{"id":13218,"date":"2026-04-17T14:00:11","date_gmt":"2026-04-17T12:00:11","guid":{"rendered":"https:\/\/www.orpheus-magazin.de\/?post_type=product&#038;p=13218"},"modified":"2026-04-17T14:49:40","modified_gmt":"2026-04-17T12:49:40","slug":"print-ausgabe-02-2026","status":"publish","type":"product","link":"https:\/\/www.orpheus-magazin.de\/de\/product\/print-ausgabe-02-2026\/","title":{"rendered":"Print-Ausgabe 02\/2026"},"content":{"rendered":"<h2>In dieser Ausgabe lesen Sie:<\/h2>\n<p>Ist das Kunst oder kann das weg? Der Einfluss von KI und Social Media auf das Musiktheater | Vom Countertenor ins Heldenfach: Interview mit Christopher Sokolowski | Talbot Runhof \u2013 Haute Couture f\u00fcr die B\u00fchne | Sopranistin Nikola Hillebrand \u00fcber Operette, Karriere und k\u00fcnstlerische Freiheit | Wie klingt Augsburg-Oberhausen? Einblicke in eine Community Oper im multikulturellen Stadtteil | u.v.m.<\/p>\n<p><a href=\"https:\/\/www.orpheus-magazin.de\/de\/ausgabe-02-2026\/\" target=\"_blank\" rel=\"noopener\">\u00bb Inhaltsverzeichnis<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>In dieser Ausgabe lesen Sie: Ist das Kunst oder kann das weg? Der Einfluss von KI und Social Media auf das Musiktheater | Vom Countertenor ins Heldenfach: Interview mit Christopher Sokolowski | Talbot Runhof \u2013 Haute Couture f\u00fcr die B\u00fchne | Sopranistin Nikola Hillebrand \u00fcber Operette, Karriere und k\u00fcnstlerische Freiheit | Wie klingt Augsburg-Oberhausen? 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