbeisl in ein Vorstadttheater. Hier inszeniert Octavian den Ochs aus dem St\u00fcck, um dann gemeinsam mit Sophie wortw\u00f6rtlich gen Himmel zu entschweben. Als optischer Running Gag geistert ein halbnackter gealterter Cupido durchs St\u00fcck und bricht am Ende den Zeiger aus der gro\u00dfen Standuhr, auf deren Pendel sich auch die Marschallin einmal sinnig schaukelt. Kosky setzt in seiner Inszenierung auf die Nahaufnahmen seiner Protagonisten \u2013 und hat dabei die richtigen Verb\u00fcndeten. Dieses ganz besondere, zauberhafte Als-ob-Wien aus der Zeit Maria Theresias als Ganzes bleibt da beinahe auf der Strecke und so vor allem eine klingende Erinnerung.<\/p>\n\n\n\n<p class=\"has-text-align-right\"><em>Roberto Becker<\/em><\/p>\n\n\n\n<p><strong>\u201eDer Rosenkavalier\u201c (1911) \/\/ Kom\u00f6die f\u00fcr Musik von Richard Strauss in einer Bearbeitung von Eberhard Kloke<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/operlive.de\/rosenkavalier\/\" target=\"_blank\" aria-label=\"Die Inszenierung ist als Video-on-Demand bis 19. April 2021 kostenfrei \u00fcber die Website des Theaters verf\u00fcgbar. (opens in a new tab)\" rel=\"noreferrer noopener\" class=\"ek-link\">Die Inszenierung ist als Video-on-Demand bis 19. April 2021 kostenfrei \u00fcber die Website des Theaters verf\u00fcgbar.<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p><span class=\"location\">M\u00fcnchen \/ Bayerische Staatsoper (M\u00e4rz 2021)<\/span><\/br><br \/>\nBarrie Kosky inszeniert den \u201eRosenkavalier\u201c<\/p>","protected":false},"author":12,"featured_media":5516,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"tpgb_global_settings":"","_editorskit_title_hidden":false,"_editorskit_reading_time":1,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","_eb_attr":"","footnotes":""},"categories":[34,815],"tags":[936,273,937,941,49,468,934,942,940,938,272,422,423,450,425,426,935,424,50,944,939,451,481,961],"class_list":["post-5515","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezensionen","category-rezensionen-2021-03","tag-barrie-kosky","tag-bayerische-staatsoper","tag-bayerisches-staatsorchester","tag-christof-fischesser","tag-der-rosenkavalier","tag-eberhard-kloke","tag-hugo-von-hofmannsthal","tag-johannes-martin-kraenzle","tag-katharina-konradi","tag-marlis-petersen","tag-muenchen","tag-oper","tag-opernkritik","tag-opernstreaming","tag-orpheus","tag-orpheus-magazin","tag-otto-schenk","tag-premierenkritik","tag-richard-strauss","tag-roberto-becker","tag-samantha-hankey","tag-streaming","tag-streamingkritik","tag-vladimir-jurowski"],"tpgb_featured_images":{"full":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/03\/FSG_Muenchen_Der-Rosenkavalier_c_W_Hoesl__12_-c-Wilfried-Hoesl-scaled-e1616597602314.jpg",2560,1440,false],"tp-image-grid":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/03\/FSG_Muenchen_Der-Rosenkavalier_c_W_Hoesl__12_-c-Wilfried-Hoesl-scaled-e1616597602314.jpg",700,394,false],"thumbnail":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/03\/FSG_Muenchen_Der-Rosenkavalier_c_W_Hoesl__12_-c-Wilfried-Hoesl-scaled-e1616597602314-150x150.jpg",150,150,true],"medium":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/03\/FSG_Muenchen_Der-Rosenkavalier_c_W_Hoesl__12_-c-Wilfried-Hoesl-scaled-e1616597602314-300x169.jpg",300,169,true],"medium_large":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/03\/FSG_Muenchen_Der-Rosenkavalier_c_W_Hoesl__12_-c-Wilfried-Hoesl-scaled-e1616597602314-768x432.jpg",600,338,true],"large":["https:\/\/www.orpheus-magazin.de\/wp-content\/uploads\/2021\/03\/FSG_Muenchen_Der-Rosenkavalier_c_W_Hoesl__12_-c-Wilfried-Hoesl-scaled-e1616597602314-1024x576.jpg",600,338,true],"default":"https:\/\/www.orpheus-magazin.de\/wp-content\/plugins\/the-plus-addons-for-block-editor\/assets\/images\/tpgb-placeholder.jpg"},"tpgb_post_meta_info":{"get_date":"24. M\u00e4rz 2021","get_modified_date":"28. April 2021","category_list":{"category":[{"term_id":34,"name":"Rezensionen","slug":"rezensionen","term_group":0,"term_taxonomy_id":34,"taxonomy":"category","description":"","parent":0,"count":441,"filter":"raw","order":"0"},{"term_id":815,"name":"Rezensionen 2021\/03","slug":"rezensionen-2021-03","term_group":0,"term_taxonomy_id":815,"taxonomy":"category","description":"","parent":34,"count":21,"filter":"raw","order":"0"}],"post_tag":[{"term_id":936,"name":"Barrie Kosky","slug":"barrie-kosky","term_group":0,"term_taxonomy_id":936,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw","order":"0"},{"term_id":273,"name":"Bayerische Staatsoper","slug":"bayerische-staatsoper","term_group":0,"term_taxonomy_id":273,"taxonomy":"post_tag","description":"","parent":0,"count":10,"filter":"raw","order":"0"},{"term_id":937,"name":"Bayerisches Staatsorchester","slug":"bayerisches-staatsorchester","term_group":0,"term_taxonomy_id":937,"taxonomy":"post_tag","description":"","parent":0,"count":3,"filter":"raw","order":"0"},{"term_id":941,"name":"Christof Fischesser","slug":"christof-fischesser","term_group":0,"term_taxonomy_id":941,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw","order":"0"},{"term_id":49,"name":"Der Rosenkavalier","slug":"der-rosenkavalier","term_group":0,"term_taxonomy_id":49,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw","order":"0"},{"term_id":468,"name":"Eberhard Kloke","slug":"eberhard-kloke","term_group":0,"term_taxonomy_id":468,"taxonomy":"post_tag","description":"","parent":0,"count":3,"filter":"raw","order":"0"},{"term_id":934,"name":"Hugo von Hofmannsthal","slug":"hugo-von-hofmannsthal","term_group":0,"term_taxonomy_id":934,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw","order":"0"},{"term_id":942,"name":"Johannes Martin Kr\u00e4nzle","slug":"johannes-martin-kraenzle","term_group":0,"term_taxonomy_id":942,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw","order":"0"},{"term_id":940,"name":"Katharina Konradi","slug":"katharina-konradi","term_group":0,"term_taxonomy_id":940,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw","order":"0"},{"term_id":938,"name":"Marlis Petersen","slug":"marlis-petersen","term_group":0,"term_taxonomy_id":938,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw","order":"0"},{"term_id":272,"name":"M\u00fcnchen","slug":"muenchen","term_group":0,"term_taxonomy_id":272,"taxonomy":"post_tag","description":"","parent":0,"count":9,"filter":"raw","order":"0"},{"term_id":422,"name":"Oper","slug":"oper","term_group":0,"term_taxonomy_id":422,"taxonomy":"post_tag","description":"","parent":0,"count":43,"filter":"raw","order":"0"},{"term_id":423,"name":"Opernkritik","slug":"opernkritik","term_group":0,"term_taxonomy_id":423,"taxonomy":"post_tag","description":"","parent":0,"count":42,"filter":"raw","order":"0"},{"term_id":450,"name":"Opernstreaming","slug":"opernstreaming","term_group":0,"term_taxonomy_id":450,"taxonomy":"post_tag","description":"","parent":0,"count":28,"filter":"raw","order":"0"},{"term_id":425,"name":"orpheus","slug":"orpheus","term_group":0,"term_taxonomy_id":425,"taxonomy":"post_tag","description":"","parent":0,"count":83,"filter":"raw","order":"0"},{"term_id":426,"name":"Orpheus Magazin","slug":"orpheus-magazin","term_group":0,"term_taxonomy_id":426,"taxonomy":"post_tag","description":"","parent":0,"count":83,"filter":"raw","order":"0"},{"term_id":935,"name":"Otto Schenk","slug":"otto-schenk","term_group":0,"term_taxonomy_id":935,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw","order":"0"},{"term_id":424,"name":"Premierenkritik","slug":"premierenkritik","term_group":0,"term_taxonomy_id":424,"taxonomy":"post_tag","description":"","parent":0,"count":56,"filter":"raw","order":"0"},{"term_id":50,"name":"Richard Strauss","slug":"richard-strauss","term_group":0,"term_taxonomy_id":50,"taxonomy":"post_tag","description":"","parent":0,"count":4,"filter":"raw","order":"0"},{"term_id":944,"name":"Roberto Becker","slug":"roberto-becker","term_group":0,"term_taxonomy_id":944,"taxonomy":"post_tag","description":"","parent":0,"count":4,"filter":"raw","order":"0"},{"term_id":939,"name":"Samantha Hankey","slug":"samantha-hankey","term_group":0,"term_taxonomy_id":939,"taxonomy":"post_tag","description":"","parent":0,"count":1,"filter":"raw","order":"0"},{"term_id":451,"name":"Streaming","slug":"streaming","term_group":0,"term_taxonomy_id":451,"taxonomy":"post_tag","description":"","parent":0,"count":27,"filter":"raw","order":"0"},{"term_id":481,"name":"Streamingkritik","slug":"streamingkritik","term_group":0,"term_taxonomy_id":481,"taxonomy":"post_tag","description":"","parent":0,"count":33,"filter":"raw","order":"0"},{"term_id":961,"name":"Vladimir Jurowski","slug":"vladimir-jurowski","term_group":0,"term_taxonomy_id":961,"taxonomy":"post_tag","description":"","parent":0,"count":3,"filter":"raw","order":"0"}]},"author_name":"Florian Maier","author_url":"https:\/\/www.orpheus-magazin.de\/de\/author\/redaktionorpheus-magazin-de\/","author_email":"redaktion@orpheus-magazin.de","author_website":"","author_description":"","author_facebook":"","author_twitter":"","author_instagram":"","author_role":["administrator"],"author_firstname":"Florian","author_lastname":"Maier","user_login":"redaktion@orpheus-magazin.de","author_avatar":"<img alt='' src='https:\/\/secure.gravatar.com\/avatar\/5ee5bbfa3e4d8e8fd4c1781cc619164177d374083eb6aa532bc9f2ba5f9c346a?s=200&#038;d=mm&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/5ee5bbfa3e4d8e8fd4c1781cc619164177d374083eb6aa532bc9f2ba5f9c346a?s=400&#038;d=mm&#038;r=g 2x' class='avatar avatar-200 photo' height='200' width='200' decoding='async'\/>","author_avatar_url":"https:\/\/secure.gravatar.com\/avatar\/5ee5bbfa3e4d8e8fd4c1781cc619164177d374083eb6aa532bc9f2ba5f9c346a?s=96&d=mm&r=g","comment_count":0,"post_likes":0,"post_views":0},"tpgb_post_category":{"category":"<a href=\"https:\/\/www.orpheus-magazin.de\/de\/category\/rezensionen\/\" alt=\"Rezensionen\"  class=\"category-rezensionen\">Rezensionen<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/category\/rezensionen\/rezensionen-2021-03\/\" alt=\"Rezensionen 2021\/03\"  class=\"category-rezensionen-2021-03\">Rezensionen 2021\/03<\/a> ","post_tag":"<a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/barrie-kosky\/\" alt=\"Barrie Kosky\"  class=\"post_tag-barrie-kosky\">Barrie Kosky<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/bayerische-staatsoper\/\" alt=\"Bayerische Staatsoper\"  class=\"post_tag-bayerische-staatsoper\">Bayerische Staatsoper<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/bayerisches-staatsorchester\/\" alt=\"Bayerisches Staatsorchester\"  class=\"post_tag-bayerisches-staatsorchester\">Bayerisches Staatsorchester<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/christof-fischesser\/\" alt=\"Christof Fischesser\"  class=\"post_tag-christof-fischesser\">Christof Fischesser<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/der-rosenkavalier\/\" alt=\"Der Rosenkavalier\"  class=\"post_tag-der-rosenkavalier\">Der Rosenkavalier<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/eberhard-kloke\/\" alt=\"Eberhard Kloke\"  class=\"post_tag-eberhard-kloke\">Eberhard Kloke<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/hugo-von-hofmannsthal\/\" alt=\"Hugo von Hofmannsthal\"  class=\"post_tag-hugo-von-hofmannsthal\">Hugo von Hofmannsthal<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/johannes-martin-kraenzle\/\" alt=\"Johannes Martin Kr\u00e4nzle\"  class=\"post_tag-johannes-martin-kraenzle\">Johannes Martin Kr\u00e4nzle<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/katharina-konradi\/\" alt=\"Katharina Konradi\"  class=\"post_tag-katharina-konradi\">Katharina Konradi<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/marlis-petersen\/\" alt=\"Marlis Petersen\"  class=\"post_tag-marlis-petersen\">Marlis Petersen<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/muenchen\/\" alt=\"M\u00fcnchen\"  class=\"post_tag-muenchen\">M\u00fcnchen<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/oper\/\" alt=\"Oper\"  class=\"post_tag-oper\">Oper<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/opernkritik\/\" alt=\"Opernkritik\"  class=\"post_tag-opernkritik\">Opernkritik<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/opernstreaming\/\" alt=\"Opernstreaming\"  class=\"post_tag-opernstreaming\">Opernstreaming<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/orpheus\/\" alt=\"orpheus\"  class=\"post_tag-orpheus\">orpheus<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/orpheus-magazin\/\" alt=\"Orpheus Magazin\"  class=\"post_tag-orpheus-magazin\">Orpheus Magazin<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/otto-schenk\/\" alt=\"Otto Schenk\"  class=\"post_tag-otto-schenk\">Otto Schenk<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/premierenkritik\/\" alt=\"Premierenkritik\"  class=\"post_tag-premierenkritik\">Premierenkritik<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/richard-strauss\/\" alt=\"Richard Strauss\"  class=\"post_tag-richard-strauss\">Richard Strauss<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/roberto-becker\/\" alt=\"Roberto Becker\"  class=\"post_tag-roberto-becker\">Roberto Becker<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/samantha-hankey\/\" alt=\"Samantha Hankey\"  class=\"post_tag-samantha-hankey\">Samantha Hankey<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/streaming\/\" alt=\"Streaming\"  class=\"post_tag-streaming\">Streaming<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/streamingkritik\/\" alt=\"Streamingkritik\"  class=\"post_tag-streamingkritik\">Streamingkritik<\/a> <a href=\"https:\/\/www.orpheus-magazin.de\/de\/tag\/vladimir-jurowski\/\" alt=\"Vladimir Jurowski\"  class=\"post_tag-vladimir-jurowski\">Vladimir Jurowski<\/a> "},"_links":{"self":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/posts\/5515","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/comments?post=5515"}],"version-history":[{"count":0,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/posts\/5515\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/media\/5516"}],"wp:attachment":[{"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/media?parent=5515"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/categories?post=5515"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.orpheus-magazin.de\/de\/wp-json\/wp\/v2\/tags?post=5515"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}